{ "id": "epd0s3esx6", "slug": "a-soul-haunted-by-painting", "title": "A Soul Haunted by Painting (画魂)", "updated": "2026-11-01", "topic_path": [ { "id": "culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/topics/culture" }, { "id": "culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance" }, { "id": "culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen" }, { "id": "culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films" }, { "id": "culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical", "label": "Drama and biographical films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1990s", "label": "Drama films 1990s", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1990s" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1990s.drama-films-early-1990s", "label": "Drama films early 1990s", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1990s.drama-films-early-1990s" } ], "geo": [ { "id": "geo.chn.t1946.culture.performance.screen.films.films.individual-works.drama-biographical", "label": "China · 1946 to 2000: Drama and biographical films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance.screen.films.films.individual-works.drama-biographical", "path": [ { "id": "geo.chn", "label": "China", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn" }, { "id": "geo.chn.t1946", "label": "China · 1946 to 2000", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946" }, { "id": "geo.chn.t1946.culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture" }, { "id": "geo.chn.t1946.culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance" }, { "id": "geo.chn.t1946.culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance.screen" }, { "id": "geo.chn.t1946.culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance.screen.films" }, { "id": "geo.chn.t1946.culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance.screen.films.films.individual-works" }, { "id": "geo.chn.t1946.culture.performance.screen.films.films.individual-works.drama-biographical", "label": "Drama and biographical films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.chn.t1946.culture.performance.screen.films.films.individual-works.drama-biographical" } ] } ], "excerpt": "A Soul Haunted by Painting (画魂) is Huang Shuqin's 1994 biographical film starring Gong Li as painter Pan Yuliang, adapted from Shi Nan's novel, censored, restored in 4K in 2018.", "snippet": "A Soul Haunted by Painting (画魂) is Huang Shuqin's 1994 biographical film starring Gong Li as painter Pan Yuliang, adapted from Shi Nan's novel, censored, restored in 4K in 2018.", "node": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1990s.drama-films-early-1990s", "markdown": "# A Soul Haunted by Painting (画魂)\n\n*A Soul Haunted by Painting* (画魂, also released as *La Peintre* or *Soul of a Painter*) is a 1994 Chinese biographical drama film directed by Huang Shuqin (黄蜀芹) that dramatizes the life of the painter Pan Yuliang (潘玉良), a woman sold into a brothel in her youth who became one of China's internationally recognized modern artists[1](https://www.baike.com/wikiid/2950156939865295389) • [2](https://www.moviemeter.com/movies/drama/hua-hun). It was produced by Shanghai Film Studio in co-production with Taiwan's Jinding Film Company and France, stars [Gong Li](https://www.edgepedia.org/gong-li) as Pan Yuliang, and was adapted from the novelist Shi Nan's (石楠) biographical novel *A Soul Haunted by Painting: The Life of Pan Yuliang* (画魂：潘玉良传)[1](https://www.baike.com/wikiid/2950156939865295389) • [3](https://www.jfdaily.com.cn/wx/detail.do?id=477972).\n\n| Key fact | Detail |\n|---|---|\n| Director / studio | Huang Shuqin; Shanghai Film Studio with Taiwan's Jinding Film Company and French partners[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972) • [4](https://baike.sogou.com/m/fullLemma?lid=460844) |\n| Source | Shi Nan's biographical novel *A Soul Haunted by Painting: The Life of Pan Yuliang*[1](https://www.baike.com/wikiid/2950156939865295389) |\n| Cast | Gong Li (Pan Yuliang), 尔冬升 (Pan Zanhua), Da Shichang, Shen Hairong as the first wife[1](https://www.baike.com/wikiid/2950156939865295389) • [5](https://app2.atmovies.com.tw/film/fCcmb2022426) |\n| Budget | US$2 million, at the time unprecedented for Shanghai Film Studio[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972) |\n| Production span | Seven years from planning through censorship to release; filming began 19 August 1992[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972) |\n| Hong Kong release | 12 March 1994; box office of 1,778,570 Hong Kong dollars by 27 March 1994[1](https://www.baike.com/wikiid/2950156939865295389) |\n| Runtime | 130 minutes in the original version; an 86-minute cut version also circulates[2](https://www.moviemeter.com/movies/drama/hua-hun) • [6](https://movie.douban.com/review/16202632/) |\n| Restoration | 4K restoration screened at the 2018 Shanghai International Film Festival[7](https://finance.sina.cn/2018-06-29/detail-iheqpwqy5501765.d.html) |\n\n## Spoilers\n\n### Plot\n\nRural Anhui, early 1900s. Yuliang (Gong Li), orphaned, is sold to the Yichun brothel in Wuhu. Before she can be presented to clients, the madam makes her drink a potion called Six Spirits Tea that leaves her sterile, so that no inconvenient pregnancies will interrupt the business. The house's top courtesan, Qiansuihong, takes the girl under her wing and teaches her the codes of survival in a place where the women are merchandise with a hierarchy all their own.\n\nPan Zanhua (Derek Yee), a Tongmenghui revolutionary newly appointed as customs director, is slandered by the local chamber of commerce and resigns his post. He encounters Yuliang, buys her out of the brothel, and takes her as his second wife. It is a marriage of rescue rather than romance, but it is the first arrangement in her life that leaves her anything of her own, and Zanhua notices that the thing she wants most is a pencil.\n\nShe studies drawing under the painter [Hong Ye](https://www.edgepedia.org/hong-ye), then wins entry to the Shanghai Art School under the surname Pan. There she finds the subject that will define and ruin her: the nude figure. The school is shut down after a public scandal over nude models, and its president, [Liu Haisu](https://www.edgepedia.org/liu-haisu), is suspended. Painting the unclothed body in Republican China is treated as indecency, and Yuliang carries a second mark besides: everyone who matters knows where she came from.\n\nShe goes to France, where her nude painting *Bathing Woman*, modeled on her own body, wins an award at the Autumn Salon. In the 1930s she returns to China after seven years abroad and is hired as an art professor at the Art Department of the Central University of Nanjing. The respect lasts exactly as long as her past stays hidden.\n\n**The film's most haunting image comes much earlier, at the death of Qiansuihong, the courtesan who protected Yuliang in the brothel.** She dies naked outside the house in the snow. There is no ceremony, no mourning. Her body is rolled up in a straw mat, loaded onto a small boat, carried out onto the water, and dropped in, and the water chosen is the very stretch of river where the village women come to wash their clothes. The film holds the image without comment: the most glamorous woman in the house, discarded like laundry, into the same water used for laundry. It is the scene that explains everything Yuliang paints later, and everything she fears.\n\nAt her solo exhibition in Nanjing, Yuliang shows a nude self-portrait, and the crowd turns on her. Her brothel origins resurface, the abuse is open, and Zanhua, who has defended her at every station of her climb, resigns his position under the pressure. The marriage cannot survive her art; more precisely, the society around it cannot. In the 1940s she leaves for Paris again, and this time she does not come back.\n\nThe 1950s find her a famous painter in Paris. She is poor by choice, refusing to sell her works, and she tells her longtime friend and helper Wang Shouxin what she wants done with them: ship the paintings back to China. The country that would not look at her when she was looking at herself will receive her canvases after all, on her terms, from a distance.\n\n### Characters\n\nPan Yuliang (Gong Li) is sold as a child, sterilized as a commodity, married as a rescue, and educated as an accident, and she turns all three into a career as a painter. Gong Li plays her across decades and class registers, from a frightened girl in a brothel to a woman commanding a Paris studio, and her watchful pride never changes while everything around her does.\n\nPan Zanhua (Derek Yee) is the customs official and revolutionary who buys Yuliang's freedom and marries her. He funds her, defends her, and slowly learns the price of that support: her art will always outrank her domestic life, and his decency consists mostly of accepting it.\n\nQiansuihong is the top courtesan of the Yichun brothel and Yuliang's first teacher in survival. She dies naked in the snow outside the house, and her body, rolled in a straw mat and dropped from a boat into the water where villagers wash their clothes, becomes the film's moral center.\n\nWang Shouxin is Yuliang's loyal friend in Paris, the one who helps her for decades and becomes the executor of her last wish, that her paintings go home.\n\n### Interpretations and controversies\n\nThe film's nude scenes got it banned by the authorities at first, and the ensuing debate only made it more notorious. Huang Shuqin framed the film as an \"examination of the despicable national mindset that refuses to recognise the full personhood of women.\" Critics have argued since that the film shortchanges Yuliang the artist, treating her mostly as a woman wronged rather than a painter at work, and Sina Entertainment found the storytelling plain except in the delicate triangle among Yuliang, Zanhua, and his first wife. The ending refuses vindication: Yuliang never returns in triumph, and the film lets the exile stand.\n\n## The historical subject\n\nThe film follows Pan Yuliang (1895–1977), a real painter whose life the sources describe as legendary and tragic. Sold into prostitution in Jiangnan as a young woman, she changed the course of her life after meeting Pan Zanhua (潘赞化), the salt administration supervisor at Wuhu customs, who redeemed her and brought her to Shanghai, where she began studying painting[5](https://app2.atmovies.com.tw/film/fCcmb2022426) • [8](https://irlib.pccu.edu.tw/retrieve/63037/%E5%BC%B5%E7%80%9A%E4%BA%91.pdf). With the encouragement of Liu Haisu, principal of the Shanghai Art School, she obtained a provincial government stipend and became one of the first group of government-funded students sent abroad, studying in Paris[8](https://irlib.pccu.edu.tw/retrieve/63037/%E5%BC%B5%E7%80%9A%E4%BA%91.pdf). She later returned to teach, was rejected by conservative society, and spent her last decades in France, where she died at 82; her friend [Wang Shouyi](https://www.edgepedia.org/wang-shouyi) (王守义) arranged for her works to be shipped back to mainland China[5](https://app2.atmovies.com.tw/film/fCcmb2022426) • [8](https://irlib.pccu.edu.tw/retrieve/63037/%E5%BC%B5%E7%80%9A%E4%BA%91.pdf). In the film Pan Yuliang keeps her own name, and Wang Shouxin (王守信) appears as a separate character[5](https://app2.atmovies.com.tw/film/fCcmb2022426) • [16](https://www.tvguide.com/movies/a-soul-haunted-by-painting/cast/2000038389/).\n\nThe film opens in the brothel with the fate of Qiansuihong (千岁红), the establishment's leading courtesan, who is murdered in the snow after offending an official; the young Yuliang witnesses the killing[1](https://www.baike.com/wikiid/2950156939865295389). A 2015 study of the film argues that its Pan Yuliang is presented above all as confident, independent, and persistent in her pursuit of art, a characterization built through the interplay of historical record, Shi Nan's novel, and the film's own dramatization[9](https://www.fx361.com/page/2015/1125/11248723.shtml).\n\n## Production\n\nHuang Shuqin received the assignment from Shanghai Film Studio in early 1988, immediately after completing *Woman, Demon, Human* (人·鬼·情), which is widely regarded as China's first fully realized women's film; a woman director filming a woman painter's legend drew public attention before shooting began[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). Preparation stretched across five years, during which Huang directed the television series *Fortress Besieged*; the schedule was also disrupted when she broke her right leg in a car accident while scouting locations in Anhui and the French partner withdrew its cooperation[10](https://www.jiemian.com/article/2221002.html). The project restarted after Shanghai Film Studio reached a co-production agreement with Taiwan's Jinding Film Company, and filming began on 19 August 1992[10](https://www.jiemian.com/article/2221002.html).\n\n**Casting and crew.** Huang chose Gong Li, then at the height of her fame, after repeatedly studying her earlier films; Gong Li accepted immediately, saying she liked the character and had long wanted to work with Huang[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). Because Gong Li was still shooting *Farewell My Concubine*, the production waited a full year for her[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). To prepare for the role she spent a month learning painting and sculpture, and the oil painter Ren Lijun of the Shanghai Oil Painting and Sculpture Academy was engaged to instruct her[10](https://www.jiemian.com/article/2221002.html) • [3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). [Zhang Yimou](https://www.edgepedia.org/zhang-yimou) visited the set as the film's specially invited supervisor[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). The cinematographer was Lü Le, whose work on the film began his collaborations with Shanghai Film Studio[10](https://www.jiemian.com/article/2221002.html). [Zhao Wei](https://www.edgepedia.org/zhao-wei), then a 16-year-old student in Shanghai, made her screen debut in a small part[10](https://www.jiemian.com/article/2221002.html).\n\nThe Taiwan partner's participation, arranged so the production could qualify for a Taiwanese government subsidy, required performers from Hong Kong and Taiwan: the Hong Kong actor 尔冬升 played Pan Zanhua and the Taiwanese actress Zhang Qiongzi played Qiansuihong, which also opened the Hong Kong and Taiwan markets for the film[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). Many scenes were shot on location in France; the crew worked such a tight schedule near [Notre-Dame de Paris](https://www.edgepedia.org/notre-dame-de-paris), 300 meters away, that no one left the set to see it[10](https://www.jiemian.com/article/2221002.html). Because few authentic materials about Pan Yuliang's life could be collected and no genuine paintings were available, some of the artworks shown on screen were created for the production, including pieces imitating her style by Zheng Changfu, the film's art director and Huang's husband[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972).\n\n## Censorship and versions\n\nThe film's bathhouse scenes, in which Pan Yuliang paints nude figures, required heavy cuts to pass censorship; Huang resisted the cuts, arguing that these passages were the heart of the film and that removing them would leave the character incomplete[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). In a later interview she described the censorship process as a blow: many bathhouse scenes were cut, the film was shortened, and passages no longer connected[11](https://k.sina.com.cn/article_5936041758_161d0cf1e01900yknr.html). The original cut ran 130 minutes, while an 86-minute cut version is the one most easily found today[2](https://www.moviemeter.com/movies/drama/hua-hun) • [6](https://movie.douban.com/review/16202632/). The original mainland print had a monophonic soundtrack, later remade in stereo by Shanghai Film Studio[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972).\n\n## Reception and assessment\n\nThe production was a major event in Shanghai; the *Jiefang Daily* followed it throughout and called it a \"spectacle film,\" and before shooting even wrapped, overseas distributors and festival programmers were visiting the set[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972). A July 1994 report placed it among the ten most popular films screened in Shanghai in the first half of 1994, alongside *Green Snake* and *The Kung Fu Cult Master*, and the producer Shi Fenghe recalled that the investment was certainly recouped[3](https://www.jfdaily.com.cn/wx/detail.do?id=477972).\n\nCritical assessment has been mixed. Huang herself called the film a compromise: it followed a commercial path while trying to remain artistic, and neither aim was carried to its conclusion[11](https://k.sina.com.cn/article_5936041758_161d0cf1e01900yknr.html). The film scholar Wang Xiaolu, comparing it with *Woman, Demon, Human*, judged it watchable and rich in legend but rough in its presentation of the logic of women's fate, and noted that its treatment of Pan Zanhua's first wife, who bears a son for the household and is then displaced, is unfair to that character by today's reading[12](https://www.cfa.org.cn/cfa/yj/lwby72/2023042814011846300/index.html). A Sina Entertainment review found the film strong in individual scenes but mediocre overall, arguing that Pan Yuliang's artistry is asserted rather than shown and that Shanghai and Paris are sketched only in passing, while still rating it far above later commercial films it called pseudo-feminist[13](https://k.sina.cn/article_1260430664_4b20a54800100q3kn.html). A 2018 retrospective account held that the film's writing of women's fate transcended the limits of its era and deserved renewed attention[7](https://finance.sina.cn/2018-06-29/detail-iheqpwqy5501765.d.html).\n\n## Rights disputes and later adaptations\n\nShi Nan's novel generated a wave of \"Pan Yuliang\" works in drama, opera, film, and television[9](https://www.fx361.com/page/2015/1125/11248723.shtml). The film itself had earlier faced a copyright claim from Shi Nan, settled out of court, which delayed its release[14](https://ent.sina.com.cn/v/2003-03-18/1108138409.html). In 2003 a television version of *A Soul Haunted by Painting*, the first television directing project of the Hong Kong director Stanley Kwan (关锦鹏), began production in Suzhou; Shi Nan publicly threatened to sue because no one from the production had contacted her. That series reworked the story, compressing Pan Yuliang's most youthful and legendary decade, exaggerating her emotional entanglements with Pan Zanhua and Tian Shouxin, and inventing a close friend named Aomi; Hu Jun played Pan Zanhua[14](https://ent.sina.com.cn/v/2003-03-18/1108138409.html).\n\n## Restoration and legacy\n\nIn June 2018 a 4K restoration of the film premiered at the Shanghai International Film Festival. It was the first restoration the festival had entrusted entirely to the Shanghai Film Technology Factory rather than partnering with a foreign restoration studio, and it improved clarity and color saturation while preserving the texture of the original film stock[7](https://finance.sina.cn/2018-06-29/detail-iheqpwqy5501765.d.html). The restored version returned to festival and retrospective screenings in later years, including a program marking the 70th anniversary of the China Film Archive's founding[15](https://www.jfdaily.com.cn/sgh/detail?id=4032978). Huang Shuqin died on 21 April 2022, and obituary reassessments of her career returned to *A Soul Haunted by Painting* as her second women-themed feature after *Woman, Demon, Human*[12](https://www.cfa.org.cn/cfa/yj/lwby72/2023042814011846300/index.html).\n\n## References\n\n1. [画魂 - 快懂百科](https://www.baike.com/wikiid/2950156939865295389)\n2. [Hua Hun (Movie, 1994) - MovieMeter.com](https://www.moviemeter.com/movies/drama/hua-hun)\n3. [黄蜀芹和她的《画魂》, 上观新闻 (2022)](https://www.jfdaily.com.cn/wx/detail.do?id=477972)\n4. [画魂 - 搜狗百科](https://baike.sogou.com/m/fullLemma?lid=460844)\n5. [畫魂 - 開眼電影網](https://app2.atmovies.com.tw/film/fCcmb2022426)\n6. [\"现在跟十年前有什么区别？\"（画魂）影评, 豆瓣](https://movie.douban.com/review/16202632/)\n7. [修复老电影的\"魂\", 第一财经 (2018)](https://finance.sina.cn/2018-06-29/detail-iheqpwqy5501765.d.html)\n8. [張瀚云, 潘玉良生平研究 (中国文化大学)](https://irlib.pccu.edu.tw/retrieve/63037/%E5%BC%B5%E7%80%9A%E4%BA%91.pdf)\n9. [彭娜, 电影《画魂》\"互文\"建构中的悲剧艺术魅力, 电影评介 2015年第12期](https://www.fx361.com/page/2015/1125/11248723.shtml)\n10. [是《画魂》也是\"影魂\": 上海第一部自主4K修复片背后的故事, 界面新闻 (2018)](https://www.jiemian.com/article/2221002.html)\n11. [黄蜀芹访谈——口述中国电影史, 新浪新闻](https://k.sina.com.cn/article_5936041758_161d0cf1e01900yknr.html)\n12. [王小鲁, 再看《人·鬼·情》与《画魂》, 中国电影资料馆 (2022)](https://www.cfa.org.cn/cfa/yj/lwby72/2023042814011846300/index.html)\n13. [女演员起步很重要！我没想到，赵薇为巩俐跑龙套的电影，会这么牛, 新浪娱乐](https://k.sina.cn/article_1260430664_4b20a54800100q3kn.html)\n14. [电视剧《画魂》被指涉嫌侵权 小说作者要讨说法, 新浪娱乐 (2003)](https://ent.sina.com.cn/v/2003-03-18/1108138409.html)\n15. [建馆70周年特别献映：海上电影艺术沙龙《画魂》, 上观新闻](https://www.jfdaily.com.cn/sgh/detail?id=4032978)\n16. [tvguide.com](https://www.tvguide.com/movies/a-soul-haunted-by-painting/cast/2000038389/)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 1990s › Drama films early 1990s*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 3, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n", "same_as": [], "url": "https://www.edgepedia.org/a-soul-haunted-by-painting", "markdown_url": "https://www.edgepedia.org/a-soul-haunted-by-painting.md", "license": { "name": "Edgepedia Community License 1.0", "url": "https://www.edgepedia.org/edgepedia/license", "summary": "Free with credit, commercial use included. AI training is open to everyone. For other uses, organizations over USD 100M in revenue or 100M monthly users license separately.", "spdx": "LicenseRef-Edgepedia-Community-1.0" }, "credit": "\"A Soul Haunted by Painting (画魂)\", Edgepedia (EdgeChat), https://www.edgepedia.org/a-soul-haunted-by-painting. Edgepedia Community License 1.0.", "credit_md": "\"[A Soul Haunted by Painting (画魂)](https://www.edgepedia.org/a-soul-haunted-by-painting)\", Edgepedia (EdgeChat), [https://www.edgepedia.org/a-soul-haunted-by-painting](https://www.edgepedia.org/a-soul-haunted-by-painting). [Edgepedia Community License 1.0](https://www.edgepedia.org/edgepedia/license).", "credit_html": "\"A Soul Haunted by Painting (画魂)\", Edgepedia (EdgeChat), https://www.edgepedia.org/a-soul-haunted-by-painting. Edgepedia Community License 1.0.", "speakable": "A Soul Haunted by Painting is Huang Shuqin's 1994 biographical film starring Gong Li as painter Pan Yuliang, adapted from Shi Nan's novel, censored, restored in 4K in 2018." }