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 "title": "Andaz (अंदाज़) (1949 film)",
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 "excerpt": "Andaz (अंदाज़, \"Style\"), also A Matter of Style, is a 1949 Hindi black-and-white melodrama directed and produced by Mehboob Khan, starring Dilip Kumar, Nargis, and Raj Kapoor in the only film pairing of Kumar and Kapoor, with Naushad's music and a love-triangle plot ending in Neena's jailing for murder.",
 "snippet": "Andaz (अंदाज़, \"Style\"), also A Matter of Style, is a 1949 Hindi black-and-white melodrama directed and produced by Mehboob Khan, starring Dilip Kumar, Nargis, and Raj Kapoor in the only film pairing of Kumar and Kapoor, with Naushad's music and a love-triangle plot ending in Neena's jailing for murder.",
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 "markdown": "# Andaz (अंदाज़) (1949 film)\n\n**Andaz** (अंदाज़; \"Style\"), also known as *A Matter of Style* or *Beau Monde*, is a 1949 Hindi-language black-and-white melodrama directed and produced by [Mehboob Khan](https://www.edgepedia.org/mehboob-khan), starring [Dilip Kumar](https://www.edgepedia.org/dilip-kumar), Nargis, and [Raj Kapoor](https://www.edgepedia.org/raj-kapoor) in a love triangle<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup><sup> • </sup><sup>[2](https://indiancine.ma/documents/DSP/Encyclopedia%20of%20Indian%20Cinema.pdf)</sup>. It was a major box-office success and is counted among the important films of Hindi cinema's golden age<sup>[3](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)</sup><sup> • </sup><sup>[4](https://en.bharatdiscovery.org/india/%E0%A4%AE%E0%A4%B9%E0%A4%AC%E0%A5%82%E0%A4%AC_%E0%A4%96%E0%A4%BC%E0%A4%BE%E0%A4%A8_%E0%A4%95%E0%A4%BE_%E0%A4%AB%E0%A4%BC%E0%A4%BF%E0%A4%B2%E0%A5%8D%E0%A4%AE%E0%A5%80_%E0%A4%95%E0%A5%85%E0%A4%B0%E0%A4%BF%E0%A4%AF%E0%A4%B0)</sup>.\n\n| Key fact | Detail |\n|---|---|\n| Release | 21 March 1949, at the Liberty cinema, Bombay<sup>[3](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)</sup> |\n| Director and producer | Mehboob Khan, for Mehboob Productions<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup> |\n| Lead cast | Dilip Kumar (Dilip), Nargis (Neena/Nina), Raj Kapoor (Rajan)<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup> |\n| Music | Naushad; lyrics Majrooh Sultanpuri (with Shakeel Badayuni also credited)<sup>[2](https://indiancine.ma/documents/DSP/Encyclopedia%20of%20Indian%20Cinema.pdf)</sup><sup> • </sup><sup>[5](https://lyricsindia.net/movies/year/1949)</sup> |\n| Runtime | 148 minutes (some sources list 142 or 143 minutes)<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup><sup> • </sup><sup>[2](https://indiancine.ma/documents/DSP/Encyclopedia%20of%20Indian%20Cinema.pdf)</sup> |\n| Distinction | The only film in which Dilip Kumar and Raj Kapoor starred together<sup>[6](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)</sup> |\n| Standing | One of the first Hindi films to depict a love triangle<sup>[7](https://cukerala.ac.in/cukpdfs/IQAC/3.4.7/3.4.7.ECL.052.pdf)</sup> |\n\n## Spoilers\n\n### Plot\n\nNeena (Nargis) is the wealthy, westernized daughter of a rich businessman (Sapru as Sir Badriprasad)<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup><sup> • </sup><sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. After she loses control of her horse and is rescued by the stranger Dilip (Dilip Kumar), a close friendship develops; her father disapproves of the time she spends with Dilip, warning that Dilip could mistake her friendship for love<sup>[11](https://www.tvguide.com/movies/andaz/2030142406/)</sup>. After her father dies of heart failure, Neena makes Dilip the manager and co-owner of her father's business empire<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>.\n\nDilip's hopes are dashed when Neena takes him to the airport to meet Rajan (Raj Kapoor), returning from several years in London, who turns out to be her fiancé; she marries him<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. Soon after the wedding Dilip confesses his love, which Neena rejects, considering him only a friend; Rajan nevertheless grows suspicious of his wife's fidelity<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup><sup> • </sup><sup>[12](https://palify.io/articles/view-article/depiction-of-women-and-female-sexuality-in-post-independence-era)</sup>. The tensions erupt in a violent clash in which Rajan attacks Dilip with a tennis racket; when Dilip recovers and advances on Neena, she shoots him and is jailed for murder<sup>[2](https://indiancine.ma/documents/DSP/Encyclopedia%20of%20Indian%20Cinema.pdf)</sup>.\n\n## Production and release\n\nMehboob Khan both produced and directed the film under his banner Mehboob Productions<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup>. The story was by Shums Lucknavi, the screenplay and dialogues by S. Ali Raza, the music by Naushad, the songs by [Majrooh Sultanpuri](https://www.edgepedia.org/majrooh-sultanpuri), and the cinematography by Faredoon A. Irani<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. It premiered on 21 March 1949 at the Liberty cinema in Bombay<sup>[3](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)</sup>.\n\nBringing Dilip Kumar, Nargis, and Raj Kapoor together has been described as one of the biggest casting coups of the time, though a contemporary retrospective notes that all three were still early in their careers and had not yet attained superstar status, so the pairing was less remarkable then than it later appeared<sup>[9](https://indianexpress.com/article/entertainment/bollywood/raj-kapoor-nargis-dilip-kumar-andaz-jails-the-woman-men-attempt-murder-no-consequences-8556324/lite/)</sup><sup> • </sup><sup>[10](https://www.bollywoodhungama.com/movie/andaz/user-reviews/andaz-movie-review-by-rabbipantho/)</sup>. It remained the only film in which Dilip Kumar and Raj Kapoor appeared together<sup>[6](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)</sup>. Casting was not without friction: cameraman Faredoon Irani was unhappy with Dilip Kumar's casting and allegedly asked \"Who's this monkey?\" when Khan first walked onto the set<sup>[6](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)</sup>.\n\n## Themes\n\nLike many films of the immediate post-[Independence](https://www.edgepedia.org/independence) era, Andaz is a tragedy of manners about the allure and danger of modern western lifestyles, with the danger falling unequally on women: nationalist ideology cast woman as the embodiment of tradition and the guardian of male honor, so any flirtation with the modern carried the greatest risk for her<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. The plot's misunderstandings arise in a world of verbal codes that discourage straightforward speech<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. The film's ending underlined the message that \"modern\" ways are dangerous<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup>.\n\nLater commentary has read the film both ways. The film critic [Anupama Chopra](https://www.edgepedia.org/anupama-chopra), a film journalist and author, calls it \"both regressive and path-breaking\": its worldview that a woman who follows western mores can only meet a tragic end has aged poorly, yet [Hindi cinema](https://www.edgepedia.org/hindi-cinema)'s love triangles and its recurring debates over platonic friendship trace back to it<sup>[13](https://letterboxd.com/anupamachopra/film/andaz/)</sup>. A 2023 Indian Express retrospective notes that the film blames Neena throughout, while Rajan attacks Dilip nearly to death and walks away without consequence, and the law punishes only Neena<sup>[9](https://indianexpress.com/article/entertainment/bollywood/raj-kapoor-nargis-dilip-kumar-andaz-jails-the-woman-men-attempt-murder-no-consequences-8556324/lite/)</sup>.\n\n## Music\n\nNaushad's score, with ten songs mainly sung by the characters of Dilip and Neena, is regarded as a major strength of the film<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. Memorable numbers include Dilip's romantic *Tu kahe agar* (\"If you but say…\"), his melancholy *Toote na dil toote na* (\"Don't break, O my heart\"), and Neena's mournful *Uthaye ja unke sitam* (\"Take away his oppression\") and *Tor diya dil mera* (\"He has broken my heart\")<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup>. The DFF catalog also lists *Jhoom jhoom ke nacho aaj* among the Naushad classics<sup>[1](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)</sup>.\n\nA notable reversal in playback casting had [Mukesh](https://www.edgepedia.org/mukesh-singer) singing for Dilip Kumar and Mohammed Rafi for Raj Kapoor, the opposite of their later customary pairings<sup>[6](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)</sup>. [Lata Mangeshkar](https://www.edgepedia.org/lata-mangeshkar) also sang for the film<sup>[10](https://www.bollywoodhungama.com/movie/andaz/user-reviews/andaz-movie-review-by-rabbipantho/)</sup>.\n\n## Reception and legacy\n\nThe film was a box-office success, described in Hindi-language accounts as a superhit whose earnings made history that year<sup>[3](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)</sup><sup> • </sup><sup>[14](https://www.jagran.com/entertainment/bollywood-raj-kapoor-dilip-kumar-only-film-was-andaz-became-superhit-on-box-office-in-1949-40271157.html)</sup>. Its success lifted all three leads: after Andaz, Dilip Kumar came to be known as the \"tragedy king\" of Indian cinema, and the film marked Raj Kapoor's first box-office success<sup>[3](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)</sup><sup> • </sup><sup>[10](https://www.bollywoodhungama.com/movie/andaz/user-reviews/andaz-movie-review-by-rabbipantho/)</sup>.\n\nIts influence on Hindi filmmaking has been described as lasting: the film's popularity gave rise to multi-starrer romances, and it has been called a precursor to the [Yash Chopra](https://www.edgepedia.org/yash-chopra) formula of stylized, upper-class characters falling in love in exotic locales<sup>[6](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)</sup>. The film also cemented the reputation of Raj Kapoor and Nargis as the couple of Hindi cinema's golden age<sup>[15](https://www.noahcowanfilm.com/south-asian-cinema/the-golden-age-of-indian-cinema)</sup>. Raj Kapoor later repeated several of its motifs, including the jealous-husband role, in his 1964 film *Sangam*<sup>[8](https://indiancinema.sites.uiowa.edu/andaz)</sup><sup> • </sup><sup>[10](https://www.bollywoodhungama.com/movie/andaz/user-reviews/andaz-movie-review-by-rabbipantho/)</sup>.\n\nThe film remains available for streaming in India on ShemarooMe, free with ads<sup>[16](https://www.justwatch.com/in/movie/andaz-1949)</sup>.\n\n## References\n\n1. [Andaz, Films Division, Indian Panorama catalogue (2009)](https://www.dff.nic.in/images/Documents/115_IPCatalogue2009.pdf)\n2. [Encyclopedia of Indian Cinema, Andaz entry](https://indiancine.ma/documents/DSP/Encyclopedia%20of%20Indian%20Cinema.pdf)\n3. [RajKapoor: Cinema ka Jan Nayak, biography by Vinod Viplav, Matrubharti](https://www.matrubharti.com/book/read/content/3607/rajkapoor-cinema-ka-jan-nayak)\n4. [महबूब ख़ान का फ़िल्मी कॅरियर, भारतकोश](https://en.bharatdiscovery.org/india/%E0%A4%AE%E0%A4%B9%E0%A4%AC%E0%A5%82%E0%A4%AC_%E0%A4%96%E0%A4%BC%E0%A4%BE%E0%A4%A8_%E0%A4%95%E0%A4%BE_%E0%A4%AB%E0%A4%BC%E0%A4%BF%E0%A4%B2%E0%A5%8D%E0%A4%AE%E0%A5%80_%E0%A4%95%E0%A5%85%E0%A4%B0%E0%A4%BF%E0%A4%AF%E0%A4%B0)\n5. [LyricsIndia: Movies in 1949](https://lyricsindia.net/movies/year/1949)\n6. [100 Filmfare Days: 8 – Andaaz, Filmfare (30 April 2014)](https://www.filmfare.com/features/100-filmfare-days-8-andaaz-6004.html)\n7. [Course module on Indian cinema, Central University of Kerala](https://cukerala.ac.in/cukpdfs/IQAC/3.4.7/3.4.7.ECL.052.pdf)\n8. [Andaz, Indian Cinema, University of Iowa](https://indiancinema.sites.uiowa.edu/andaz)\n9. [This Raj Kapoor-Nargis film jails the woman for being friends with a man, The Indian Express (15 April 2023)](https://indianexpress.com/article/entertainment/bollywood/raj-kapoor-nargis-dilip-kumar-andaz-jails-the-woman-men-attempt-murder-no-consequences-8556324/lite/)\n10. [Andaz movie review by rabbipantho, Bollywood Hungama](https://www.bollywoodhungama.com/movie/andaz/user-reviews/andaz-movie-review-by-rabbipantho/)\n11. [Andaz, Where to Watch and Stream, TV Guide](https://www.tvguide.com/movies/andaz/2030142406/)\n12. [Depiction of Women & Female Sexuality in Post-Independence Era, Palify](https://palify.io/articles/view-article/depiction-of-women-and-female-sexuality-in-post-independence-era)\n13. [Andaz review by Anupama Chopra, Letterboxd (first published in Mumbai Mirror)](https://letterboxd.com/anupamachopra/film/andaz/)\n14. [Raj Kapoor-Dilip Kumar's only film Andaz became a superhit at the box office in 1949, Jagran](https://www.jagran.com/entertainment/bollywood-raj-kapoor-dilip-kumar-only-film-was-andaz-became-superhit-on-box-office-in-1949-40271157.html)\n15. [Raj Kapoor & The Golden Age of Indian Cinema, Noah Cowan](https://www.noahcowanfilm.com/south-asian-cinema/the-golden-age-of-indian-cinema)\n16. [Andaz (1949) streaming, JustWatch India](https://www.justwatch.com/in/movie/andaz-1949)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Indian films (individual works) › Hindi films before 1970*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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 "speakable": "Andaz, also A Matter of Style, is a 1949 Hindi black-and-white melodrama directed and produced by Mehboob Khan, starring Dilip Kumar, Nargis, and Raj Kapoor in the only film pairing of Kumar and Kapoor, with Naushad's music and a love-triangle plot ending in Neena's jailing for murder."
}
