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 "title": "Merry-Go-Round (1981 film)",
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 "excerpt": "Merry-Go-Round (1981) is Jacques Rivette's French mystery-drama starring Maria Schneider and Joe Dallesandro, shot in 1977, released in France in 1983 after Schneider quit and Rivette suffered a breakdown; third of the unfinished Scènes de la vie parallèle series.",
 "snippet": "Merry-Go-Round (1981) is Jacques Rivette's French mystery-drama starring Maria Schneider and Joe Dallesandro, shot in 1977, released in France in 1983 after Schneider quit and Rivette suffered a breakdown; third of the unfinished Scènes de la vie parallèle series.",
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 "markdown": "# Merry-Go-Round (1981 film)\n\n**Merry-Go-Round** is a 1981 French film directed by Jacques Rivette, starring [Maria Schneider](https://www.edgepedia.org/maria-schneider-actress) as Léo and [Joe Dallesandro](https://www.edgepedia.org/joe-dallesandro) as Ben, two strangers summoned to Paris by telegrams from the same woman and drawn into a labyrinthine conspiracy. Although dated 1981, it was filmed in late 1977 and did not reach French cinemas until 6 April 1983, after a production marked by the lead actress's departure from the set and the director's nervous breakdown.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup><sup> • </sup><sup>[2](https://www.offi.fr/recherche-850183.html)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Director / country | Jacques Rivette, France<sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup> |\n| Principal cast | Maria Schneider (Léo), Joe Dallesandro (Ben), Danièle Gégauff (Elisabeth), Françoise Prévost, Maurice Garrel, Michel Berto<sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup> |\n| Screenplay | Jacques Rivette, Eduardo de Gregorio, Suzanne Schiffman<sup>[4](https://www.cinematheque.fr/film/54595.html)</sup> |\n| Cinematography / music | William Lubtchansky; improvised jazz by Barre Phillips (double bass) and John Surman (bass clarinet)<sup>[4](https://www.cinematheque.fr/film/54595.html)</sup><sup> • </sup><sup>[5](https://dennisschwartzreviews.com/merrygoround/)</sup> |\n| Production | Sunchild Productions, producer Stéphane Tchalgadjieff; original distributor Gaumont<sup>[4](https://www.cinematheque.fr/film/54595.html)</sup> |\n| Filming and release | Shot in late 1977; first shown at IFFR 1981; French theatrical release 6 April 1983<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup><sup> • </sup><sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup><sup> • </sup><sup>[2](https://www.offi.fr/recherche-850183.html)</sup> |\n| Runtime | Reported as 160 minutes by the Cinémathèque française; festival listings give 153, 157, and 151 minutes<sup>[4](https://www.cinematheque.fr/film/54595.html)</sup><sup> • </sup><sup>[6](https://www.slantmagazine.com/film/merry-go-round/)</sup><sup> • </sup><sup>[7](https://www.viennale.at/en/films/merry-go-round-0)</sup> |\n\n## Spoilers\n\n### Plot\n\nElisabeth (Danièle Gégauff) sends telegrams to her former boyfriend Ben, a New Yorker, and to her younger sister Léo, who is in Rome, asking them to join her in Paris, where she is selling her dead father's estate.<sup>[8](https://www.rottentomatoes.com/m/merry_go_round_1981)</sup> The two have never met. When they arrive, Elisabeth is nowhere to be found, and the pair begin a scavenger-hunt-like search for her through Paris and the French countryside.<sup>[7](https://www.viennale.at/en/films/merry-go-round-0)</sup><sup> • </sup><sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup>\n\nThe search uncovers a conspiracy. According to Dennis Schwartz's synopsis, the sisters' father stole four million francs and probably faked his death in an airplane crash; Elisabeth is kidnapped, and a woman named Shirley appears with further confusing information.<sup>[5](https://dennisschwartzreviews.com/merrygoround/)</sup> Rivette repeatedly cuts away from the shared quest into paranoid interludes in which each character imagines the other as a murderous antagonist, and Léo is played in these surreal scenes by Hermine Karagheuz rather than Schneider.<sup>[6](https://www.slantmagazine.com/film/merry-go-round/)</sup> The film culminates in a climax set in sand dunes, which several critics count among Rivette's finest finales.<sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup><sup> • </sup><sup>[6](https://www.slantmagazine.com/film/merry-go-round/)</sup>\n\n## Production and troubled release\n\nThe shoot was long and difficult. Rivette described it himself: \"We started work with the two actors, and after eight days, things were going very badly. It was like a machine that, once set in motion, must continue running despite changing regimes, forced or arbitrary accelerations, until the energy was all burned up, exhausted.\"<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup> Maria Schneider, then a recovering addict, left the production before it was finished; according to a later interview with co-star Joe Dallesandro, the actors encouraged Rivette to keep filming but also helped him recognize when to stop.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup> Dallesandro's own drug use during the shoot is part of most accounts of the production.<sup>[6](https://www.slantmagazine.com/film/merry-go-round/)</sup>\n\n**Aftermath.** After the chaotic shoot Rivette suffered a nervous breakdown, and the film could not be seen in France until 1983.<sup>[3](https://iffr.com/en/iffr/1981/films/merry-go-round)</sup> [Le Monde](https://www.edgepedia.org/le-monde) reported in April 1983 that producers had kept it \"in a drawer\" since 1978, releasing it between the earlier Duelle and Noroît and the recent Le Pont du Nord.<sup>[9](https://www.lemonde.fr/archives/article/1983/04/15/merry-go-round-de-jacques-rivette_2848225_1819218.html)</sup> Claire Devarrieux's review found the hand-held camera work the strongest reason to see the film, while judging that the staging \"turns in a void\" as the plot's reversals pile up and cancel one another.<sup>[9](https://www.lemonde.fr/archives/article/1983/04/15/merry-go-round-de-jacques-rivette_2848225_1819218.html)</sup>\n\n## Place in Rivette's work\n\nMerry-Go-Round was a separate thriller made after the planned Scènes de la vie parallèle (Scenes of Parallel Life) series was interrupted.<sup>[13](https://jonathanrosenbaum.net/2024/08/jacques-rivette-chapter-from-film-the-front-line-1983-tk/)</sup> Only Duelle (1976) and Noroît (1976) had been completed; investors at the Centre National de la Cinématographie withdrew, and Rivette raised just enough money to make a separate thriller.<sup>[5](https://dennisschwartzreviews.com/merrygoround/)</sup><sup> • </sup><sup>[13](https://jonathanrosenbaum.net/2024/08/jacques-rivette-chapter-from-film-the-front-line-1983-tk/)</sup> The failure of the project contributed to a depression that ended in his breakdown in the late 1970s.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup>\n\nUnlike Duelle and Noroît, the film lacks overt supernatural or fantastical elements; it reworks themes Rivette had introduced in his first feature, Paris nous appartient (1961), namely paranoia, mystery, and madness, subverting crime-genre tropes in a tale of revenge, family conflict, and betrayal.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup> A recurring symbolic device is the eighteenth-century satirical rhyme \"Cadet Rousselle\", quoted on a postcard that serves as a mysterious clue in the plot.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup>\n\n**Reception.** Rivette himself called the film \"unfortunate\" in a 1990 filmed interview, invoking [François Truffaut](https://www.edgepedia.org/francois-truffaut)'s notion of \"great sick films\", works beset by problems that remain fascinating for what they attempted.<sup>[1](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)</sup> Critics affixed the label film maudit (French for 'cursed film', one plagued by production troubles) to it on release, and Dennis Schwartz gave it a C, calling it \"a tough one to sit through\".<sup>[10](https://www.ica.art/films/rivette-merry-go-round)</sup><sup> • </sup><sup>[8](https://www.rottentomatoes.com/m/merry_go_round_1981)</sup> Later assessments have been more generous: the Institute of Contemporary Arts in London has described it as \"a stunningly original work and perhaps the quintessential manifestation of Rivette's cinema of this period\", a mystery that emerges organically from the fractious combination of its two stars and its director, in the spirit of [Out 1](https://www.edgepedia.org/out-1).<sup>[10](https://www.ica.art/films/rivette-merry-go-round)</sup> The chemistry between Schneider and Dallesandro, tracked by Rivette's hovering camera through stormy fights and hesitant rapprochements, is a large part of the film's appeal, though one festival note calls the result uneven, more so than any of Rivette's other films of the time.<sup>[7](https://www.viennale.at/en/films/merry-go-round-0)</sup>\n\nThe film has since circulated in restored form: it appears in Arrow Academy's Jacques Rivette Collection Blu-ray set alongside Duelle and Noroît, and a Japanese Blu-ray release carries an \"HD Restored\" label.<sup>[11](https://www.unseen-cinema.com/files/art/edizione.pdf)</sup><sup> • </sup><sup>[12](https://ci.nii.ac.jp/ncid/BD10847647)</sup>\n\n## References\n\n1. [Samm Deighan, \"Three Houses With Neither Beams Nor Rafters: Jacques Rivette's Merry-Go-Round from Crime Serial to Surrealistic Fable\", The Cine-Files](https://www.thecine-files.com/three-houses-with-neither-beams-nor-rafters-jacques-rivettes-merry-go-round-from-crime-serial-to-surrealistic-fable/)\n2. [Merry-go-round, L'Officiel des spectacles](https://www.offi.fr/recherche-850183.html)\n3. [Merry-Go-Round, International Film Festival Rotterdam 1981](https://iffr.com/en/iffr/1981/films/merry-go-round)\n4. [Merry-Go-Round, La Cinémathèque française](https://www.cinematheque.fr/film/54595.html)\n5. [Dennis Schwartz, \"Merry-Go-Round\" review](https://dennisschwartzreviews.com/merrygoround/)\n6. [Keith Uhlich, \"Review: Merry-Go-Round\", Slant Magazine](https://www.slantmagazine.com/film/merry-go-round/)\n7. [Merry-Go-Round (Karussell), Viennale](https://www.viennale.at/en/films/merry-go-round-0)\n8. [Merry-Go-Round (1981), Rotten Tomatoes](https://www.rottentomatoes.com/m/merry_go_round_1981)\n9. [Claire Devarrieux, \"Merry-Go-Round de Jacques Rivette\", Le Monde, 15 April 1983](https://www.lemonde.fr/archives/article/1983/04/15/merry-go-round-de-jacques-rivette_2848225_1819218.html)\n10. [Merry-Go-Round, Institute of Contemporary Arts, London](https://www.ica.art/films/rivette-merry-go-round)\n11. [Unseen Cinema festival passes catalogue (Jacques Rivette Collection, Arrow Academy)](https://www.unseen-cinema.com/files/art/edizione.pdf)\n12. [CiNii Books: Merry-go-round (Blu-ray)](https://ci.nii.ac.jp/ncid/BD10847647)\n13. [Jacques Rivette (chapter from FILM: THE FRONT LINE 1983), Jonathan Rosenbaum](https://jonathanrosenbaum.net/2024/08/jacques-rivette-chapter-from-film-the-front-line-1983-tk/)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Crime, thriller, and mystery films (individual works) › 1980s films*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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 "credit": "\"Merry-Go-Round (1981 film)\", Edgepedia (EdgeChat), https://www.edgepedia.org/merry-go-round-1981-film. Edgepedia Community License 1.0.",
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 "speakable": "Merry-Go-Round is Jacques Rivette's French mystery-drama starring Maria Schneider and Joe Dallesandro, shot in 1977, released in France in 1983 after Schneider quit and Rivette suffered a breakdown; third of the unfinished Scènes de la vie parallèle series."
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