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 "excerpt": "Mirai (未来のミライ) is Mamoru Hosoda's 2018 Studio Chizu animated film about 4-year-old Kun and his time-traveling sister from the future; Japan release July 20, 2018, Cannes Directors' Fortnight, Rotten Tomatoes 90%.",
 "snippet": "Mirai (未来のミライ) is Mamoru Hosoda's 2018 Studio Chizu animated film about 4-year-old Kun and his time-traveling sister from the future; Japan release July 20, 2018, Cannes Directors' Fortnight, Rotten Tomatoes 90%.",
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 "markdown": "# Mirai (未来のミライ) (2018 film)\n\n**Mirai** (未来のミライ) is a 2018 Japanese animated fantasy film directed, written, and originally conceived by [Mamoru Hosoda](https://www.edgepedia.org/mamoru-hosoda) and produced by Studio Chizu. It follows four-year-old Kun, who resents the arrival of a baby sister named Mirai, and his encounters with family members from the past and future through a magical gateway in the garden tree<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup>. The film opened in Japan on July 20, 2018<sup>[2](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)</sup>.\n\n| Key fact | Detail |\n|---|---|\n| Director, writer, origin | Mamoru Hosoda, his own original story; produced by Studio Chizu<sup>[2](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)</sup> |\n| Japan release | July 20, 2018<sup>[2](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)</sup> |\n| Running time | 98 minutes, PG certificate<sup>[3](https://www.timeout.com/movies/mirai)</sup> |\n| Lead voice cast | Moka Kamishiraishi (Kun), Haru Kuroki (Mirai), Gen Hoshino (Father), Kumiko Aso (Mother)<sup>[4](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)</sup> |\n| Music | Masakatsu Takagi; opening theme \"Mirai no Theme\" and ending theme \"Uta no Kisha\" by Tatsuro Yamashita<sup>[2](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)</sup> |\n| Festival | 2018 Cannes Film Festival, Directors' Fortnight<sup>[5](https://fetch.fm/media/uploads/production-notes/2018/09/06/12/27/MIRAI_Production_Notes.pdf)</sup> |\n| Critical scores | 90% on Rotten Tomatoes from 84 reviews; Metascore 81 from 18 reviews<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup><sup> • </sup><sup>[7](https://www.metacritic.com/movie/mirai/)</sup> |\n| US box office | $682.2K gross, limited release November 29, 2018 through GKIDS<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup> |\n\n## Spoilers\n\n### Plot\n\nKun is a four-year-old boy in a small house on a corner of a city, with a small garden and a small tree<sup>[8](https://www.youtube.com/watch?v=McZbJmHrcJY)</sup>. When his mother brings home a newborn baby sister, Mirai, his joy turns to disappointment as the new family member takes center stage<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup>. Mysteriously, Kun discovers a magical gateway in the garden where he encounters his \"older\" sister from the future<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup>.\n\nThe encounters move beyond Mirai herself. After meeting his pet dog in human form, Kun meets his mother as a girl his own age and bonds with his deceased great-grandfather, who appears as a motorbike-riding hero<sup>[3](https://www.timeout.com/movies/mirai)</sup><sup> • </sup><sup>[4](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)</sup>. The film's synopsis describes a series of adventures with his baby sister grown up, opening a new perspective on his world<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup>. The action unfolds in a minimal space, a single-family house with a small garden, and the story is built from five roughly episode-length segments<sup>[9](https://www.cinematoday.jp/movie/T0022711/review)</sup>. A recurring visual set piece is the fantasy world that opens when Kun runs away from home and ends up lost in a phantasmagorical railway station full of endless escalators<sup>[4](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)</sup>.\n\n## Production and credits\n\nHosoda is credited as director, scriptwriter, and originator of the original story<sup>[2](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)</sup>. The film was planned and produced by Studio Chizu, the animation company Hosoda founded, with Yuichiro Saito producing<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup><sup> • </sup><sup>[10](https://ba.jpf.go.jp/wp-content/uploads/2018/08/SpecialTalk_MamoruHosoda_JP.pdf)</sup>. Animation direction was by [Hiroyuki Aoyama](https://www.edgepedia.org/hiroyuki-aoyama) and Ayako Hata, and artistic direction by Yohei Takamatsu and Takashi Omori<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup>. The technique is listed as 2D/3D computer, and critics noted the integration of hand-drawn and CGI elements in the later scenes<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup><sup> • </sup><sup>[7](https://www.metacritic.com/movie/mirai/)</sup>.\n\nJapanese financing included [NTT Docomo](https://www.edgepedia.org/ntt-docomo), Nippon Television Network, KADOKAWA, and Studio Chizu, with Toho handling Japanese distribution<sup>[11](https://www.kinenote.com/sp/public/cinema/detail.aspx?cinema_id=89763)</sup>. Overseas distribution was handled by Wild Bunch Distribution, Anime Ltd., and Charades<sup>[1](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)</sup>, with GKIDS releasing it in the United States<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup>. The Japanese voice cast also included Koji Yakusho as the grandfather, Yoshiko Miyazaki as the grandmother, and [Masaharu Fukuyama](https://www.edgepedia.org/masaharu-fukuyama)<sup>[7](https://www.metacritic.com/movie/mirai/)</sup>. The English dub cast Victoria Grace as Mirai, John Cho as the father, [Rebecca Hall](https://www.edgepedia.org/rebecca-hall) as the mother, and Daniel Dae Kim as the great-grandfather<sup>[12](https://www.rottentomatoes.com/m/1b22ff60-72ff-344c-974e-4bbd07299250)</sup>.\n\n## Setting\n\nHosoda chose the Negishi and Isogo-ku districts of Yokohama as the film's setting, saying he wanted to stage the story in a place that would keep changing over time<sup>[13](https://www.walkerplus.com/article/155476/)</sup>. The film draws on real locations: a pilgrimage guide maps nine sites, including the Itabashi Tropical Environment Plant House in Tokyo, several spots in Ueda in [Nagano Prefecture](https://www.edgepedia.org/nagano-prefecture) (the Japanese Go Institute's Ueda branch, a barbershop, and others), Negishi Forest Park in Yokohama, Keikyu-era Jindai temple sites in Yokosuka, and Nakamura Station in Toyama<sup>[14](https://www.animepilgrimage.com/ja/maps/anime/UVPVcuDouxDp80lD6iDf/mirai)</sup>.\n\n## Reception\n\n**Critical scores.** The film holds a 90% Tomatometer on Rotten Tomatoes from 84 reviews, with a critics consensus describing the simplicity and colorful warmth of the animation as underscored by a story with surprising depth and emotional resonance, and a Popcornmeter audience score of 80% from over 1,000 ratings<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup>. On Metacritic it scored 81 based on 18 reviews, in the \"universal acclaim\" band<sup>[7](https://www.metacritic.com/movie/mirai/)</sup>. Kenneth Turan of the Los Angeles Times wrote that Hosoda's films stretch the boundaries of both style and content within the family-film rubric<sup>[7](https://www.metacritic.com/movie/mirai/)</sup>, while Carlos Aguilar of TheWrap called it a hand-drawn work rivaling Pixar and Ghibli in family entertainment with a humanistic edge<sup>[7](https://www.metacritic.com/movie/mirai/)</sup>. Time Out awarded four of five stars, praising its attention to detail and intimate realism<sup>[3](https://www.timeout.com/movies/mirai)</sup>.\n\nCriticism focused on the film's structure and its tantrum-prone protagonist. Andrew Osmond, writing in [Sight and Sound](https://www.edgepedia.org/sight-and-sound), called it Hosoda's most unconventional film, with conspicuously offbeat rhythms and an episodic story that \"coheres without building,\" and judged it questionable viewing for children twice Kun's age<sup>[4](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)</sup>. The [New York Post](https://www.edgepedia.org/new-york-post) review objected that Kun spends much of the film crying or whining<sup>[7](https://www.metacritic.com/movie/mirai/)</sup>, and RogerEbert.com's reviewer noted that Kun-centric scenes take up roughly 90% of the film and split between daydreams and full-blast tantrums<sup>[15](https://www.rogerebert.com/reviews/mirai-2018)</sup>.\n\n**Japan versus abroad.** A KAI-YOU analysis notes that overseas recognition stood in contrast to harsh Japanese criticism when the film opened in July 2018; Japanese reviewers, noting the similarity of the director's own family composition to the family in the film, described it as \"like the director's diary\"<sup>[16](https://premium.kai-you.net/article/17)</sup>. The film premiered abroad at the 2018 Cannes Film Festival's Directors' Fortnight<sup>[5](https://fetch.fm/media/uploads/production-notes/2018/09/06/12/27/MIRAI_Production_Notes.pdf)</sup> before a UK release on November 2, 2018<sup>[3](https://www.timeout.com/movies/mirai)</sup> and a US limited release on November 29, 2018<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup>.\n\n**Box office.** In the United States the film grossed $682.2K in its limited release<sup>[6](https://www.rottentomatoes.com/m/mirai)</sup>. At the time of the Sight and Sound review in November 2018, its Japanese box office was substantially below those of Hosoda's recent films<sup>[4](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)</sup>. A Japan Society of Film and Media Studies bulletin cites it as a notable example of a Japanese time-travel film<sup>[17](https://japansociety-cinemastudies.org/wp-content/uploads/2020/12/kaihou-61.pdf)</sup>.\n\n## Themes\n\nCommentary repeatedly identifies the film's central theme as family connection across generations. The story has been read as a [Japanese family](https://www.edgepedia.org/japanese-family) history told from a small child's perspective, prompting reflection on what family bonds mean<sup>[9](https://www.cinematoday.jp/movie/T0022711/review)</sup>. The film's own trailer copy describes a story of family and life connecting past to future<sup>[18](https://www.youtube.com/watch?v=pYg7HLCwQgI)</sup>, and Hosoda's stated intent to set the story in a place that would keep changing links the domestic narrative to contemporary Japan<sup>[13](https://www.walkerplus.com/article/155476/)</sup>.\n\n## References\n\n1. [Feature Film in Competition 5: Mirai, Annecy Festival 2018 Programme](https://www.annecyfestival.com/about/archives/2018/2018-programme/2018-index%3Aplng-100001501720)\n2. [『未来のミライ』作品概要, PR TIMES](https://prtimes.jp/a/?c=2198&f=d2198-262-pdf-0.pdf&r=262)\n3. [Mirai review, Time Out (Dan Jolin)](https://www.timeout.com/movies/mirai)\n4. [Mirai review: Hosoda Mamoru freestyles a child's exploration of sibling-hood, Sight and Sound, BFI (Andrew Osmond)](https://www.bfi.org.uk/sight-and-sound/reviews/mirai-review-hosoda-mamoru-freestyles-childs-exploration-sibling-hood)\n5. [MIRAI Production Notes, Fetch.fm](https://fetch.fm/media/uploads/production-notes/2018/09/06/12/27/MIRAI_Production_Notes.pdf)\n6. [Mirai no Mirai, Rotten Tomatoes](https://www.rottentomatoes.com/m/mirai)\n7. [Mirai Reviews, Metacritic](https://www.metacritic.com/movie/mirai/)\n8. [未来のミライ　予告, Studio Chizu official YouTube](https://www.youtube.com/watch?v=McZbJmHrcJY)\n9. [未来のミライ (2018)：映画短評, Cinema Today](https://www.cinematoday.jp/movie/T0022711/review)\n10. [「未来のミライ」公開記念 細田守監督特別トーク, 国際交流基金バンコク日本文化センター](https://ba.jpf.go.jp/wp-content/uploads/2018/08/SpecialTalk_MamoruHosoda_JP.pdf)\n11. [未来のミライ, KINENOTE](https://www.kinenote.com/sp/public/cinema/detail.aspx?cinema_id=89763)\n12. [Mirai, Rotten Tomatoes (dub cast page)](https://www.rottentomatoes.com/m/1b22ff60-72ff-344c-974e-4bbd07299250)\n13. [細田守監督『未来のミライ』の舞台を語る, Walkerplus](https://www.walkerplus.com/article/155476/)\n14. [『未来のミライ』映画の聖地（ロケ地）マップ, Anime Pilgrimage](https://www.animepilgrimage.com/ja/maps/anime/UVPVcuDouxDp80lD6iDf/mirai)\n15. [Mirai movie review, RogerEbert.com (Simon Abrams)](https://www.rogerebert.com/reviews/mirai-2018)\n16. [細田守『未来のミライ』日米における評価のギャップはなぜ生まれたか？, KAI-YOU Premium](https://premium.kai-you.net/article/17)\n17. [日本映画学会会報 61号](https://japansociety-cinemastudies.org/wp-content/uploads/2020/12/kaihou-61.pdf)\n18. [未来のミライ　予告３, Studio Chizu official YouTube](https://www.youtube.com/watch?v=pYg7HLCwQgI)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Films by genre, form, and subject › Animated and short films › Japanese anime features › Released 2014 to 2026*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 3, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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