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 "excerpt": "Newport Jazz Festival: annual jazz festival in Newport, Rhode Island, founded 1954 by George Wein with Elaine and Louis Lorillard's backing; landmark performances by Ellington and Davis; held at Fort Adams State Park.",
 "snippet": "Newport Jazz Festival: annual jazz festival in Newport, Rhode Island, founded 1954 by George Wein with Elaine and Louis Lorillard's backing; landmark performances by Ellington and Davis; held at Fort Adams State Park.",
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 "markdown": "# Newport Jazz Festival\n\nThe Newport Jazz Festival is an annual jazz festival held in [Newport, Rhode Island](https://www.edgepedia.org/newport-rhode-island), founded in 1954 by the Boston club owner and pianist George Wein with financial backing from Newport socialites Elaine and Louis Lorillard. It became the model for the modern multi-artist music festival and has hosted landmark performances by [Duke Ellington](https://www.edgepedia.org/duke-ellington), Miles Davis, and many others.<sup>[1](https://postgenre.org/newport-jazz-history/)</sup><sup> • </sup><sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Founded | 1954; the corporation \"The Jazz Festival of Newport, R.I., Inc.\" was established on April 28, 1954, by Louis and Elaine Lorillard to promote interest in music<sup>[3](https://newporthistory.org/the-newport-folk-festival-as-a-reflection-of-the-american-sixties/)</sup> |\n| First edition | July 17 and 18, 1954, at the Newport Casino (now the International Tennis Hall of Fame)<sup>[3](https://newporthistory.org/the-newport-folk-festival-as-a-reflection-of-the-american-sixties/)</sup> |\n| Founder | George Wein, a Boston University graduate, World War II veteran, and pianist who owned the Boston jazz club Storyville<sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup> |\n| Landmark performance | Duke Ellington's July 7, 1956, performance of \"Diminuendo and Crescendo in Blue,\" considered one of the greatest single performances in the history of jazz and credited with revitalizing his career<sup>[4](https://www.govinfo.gov/content/pkg/CRECB-2014-pt9/pdf/CRECB-2014-pt9.pdf)</sup> |\n| Interruptions | Canceled by the Newport City Council in 1961 after years of crowd-control problems, returning in 1962; a 1971 riot pushed the festival out of Newport for much of the 1970s<sup>[5](https://www.latimes.com/archives/la-xpm-1995-04-06-ol-51343-story.html)</sup> |\n| Current site and producer | Fort Adams State Park each August, produced by Newport Festivals Foundation, Inc., a 501(c)(3) non-profit<sup>[6](https://newportjazz.org/)</sup> |\n| Artistic director | Drummer, producer, and bandleader Nate Smith, appointed February 2026 for a three-year term after a decade under Christian McBride<sup>[7](https://newportjazz.org/artistic-director)</sup> |\n\n## Origins in Storyville\n\nThe festival grew out of a Boston nightclub. In late September 1950, the twenty-four-year-old George Wein poured his life savings, about $5,000 set aside for education but unspent thanks to the [G.I. Bill](https://www.edgepedia.org/g-i-bill), into Storyville, a 200-seat jazz room at the Copley Plaza Hotel named for the former red-light district of New Orleans. The first act was the Bob Wilber Sextet.<sup>[8](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)</sup> Wein later described the club as a \"true music room\" with no floor show, in his book *Myself Among Others*.<sup>[8](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)</sup>\n\nIn 1953 the Lorillards, avid music lovers who found Newport \"terribly boring in the summer,\" asked Wein to bring the jazz of Storyville to their resort town. Wein toured the Newport Casino, admired the [Gilded Age](https://www.edgepedia.org/gilded-age) mansions, and found it \"not a particularly jazzy place.\" The only festival-style musical event in New England at the time was the classical [Tanglewood](https://www.edgepedia.org/tanglewood) series in the Berkshires, and Wein, who admitted he \"didn't even know what a jazz festival would consist of,\" pitched a jazz equivalent to the Lorillards, who agreed to fund it.<sup>[8](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)</sup> In a Smithsonian Jazz Oral History interview, Wein insisted on his own role: \"I will not say they created the Newport Jazz Festival. I created this.\"<sup>[9](https://amhistory.si.edu/jazz/Wein-George/Wein_George_Transcript.pdf)</sup>\n\nThe inaugural festival ran on July 17 and 18, 1954, at the Newport Casino. By 9:18 PM on the evening of July 17, Eddie Condon's delayed tribute to Dixieland finally began, followed by vocalist Lee Wiley and a jam session.<sup>[3](https://newporthistory.org/the-newport-folk-festival-as-a-reflection-of-the-american-sixties/)</sup><sup> • </sup><sup>[1](https://postgenre.org/newport-jazz-history/)</sup> Wein ran both Newport Jazz and Storyville for several years afterward, but jazz artists had \"moved out of the realm of jazz clubs into the mainstream of American entertainment, commanding a far greater fee than a nightclub like Storyville could provide,\" and he closed the club in 1960, ten years after it opened.<sup>[8](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)</sup>\n\n## Landmark performances\n\nThe festival's early years produced performances that changed the careers of the artists involved. [Miles Davis](https://www.edgepedia.org/miles-davis), who said he \"wasn't real popular at this time,\" recalled that his standing \"began to change after I played at the Newport Jazz Festival in 1955.\"<sup>[8](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)</sup> Duke Ellington declared, \"I was born at Newport in 1956.\" His performance of \"Diminuendo and Crescendo in Blue\" on the night of July 7, 1956, is considered one of the greatest single performances in the history of jazz and revitalized Ellington's career at a time when big bands were struggling and his orchestra was playing ice skating rinks for money that did not cover expenses.<sup>[4](https://www.govinfo.gov/content/pkg/CRECB-2014-pt9/pdf/CRECB-2014-pt9.pdf)</sup><sup> • </sup><sup>[10](https://www.loc.gov/static/programs/national-recording-preservation-board/documents/Duke-Ellington-at-Newport_Nass.pdf)</sup> The resulting album *Ellington at Newport* was added to the [National Recording Registry](https://www.edgepedia.org/national-recording-registry) in 2022, and preserves both the [Voice of America](https://www.edgepedia.org/voice-of-america) radio recording and the Columbia Records recording of the day in one release.<sup>[10](https://www.loc.gov/static/programs/national-recording-preservation-board/documents/Duke-Ellington-at-Newport_Nass.pdf)</sup>\n\nA 2023 PostGenre piece by editor-in-chief Rob Shepherd listed five Newport performances that changed music history: Miles Davis in 1955, Duke Ellington in 1956, Anita O'Day in 1958, [The Kingston Trio](https://www.edgepedia.org/the-kingston-trio) in 1959, and [Dave Brubeck](https://www.edgepedia.org/dave-brubeck) in 1971.<sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup> Dozens of official albums have been recorded at the festival, including sets by Ellington, Count Basie, Ella Fitzgerald, Muddy Waters, Aretha Franklin, Ray Charles, John Coltrane, Billie Holiday, Stan Getz, and Davis. Verve Records founder Norman Granz brought his recording gear to the 1957 festival and recorded extensively.<sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup><sup> • </sup><sup>[11](https://www.udiscovermusic.com/stories/newport-jazz-festival-history/)</sup>\n\nFrom 1958 the festival, though almost exclusively jazz-oriented, included a sampling of other genres, among them folk, gospel, rock 'n' roll, and rhythm and blues.<sup>[12](https://archives.libraries.rutgers.edu/repositories/6/resources/490)</sup>\n\n## Expansion, crowds, and the 1971 riot\n\nThe 1969 festival, staged the month before Woodstock, presented jazz, soul, R&B, and rock on one bill: [Sun Ra](https://www.edgepedia.org/sun-ra), Bill Evans, Buddy Rich, Blood, Sweat & Tears, The Jeff Beck Group, Jethro Tull, Sly & [The Family Stone](https://www.edgepedia.org/the-family-stone), Frank Zappa, James Brown, B.B. King, [Johnny Winter](https://www.edgepedia.org/johnny-winter), and Led Zeppelin, among others. An estimated 50,000 people attended, some surging against the fencing; Wein defused an overflow crowd on Sunday by having his people announce falsely that the evening's Led Zeppelin set had been canceled, and the band played as scheduled.<sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup> The three-day 1969 event drew about 80,000 people; the 1970 festival, which reverted to mostly jazz, drew 40,400.<sup>[13](https://www.govinfo.gov/content/pkg/GPO-CRECB-1970-pt18/pdf/GPO-CRECB-1970-pt18-6-3.pdf)</sup>\n\nThe 1971 bill included [The Allman Brothers Band](https://www.edgepedia.org/the-allman-brothers-band), and an estimated 15,000 to 20,000 rock fans, perhaps drawn because there were no major rock festivals in the United States that summer, listened from outside Festival Field. The festival ended that year in a full-scale riot, which ended its residency in [Rhode Island](https://www.edgepedia.org/rhode-island).<sup>[2](https://www.mmone.org/newport-jazz-festival/)</sup><sup> • </sup><sup>[12](https://archives.libraries.rutgers.edu/repositories/6/resources/490)</sup>\n\nThe event moved to New York for much of the 1970s. In 1977 Wein announced a move to the Saratoga Performing Arts Center in Saratoga Springs, New York, citing financial problems, curfew restrictions, and limited acoustical settings in New York's concert halls, where going one minute over a deadline cost $850 to $1,000.<sup>[14](https://www.washingtonpost.com/archive/lifestyle/1977/07/02/newport-jazz-moving-to-saratoga-springs/f9b00f56-fd00-44d7-a073-6ec06260a61a)</sup> Since 1981 the festival has been back in Newport.<sup>[5](https://www.latimes.com/archives/la-xpm-1995-04-06-ol-51343-story.html)</sup>\n\n## Influence and present day\n\nThe festival shaped the format of the modern music festival, providing a space in which jazz could be approached seriously and respectfully, and it quickly became a cultural stage for civil rights expression as well as a summer showcase.<sup>[1](https://postgenre.org/newport-jazz-history/)</sup><sup> • </sup><sup>[15](https://www.history.com/articles/newport-jazz-festival-civil-rights-max-roach-james-brown)</sup> Its success helped establish the jazz festival as an American institution; the Monterey Jazz Festival, begun in 1958 just after Newport, now bills itself as the oldest continuous jazz festival in the world because Newport had fallow years during its New York years.<sup>[16](https://www.independent.com/2025/09/19/on-the-beat-monterey-calling/)</sup>\n\nThe festival is now produced by the Newport Festivals Foundation, which also runs music education and artist relief programs, and takes place each August at Fort Adams State Park.<sup>[6](https://newportjazz.org/)</sup><sup> • </sup><sup>[7](https://newportjazz.org/artistic-director)</sup> Recent editions have sold out in advance; all 2026 tickets were listed as sold out on the festival's ticketing page, with a fan-to-fan exchange run through the official partner DICE.<sup>[17](https://newportjazz.org/tickets)</sup> In February 2026 the drummer Nate Smith, fresh off two Grammy wins that month, was appointed artistic director for a three-year term beginning with the festival of July 31 to August 2, taking over from Christian McBride, who had held the role for a decade after festival founder George Wein.<sup>[7](https://newportjazz.org/artistic-director)</sup>\n\n## References\n\n1. [A History of the Newport Jazz Festival, PostGenre](https://postgenre.org/newport-jazz-history/)\n2. [Newport Jazz Festival, The Music Museum of New England](https://www.mmone.org/newport-jazz-festival/)\n3. [The Newport Folk Festival as a Reflection of the American Sixties, Newport Historical Society](https://newporthistory.org/the-newport-folk-festival-as-a-reflection-of-the-american-sixties/)\n4. [Congressional Record 2014, remarks on the Newport Jazz Festival, govinfo.gov](https://www.govinfo.gov/content/pkg/CRECB-2014-pt9/pdf/CRECB-2014-pt9.pdf)\n5. [JAZZ: NEWPORT IMPORT, Los Angeles Times (April 6, 1995)](https://www.latimes.com/archives/la-xpm-1995-04-06-ol-51343-story.html)\n6. [Newport Jazz Festival official site](https://newportjazz.org/)\n7. [Nate Smith Announced as New Artistic Director of the Newport Jazz Festival](https://newportjazz.org/artistic-director)\n8. [How a Boston Club Birthed the Newport Jazz Festival in 1954, Newport Jazz Festival](https://newportjazz.org/how-a-boston-club-birthed-the-newport-jazz-festival-in-1954)\n9. [Smithsonian Jazz Oral History Program transcript, George Wein](https://amhistory.si.edu/jazz/Wein-George/Wein_George_Transcript.pdf)\n10. [\"Ellington at Newport\" National Recording Registry essay, Library of Congress](https://www.loc.gov/static/programs/national-recording-preservation-board/documents/Duke-Ellington-at-Newport_Nass.pdf)\n11. [The Newport Jazz Festival: The Recorded Legacy, uDiscover Music](https://www.udiscovermusic.com/stories/newport-jazz-festival-history/)\n12. [Newport Jazz Festival records, Rutgers University Libraries](https://archives.libraries.rutgers.edu/repositories/6/resources/490)\n13. [Extensions of Remarks, July 20, 1970, govinfo.gov](https://www.govinfo.gov/content/pkg/GPO-CRECB-1970-pt18/pdf/GPO-CRECB-1970-pt18-6-3.pdf)\n14. [Newport Jazz Moving to Saratoga Springs, The Washington Post (July 2, 1977)](https://www.washingtonpost.com/archive/lifestyle/1977/07/02/newport-jazz-moving-to-saratoga-springs/f9b00f56-fd00-44d7-a073-6ec06260a61a)\n15. [4 Times Newport Jazz Became a Civil Rights Platform, HISTORY.com](https://www.history.com/articles/newport-jazz-festival-civil-rights-max-roach-james-brown)\n16. [ON the Beat | Monterey Calling, The Santa Barbara Independent](https://www.independent.com/2025/09/19/on-the-beat-monterey-calling/)\n17. [2026 Newport Jazz Festival Tickets, Newport Jazz Festival](https://newportjazz.org/tickets)\n\n---\n*Topic: Encyclopedia › Arts and culture › Music › Music institutions and events › Music festivals › Named music festivals › North American named festivals › Jazz and blues festivals*\n\n*Initially written Sep 17, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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