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 "slug": "paradise-lost-1997-film",
 "title": "Paradise Lost (실락원) (1997 film)",
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 "excerpt": "Paradise Lost (失楽園, Shitsurakuen; 실락원) is Yoshimitsu Morita's 1997 Japanese film adapting Junichi Watanabe's bestseller, starring Koji Yakusho and Hitomi Kuroki as adulterous lovers; it earned 4.5 billion yen, ranked second among 1997 Japanese films, and made \"shitsurakuen\" a buzzword of the year.",
 "snippet": "Paradise Lost (失楽園, Shitsurakuen; 실락원) is Yoshimitsu Morita's 1997 Japanese film adapting Junichi Watanabe's bestseller, starring Koji Yakusho and Hitomi Kuroki as adulterous lovers; it earned 4.5 billion yen, ranked second among 1997 Japanese films, and made \"shitsurakuen\" a buzzword of the year.",
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 "markdown": "# Paradise Lost (실락원) (1997 film)\n\n**Paradise Lost** (失楽園, *Shitsurakuen*; Korean: 실락원) is a 1997 Japanese romantic drama directed by Yoshimitsu Morita, adapted from Junichi Watanabe's bestselling novel of the same name, about a middle-aged publisher and a married calligraphy teacher whose affair ends in a lovers' suicide. It opened in Japan on 10 May 1997, distributed by Toei, and runs 119 minutes.<sup>[1](https://eiga.com/movie/14158/)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Japanese release | 10 May 1997, distributed by Toei; 119 minutes; R15+ rating<sup>[1](https://eiga.com/movie/14158/)</sup> |\n| Director and screenwriter | Yoshimitsu Morita, from a screenplay by Tomomi Tsutsui<sup>[1](https://eiga.com/movie/14158/)</sup> |\n| Source | Junichi Watanabe's novel, serialized in the Nikkei from September 1995 and published by Kodansha in two volumes in February 1997<sup>[2](https://www.latimes.com/archives/la-xpm-2000-aug-22-cl-8065-story.html)</sup><sup> • </sup><sup>[3](https://www.banger.jp/movie/22189/)</sup>  |\n| Leads | Koji Yakusho as Kuki Shoichiro; Hitomi Kuroki as Matsubara Rinko<sup>[1](https://eiga.com/movie/14158/)</sup> |\n| Box office | 4.5 billion yen (2.3 billion yen in distribution income), second among Japanese films of 1997 after *Princess Mononoke*<sup>[3](https://www.banger.jp/movie/22189/)</sup><sup> • </sup><sup>[4](https://moonlight-tantra.com/en/cinema/lost-paradise-a-love-afraid-of-time)</sup>  |\n| Cultural impact | The word \"shitsurakuen\" was selected in the 1997 buzzword awards and became a byword for middle-aged infidelity<sup>[1](https://eiga.com/movie/14158/)</sup><sup> • </sup><sup>[5](https://www.goldenhorse.org.tw/film/programme/films/detail/3715?ghff_id=631&search_category=FF)</sup>  |\n| Music | Michiru Oshima<sup>[1](https://eiga.com/movie/14158/)</sup> |\n\n## Spoilers\n\n### Plot\n\nKuki Shoichiro, a capable editor at a publishing company, is suddenly reassigned from the editorial front line to a dead-end post in the research office, and begins to feel the emptiness of his life. He meets Matsubara Rinko, a beautiful married woman who teaches calligraphy at a culture center where his friend Kinugawa works. Though both are married, they begin meeting on weekends and cannot give each other up.<sup>[1](https://eiga.com/movie/14158/)</sup><sup> • </sup><sup>[6](https://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=29736)</sup>\n\nTheir relationship escalates. Rinko, wracked with guilt, nevertheless meets Kuki at a hotel on the night of her adoptive father's wake, still in mourning dress; Kuki secretly rents an apartment in Tokyo as a nest for their love. Rinko's husband Haruhiko learns of the affair through an investigation agency and torments her by refusing divorce, while Kuki's wife Fumie quietly but firmly asks for one. After an exposé letter reaches his company, Kuki resigns and agrees to the divorce; Rinko cuts ties with her husband and mother. Sharing Rinko's wish to die at the supreme moment of their love, the two go to a snowbound hot-spring inn, drink poisoned wine together, and are later found dead in union at the moment of climax.<sup>[6](https://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=29736)</sup>\n\n## Production\n\nThe film was produced by Kadokawa, Toei, Nippan, Mitsui & Co., and Ace Pictures, with Masato Hara as producer and Tsuguhiko Kadokawa as executive producer.<sup>[6](https://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=29736)</sup><sup> • </sup><sup>[7](https://nfad.nfaj.go.jp/det.php?data_id=127417)</sup>  The novel had been a phenomenon while still running in the Nikkei's morning edition from September 1995, and rights were contested fiercely among distributors before the film went into production immediately after the book became a bestseller.<sup>[3](https://www.banger.jp/movie/22189/)</sup><sup> • </sup><sup>[8](https://host.cine21.com/movie/info/?movie_id=442)</sup>\n\nProducer Hara's casting strategy reshaped the property: a reader poll on who should play Rinko returned Hitomi Kuroki as the overwhelming first choice, and the production aimed the film at women viewers through the pairing of Yakusho and Kuroki and Morita's aesthetically refined love scenes, even though the original novel was written for middle-aged men.<sup>[1](https://eiga.com/movie/14158/)</sup><sup> • </sup><sup>[3](https://www.banger.jp/movie/22189/)</sup>  Morita said that with Tsutsui's adaptation he intended a \"new genre of Japanese film,\" comparable to what *[The Family Game](https://www.edgepedia.org/the-family-game)* had done for the home drama and *Itsuka Darekaga...* (*Sorekara*) for the literary film.<sup>[9](https://www.nfaj.go.jp/program/yoshimitsu-morita202510-15/)</sup>\n\nCensorship shaped two versions. In the R-rated print shown in Japan, the love scenes were darkened in printing because of their explicitness; the overseas version restored the passages to their original form and was released with an adult rating.<sup>[6](https://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=29736)</sup> The Taipei Golden Horse festival notes that, like Nagisa Oshima's *In the Realm of the Senses*, the characters' prototypes were influenced by the [Sada Abe](https://www.edgepedia.org/sada-abe) incident that shocked Japan.<sup>[5](https://www.goldenhorse.org.tw/film/programme/films/detail/3715?ghff_id=631&search_category=FF)</sup>\n\n## Reception and box office\n\nThe film drew overwhelming support from women audiences and became a major hit: 4.5 billion yen in box office receipts (2.3 billion yen in distribution income), ranking second among Japanese films of 1997 behind *Princess Mononoke* and fourth including foreign films.<sup>[3](https://www.banger.jp/movie/22189/)</sup> In the Motion Picture Producers Association of Japan's record of the year's distribution income it likewise stands second among Japanese films of 1997.<sup>[4](https://moonlight-tantra.com/en/cinema/lost-paradise-a-love-afraid-of-time)</sup> Nikkei Business selected it among the year's three hit products, and the phenomenon was called the \"shitsurakuen syndrome.\"<sup>[8](https://host.cine21.com/movie/info/?movie_id=442)</sup>\n\nThe two leads collected numerous acting prizes. At the 21st Japan Academy Prizes (1998), Kuroki won Best Actress and Yoshino Kimura the New Actor award, while Yakusho took the Excellence Award for Lead Actor as a double win for *The Eel* and this film; the film also received excellence awards for director, screenplay, supporting actor (Akira Terao), supporting actress (Tomoko Hoshino), music, cinematography, lighting, art direction, sound, and editing.<sup>[10](https://www.japan-academy-prize.jp/prizes/?t=21)</sup><sup> • </sup><sup>[1](https://eiga.com/movie/14158/)</sup>  Yakusho also won the 1997 Blue Ribbon Award and Kinema Junpo Award for Best Actor, and the film took the 1997 Mainichi Film Awards for art direction and music and the 1997 Hochi Awards for Best Actor and Actress.<sup>[5](https://www.goldenhorse.org.tw/film/programme/films/detail/3715?ghff_id=631&search_category=FF)</sup>\n\n## Cultural impact\n\nThe title word itself became a social phenomenon. The 1997 buzzword award went to the word \"shitsurakuen,\" with the prize presented to Watanabe and Kuroki; the award's organizers wrote that the word had been talked about during the serialization and that the film made it the talk of the whole country.<sup>[4](https://moonlight-tantra.com/en/cinema/lost-paradise-a-love-afraid-of-time)</sup><sup> • </sup><sup>[11](https://inout.dig.us.com/samurai094/7251193/)</sup>  In 1997 the title even entered Japanese usage as a verb meaning \"to have an illicit love affair.\"<sup>[2](https://www.latimes.com/archives/la-xpm-2000-aug-22-cl-8065-story.html)</sup>\n\nThe boom extended across media. Later in 1997 the novel was adapted as a television miniseries, though that version was neither as well cast nor as popular as the book or the film.<sup>[2](https://www.latimes.com/archives/la-xpm-2000-aug-22-cl-8065-story.html)</sup> The two-volume Kodansha novel had sold 2.7 million copies by 2000, when an English translation, *A Lost Paradise*, reached United States bookstores.<sup>[2](https://www.latimes.com/archives/la-xpm-2000-aug-22-cl-8065-story.html)</sup> From 1998 the \"shitsurakuen boom\" also drove translation of Watanabe's works in China, with about 50 titles introduced there by 2009.<sup>[12](https://cir.nii.ac.jp/crid/1050001202581624960)</sup> The film reached South Korean theaters on 28 July 2011.<sup>[13](https://wiki.onul.works/w/%EC%8B%A4%EB%9D%BD%EC%9B%90_%281997%EB%85%84_%EC%98%81%ED%99%94%29)</sup>\n\n## References\n\n1. [失楽園 : 作品情報・キャスト・あらすじ, 映画.com](https://eiga.com/movie/14158/)\n2. [Tale of Erotic Love Is Steaming Across the Pacific Ocean to U.S. Bookstores, Los Angeles Times (22 August 2000)](https://www.latimes.com/archives/la-xpm-2000-aug-22-cl-8065-story.html)\n3. [『失楽園』製作の裏側 〖原正人の伝説 10/12〗, BANGER!!!](https://www.banger.jp/movie/22189/)\n4. [Lost Paradise, and a Love More Afraid of Time Than of the World, MOONLIGHT PRIVÉ](https://moonlight-tantra.com/en/cinema/lost-paradise-a-love-afraid-of-time)\n5. [失樂園 Lost Paradise, Taipei Golden Horse Film Festival](https://www.goldenhorse.org.tw/film/programme/films/detail/3715?ghff_id=631&search_category=FF)\n6. [失楽園 - 作品情報・映画レビュー, KINENOTE](https://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=29736)\n7. [失楽園, 国立映画アーカイブ所蔵映画フィルム検索システム](https://nfad.nfaj.go.jp/det.php?data_id=127417)\n8. [실락원 (Lost Paradise), Cine21](https://host.cine21.com/movie/info/?movie_id=442)\n9. [映画監督 森田芳光-15, 国立映画アーカイブ](https://www.nfaj.go.jp/program/yoshimitsu-morita202510-15/)\n10. [第21回日本アカデミー賞, 日本アカデミー賞公式サイト](https://www.japan-academy-prize.jp/prizes/?t=21)\n11. [黒木瞳『失楽園』の真相, inout.dig.us.com](https://inout.dig.us.com/samurai094/7251193/)\n12. [『失楽園』はどう読まれるのか : 中国における渡辺淳一文学の受容, CiNii Research](https://cir.nii.ac.jp/crid/1050001202581624960)\n13. [실락원 (1997년 영화), 오늘의AI위키](https://wiki.onul.works/w/%EC%8B%A4%EB%9D%BD%EC%9B%90_%281997%EB%85%84_%EC%98%81%ED%99%94%29)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 1990s › Drama films late 1990s › Released 1995 to 1998*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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 "credit": "\"Paradise Lost (실락원) (1997 film)\", Edgepedia (EdgeChat), https://www.edgepedia.org/paradise-lost-1997-film. Edgepedia Community License 1.0.",
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 "speakable": "Paradise Lost is Yoshimitsu Morita's 1997 Japanese film adapting Junichi Watanabe's bestseller, starring Koji Yakusho and Hitomi Kuroki as adulterous lovers; it earned 4.5 billion yen, ranked second among 1997 Japanese films, and made \"shitsurakuen\" a buzzword of the year."
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