{ "id": "ep7nm92gth", "slug": "personal-best", "title": "Personal Best", "updated": "2026-11-01", "topic_path": [ { "id": "culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/topics/culture" }, { "id": "culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance" }, { "id": "culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen" }, { "id": "culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films" }, { "id": "culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical", "label": "Drama and biographical films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s", "label": "Drama films 1980s", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s" }, { "id": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s.yr-1980-1985", "label": "Released 1980 to 1985", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s.yr-1980-1985" } ], "geo": [ { "id": "geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s", "label": "United States · 1946 to 2000: Drama films 1980s", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s", "path": [ { "id": "geo.us", "label": "United States", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us" }, { "id": "geo.us.t1946", "label": "United States · 1946 to 2000", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946" }, { "id": "geo.us.t1946.culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture" }, { "id": "geo.us.t1946.culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance" }, { "id": "geo.us.t1946.culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen" }, { "id": "geo.us.t1946.culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen.films" }, { "id": "geo.us.t1946.culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen.films.films.individual-works" }, { "id": "geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical", "label": "Drama and biographical films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical" }, { "id": "geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s", "label": "Drama films 1980s", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.us.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s" } ] } ], "excerpt": "Personal Best (1982) is Robert Towne's directorial debut, a sports drama starring Mariel Hemingway and real athlete Patrice Donnelly as lovers and Olympic pentathlon rivals; released Feb 5, 1982 by Warner Bros.", "snippet": "Personal Best (1982) is Robert Towne's directorial debut, a sports drama starring Mariel Hemingway and real athlete Patrice Donnelly as lovers and Olympic pentathlon rivals; released Feb 5, 1982 by Warner Bros.", "node": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1980s.yr-1980-1985", "markdown": "# Personal Best\n\n*Personal Best* is a 1982 American sports drama directed, written, and produced by [Robert Towne](https://www.edgepedia.org/robert-towne), his debut as a director, about two women track-and-field athletes whose friendship becomes a love affair and then a rivalry for places on the U.S. Olympic team.[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) It stars [Mariel Hemingway](https://www.edgepedia.org/mariel-hemingway) as Chris Cahill, Patrice Donnelly as Tory Skinner, and [Scott Glenn](https://www.edgepedia.org/scott-glenn) as their coach Terry Tingloff, with the real-life Olympic hurdler Kenny Moore as Denny Stites.[2](https://www.rottentomatoes.com/m/personal_best) The film was produced by The Geffen Company and distributed by Warner Bros., opening in Los Angeles and New York on February 5, 1982 with an R rating.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST)\n\n| Key fact | Detail |\n|---|---|\n| Directorial debut | First film directed by Robert Towne, the Academy Award-winning screenwriter of *[Chinatown](https://www.edgepedia.org/chinatown-1974-film)*, *The Last Detail*, and *Shampoo*[4](https://www.spiritualityandpractice.com/films/reviews/view/3810/personal-best) |\n| Release | February 5, 1982 (Los Angeles and New York openings); produced by The Geffen Company, distributed by Warner Bros.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) |\n| Cast | Mariel Hemingway (Chris Cahill), Patrice Donnelly (Tory Skinner), Scott Glenn (Terry Tingloff), Kenny Moore (Denny Stites)[2](https://www.rottentomatoes.com/m/personal_best) |\n| Authenticity | Except for Hemingway and Glenn, the cast were real-life athletes with no professional acting experience[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) |\n| Preparation | Hemingway trained daily for nine months, gaining 17 pounds of muscle and growing one and a half inches to 5 feet 10 inches[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) |\n| Box office | Estimated budget of $16,000,000 against a U.S. and Canada gross of $5,672,311[5](https://www.imdb.com/title/tt0084489) |\n| Critical standing | 74% Tomatometer (34 reviews) and 52% Popcornmeter on Rotten Tomatoes; Metascore of 71 on Metacritic from 13 critic reviews[2](https://www.rottentomatoes.com/m/personal_best) • [6](https://www.metacritic.com/movie/personal-best/) |\n\n## Spoilers\n\n### Plot\n\nThe story spans about four years in the lives of two women athletes.[7](https://digicoll.lib.berkeley.edu/record/120075/files/1982_CU_Mar.pdf) At the 1976 Olympic Trials at [Hayward Field](https://www.edgepedia.org/hayward-field) in [Eugene, Oregon](https://www.edgepedia.org/eugene-oregon), Chris Cahill loses in the hurdles event while Tory Skinner finishes second in the pentathlon and earns a place on the Olympic team.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) After Tory helps Chris through a fainting spell, the two spend the night together, smoking marijuana, arm-wrestling, and eventually making love; Chris then follows Tory to [San Luis Obispo, California](https://www.edgepedia.org/san-luis-obispo-california), where Tory attends California Polytechnic State University, and joins the training group of Tory's coach, Terry Tingloff.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST)\n\nThe friendship develops into a sexual relationship, and Chris's rapid improvement turns the lovers into competitors for the Olympic team.[2](https://www.rottentomatoes.com/m/personal_best) In 1978 the two travel to Cali, Colombia, for a meet, and Tingloff's win-at-all-costs ethic becomes a wedge between them as they square off in a South American meet and in the final Olympic qualifying competitions.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) • [4](https://www.spiritualityandpractice.com/films/reviews/view/3810/personal-best) The story is set against the 1980 U.S. Olympic team, the team that did not go to Moscow because of the American boycott.[8](https://www.rogerebert.com/reviews/personal-best-1982) Late in the film Chris falls in love with Denny Stites, a water polo player played by Kenny Moore.[4](https://www.spiritualityandpractice.com/films/reviews/view/3810/personal-best) • [8](https://www.rogerebert.com/reviews/personal-best-1982)\n\n## Production\n\n**Casting for authenticity.** Towne chose to use athletes rather than actors, telling *The Runner* in February 1982 that \"if you put someone in the position of doing what they do every day...they'll do better than any actor.\"[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) Apart from Hemingway and Glenn, the cast had no professional acting experience.[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) The most prominent of the athlete-actors was Patrice Donnelly, a member of the 1976 U.S. Olympic team who had once ranked as the fourth-best hurdler in the world.[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography) Kenny Moore, who plays Denny, was himself a marathoner who wrote about the production for *Sports Illustrated*.[9](https://www.wweek.com/arts/movies/2022/03/01/forty-years-after-its-release-personal-best-has-a-fascinating-and-unsettling-legacy/)\n\n**Hemingway's training.** Hemingway originally planned to train for two to three months, but production delays extended the schedule, and she trained daily over nine months before filming began. Normally 118 pounds, she gained 17 pounds in muscle mass and grew one and a half inches to 5 feet 10 inches during the preparation.[1](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography)\n\n**Conflict with Geffen.** Towne's battle with producer [David Geffen](https://www.edgepedia.org/david-geffen) during the production ended with Towne relinquishing the rights and directing duties on his *Greystoke* script in order to see *Personal Best* through to completion; Warner Bros. gave *Greystoke* to Hugh Hudson, who had just won the Oscar for *Chariots of Fire*.[10](https://www.screenwritingsavant.com/uploads/7/7/3/9/77392480/best_of_cs_interviews.pdf) Filming took place at The Burbank Studios and on location in Burbank, San Diego, San Luis Obispo, Eugene, and Los Angeles, with production dates running from June 1980 into 1981.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) Michael Chapman served as cinematographer, and the score was composed by [Jack Nitzsche](https://www.edgepedia.org/jack-nitzsche) and Jill Fraser.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) • [11](https://www.boxofficemojo.com/title/tt0084489/credits/)\n\n## Reception\n\nThe film earned generally favorable reviews from critics but performed poorly commercially. Its estimated $16,000,000 budget returned a domestic gross of $5,672,311.[5](https://www.imdb.com/title/tt0084489) On Rotten Tomatoes it holds a 74% Tomatometer from 34 reviews, with a 52% audience score from more than 1,000 ratings; Metacritic assigns it a Metascore of 71 based on 13 critic reviews, with 62% of them positive.[2](https://www.rottentomatoes.com/m/personal_best) • [6](https://www.metacritic.com/movie/personal-best/)\n\nReviewers divided over the same qualities. Roger Ebert, the [Pulitzer Prize](https://www.edgepedia.org/pulitzer-prize)-winning critic of the *Chicago Sun-Times*, praised the film for creating specific, flesh-and-blood characters and called it \"one of the healthiest and sweatiest celebrations of physical exertion\" he could remember.[8](https://www.rogerebert.com/reviews/personal-best-1982) Newsweek's Jack Kroll wrote that the film dares \"with great delicacy and insight\" to show a loving sexual relationship between two young women as \"a paradigm of authentic human intimacy.\"[6](https://www.metacritic.com/movie/personal-best/) The *Washington Post*'s Pamela Kessler described it as an instructional docudrama about preparing for the Olympics, noting that the authenticity comes from a cast of real Olympic athletes and record-holders.[12](https://www.washingtonpost.com/archive/lifestyle/1982/03/26/personal-best-on-the-run/565b3f78-8539-43f1-9653-ca3c45fc0bdf/) Negative reviews targeted the direction and the treatment of the relationship: Time Out found a hesitation in dealing fully with the central relationship and an over-reliance on slow-motion photography, and the *Christian Science Monitor* called the film boring when it was not distasteful.[13](https://www.timeout.com/movies/personal-best) • [14](https://www.csmonitor.com/1982/0211/021105.html) Vincent Canby of *The New York Times* described the movie as \"undisguised voyeurism.\"[15](https://www.nybooks.com/articles/1982/03/18/good-at-games/)\n\n## Legacy\n\nThe film's portrayal of a lesbian relationship between athletes made it a reference point in discussions of queer representation in American cinema. Writing for AfterEllen in 2024, Malinda Lo placed *Personal Best* \"among the first of a rising tide of gay and lesbian films with relatively positive messages,\" and Janet Singleton of *Big Mama Rag* called its way of seeing a woman's body \"for American cinema, revolutionary.\"[2](https://www.rottentomatoes.com/m/personal_best) Contemporary lesbian commentators were more critical: Adele Prandini, writing in *Coming Up!* in March 1982, objected that the film followed the Hollywood convention in which one of the two women in a lesbian relationship sleeps with a man.[7](https://digicoll.lib.berkeley.edu/record/120075/files/1982_CU_Mar.pdf) The critic Laurie Stone contended that the film portrays athletes more astutely than it does a lesbian relationship, while also calling its entwining of women's sports and lesbian sex \"startlingly innovative.\"[16](https://www.enotes.com/topics/robert-towne/criticism/criticism/laurie-stone-review-date-16-march-1982) Towne himself told critic Roger Ebert that the film \"isn't about two lesbians—I don't think it is, anyway.\"[17](https://mchistory.org/assets/post-amerikan/volume-11/volume-11-number-3.pdf)\n\nThe production itself left a mark: when the famed Oregon track coach and Nike co-founder [Bill Bowerman](https://www.edgepedia.org/bill-bowerman) rebuked the production and the university deemed the script objectionable, as Kenny Moore reported in *Sports Illustrated*, the filmmakers could not have anticipated that the film's most provocative element would prove to be its camerawork.[9](https://www.wweek.com/arts/movies/2022/03/01/forty-years-after-its-release-personal-best-has-a-fascinating-and-unsettling-legacy/) Towne, who died in Los Angeles at the age of 89, went on to direct *Tequila Sunrise*, *Without Limits*, and *Ask the Dust* from his own scripts.[18](https://filmmakermagazine.com/126642-robert-towne-ask-the-dust/) • [19](https://www.grouchoreviews.com/interviews/147)\n\n## Versions and availability\n\nReported running times differ by source: the AFI Catalog lists 122 minutes, Roger Ebert's review and [JustWatch](https://www.edgepedia.org/justwatch) list 124 minutes, Rotten Tomatoes lists 2 hours 4 minutes, and IMDb lists 128 minutes.[3](https://catalog.afi.com/Film/68241-PERSONAL-BEST) • [8](https://www.rogerebert.com/reviews/personal-best-1982) • [2](https://www.rottentomatoes.com/m/personal_best) • [5](https://www.imdb.com/title/tt0084489) The film is available for digital rental and purchase on platforms including Apple TV Store, Amazon Video, Google Play Movies, and YouTube, and on DVD; it is not currently available on Netflix.[20](https://www.moviefone.com/movie/personal-best/1027013/where-to-watch/) A different *Personal Best*, a 2012 British documentary by Sam Blair about British sprinters training for the London Olympics, is a separate work.[21](https://www.rottentomatoes.com/m/personal_best_2012/reviews)\n\n## References\n\n1. [Personal Best (1982), AFI Catalog of Feature Films](https://catalog.afi.com/Film/68241-PERSONAL-BEST?cxt=filmography)\n2. [Personal Best, Rotten Tomatoes](https://www.rottentomatoes.com/m/personal_best)\n3. [AFI|Catalog](https://catalog.afi.com/Film/68241-PERSONAL-BEST)\n4. [Personal Best, Film Review, Spirituality & Practice](https://www.spiritualityandpractice.com/films/reviews/view/3810/personal-best)\n5. [Personal Best (1982), IMDb](https://www.imdb.com/title/tt0084489)\n6. [Personal Best Reviews, Metacritic](https://www.metacritic.com/movie/personal-best/)\n7. [Personal Best, Hollywood Style, by Adele Prandini, Coming Up!, March 1982](https://digicoll.lib.berkeley.edu/record/120075/files/1982_CU_Mar.pdf)\n8. [Personal Best movie review & film summary, Roger Ebert, Chicago Sun-Times](https://www.rogerebert.com/reviews/personal-best-1982)\n9. [Forty Years After Its Release, \"Personal Best\" Has a Fascinating and Unsettling Legacy, Willamette Week](https://www.wweek.com/arts/movies/2022/03/01/forty-years-after-its-release-personal-best-has-a-fascinating-and-unsettling-legacy/)\n10. [Robert Towne interview by Daniel Argent, Creative Screenwriting, Vol. 7 No. 3 (2000)](https://www.screenwritingsavant.com/uploads/7/7/3/9/77392480/best_of_cs_interviews.pdf)\n11. [Personal Best (1982), Box Office Mojo](https://www.boxofficemojo.com/title/tt0084489/credits/)\n12. [\"Personal Best\" on the Run, by Pamela Kessler, The Washington Post, March 26, 1982](https://www.washingtonpost.com/archive/lifestyle/1982/03/26/personal-best-on-the-run/565b3f78-8539-43f1-9653-ca3c45fc0bdf/)\n13. [Personal Best, Time Out film review](https://www.timeout.com/movies/personal-best)\n14. [Short takes, The Christian Science Monitor, February 11, 1982](https://www.csmonitor.com/1982/0211/021105.html)\n15. [Good at Games, by Veronica Geng, The New York Review of Books, March 18, 1982](https://www.nybooks.com/articles/1982/03/18/good-at-games/)\n16. [Personal Best: What's New in Towne, by Laurie Stone, The Village Voice, March 16, 1982](https://www.enotes.com/topics/robert-towne/criticism/criticism/laurie-stone-review-date-16-march-1982)\n17. [Film review, Post-Amerikan, Volume 11, Number 3](https://mchistory.org/assets/post-amerikan/volume-11/volume-11-number-3.pdf)\n18. [Robert Towne obituary notice, Filmmaker Magazine](https://filmmakermagazine.com/126642-robert-towne-ask-the-dust/)\n19. [Robert Towne, Ask the Dust interview, Grover's Reviews](https://www.grouchoreviews.com/interviews/147)\n20. [Personal Best, Where to Watch, Moviefone](https://www.moviefone.com/movie/personal-best/1027013/where-to-watch/)\n21. [Personal Best (2012 documentary) Reviews, Rotten Tomatoes](https://www.rottentomatoes.com/m/personal_best_2012/reviews)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 1980s › Released 1980 to 1985*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n", "same_as": [], "url": "https://www.edgepedia.org/personal-best", "markdown_url": "https://www.edgepedia.org/personal-best.md", "license": { "name": "Edgepedia Community License 1.0", "url": "https://www.edgepedia.org/edgepedia/license", "summary": "Free with credit, commercial use included. AI training is open to everyone. For other uses, organizations over USD 100M in revenue or 100M monthly users license separately.", "spdx": "LicenseRef-Edgepedia-Community-1.0" }, "credit": "\"Personal Best\", Edgepedia (EdgeChat), https://www.edgepedia.org/personal-best. Edgepedia Community License 1.0.", "credit_md": "\"[Personal Best](https://www.edgepedia.org/personal-best)\", Edgepedia (EdgeChat), [https://www.edgepedia.org/personal-best](https://www.edgepedia.org/personal-best). [Edgepedia Community License 1.0](https://www.edgepedia.org/edgepedia/license).", "credit_html": "\"Personal Best\", Edgepedia (EdgeChat), https://www.edgepedia.org/personal-best. Edgepedia Community License 1.0.", "speakable": "Personal Best is Robert Towne's directorial debut, a sports drama starring Mariel Hemingway and real athlete Patrice Donnelly as lovers and Olympic pentathlon rivals; released Feb 5, 1982 by Warner Bros." }