{ "id": "epq8rdng1p", "slug": "same-old-song", "title": "Same Old Song", "updated": "2026-11-01", "topic_path": [ { "id": "culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/topics/culture" }, { "id": "culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance" }, { "id": "culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen" }, { "id": "culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films" }, { "id": "culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works" }, { "id": "culture.performance.screen.films.films.individual-works.musical-music", "label": "Musical and music films (individual works)", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.musical-music" }, { "id": "culture.performance.screen.films.films.individual-works.musical-music.musical-films-of-the-1990s-and-2000s", "label": "Musical films of the 1990s and 2000s", "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.musical-music.musical-films-of-the-1990s-and-2000s" } ], "geo": [ { "id": "geo.weu.t1946.culture.performance.screen.films.films.individual-works", "label": "Western Europe · 1946 to 2000: Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture.performance.screen.films.films.individual-works", "path": [ { "id": "geo.weu", "label": "Western Europe", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu" }, { "id": "geo.weu.t1946", "label": "Western Europe · 1946 to 2000", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946" }, { "id": "geo.weu.t1946.culture", "label": "Arts and culture", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture" }, { "id": "geo.weu.t1946.culture.performance", "label": "Screen and stage", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture.performance" }, { "id": "geo.weu.t1946.culture.performance.screen", "label": "Film and television", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture.performance.screen" }, { "id": "geo.weu.t1946.culture.performance.screen.films", "label": "Films and standalone screen works", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture.performance.screen.films" }, { "id": "geo.weu.t1946.culture.performance.screen.films.films.individual-works", "label": "Individual films by title and year", "api_url": "https://www.edgepedia.org/api/v1/geo/geo.weu.t1946.culture.performance.screen.films.films.individual-works" } ] } ], "excerpt": "Same Old Song (On connaît la chanson), Alain Resnais' 1997 French musical comedy written by Agnès Jaoui and Jean-Pierre Bacri, in which Parisian characters lip-synch 36 pre-recorded French pop songs; Dennis Potter homage, biggest French hit of Resnais' career, seven Césars.", "snippet": "Same Old Song (On connaît la chanson), Alain Resnais' 1997 French musical comedy written by Agnès Jaoui and Jean-Pierre Bacri, in which Parisian characters lip-synch 36 pre-recorded French pop songs; Dennis Potter homage, biggest French hit of Resnais' career, seven Césars.", "node": "culture.performance.screen.films.films.individual-works.musical-music.musical-films-of-the-1990s-and-2000s", "markdown": "# Same Old Song\n\n**Same Old Song** (*On connaît la chanson*) is a 1997 French musical comedy directed by [Alain Resnais](https://www.edgepedia.org/alain-resnais) in which six Parisians cross paths over real estate, romance, and class differences while periodically lip-synching snippets of pre-recorded French pop songs. Written by Agnès Jaoui and Jean-Pierre Bacri, who also play leading roles, it was dedicated to the British screenwriter Dennis Potter and became the biggest hit of Resnais' career in France.[1](https://www.imdb.com/title/tt0119828/) • [2](https://www.cinematheque.fr/film/29021.html) • [3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/)\n\n| Key fact | Detail |\n|---|---|\n| Original title | *On connaît la chanson* (France, 1997), 120 minutes; French release 12 November 1997[1](https://www.imdb.com/title/tt0119828/) • [4](https://www.cnc.fr/professionnels/visas-et-classification?visa=87716) |\n| Director / writers | Alain Resnais; screenplay and dialogue by Agnès Jaoui and Jean-Pierre Bacri[2](https://www.cinematheque.fr/film/29021.html) |\n| Musical device | Actors lip-synch 36 snippets of pre-recorded French pop songs, about a third of them pre-1940[5](https://www.summaryplanet.com/Music/Songs-in-Contemporary-French-Cinema.html) |\n| Main cast | Pierre Arditi (Claude), Sabine Azéma (Odile), Jean-Pierre Bacri (Nicolas), André Dussollier (Simon), Agnès Jaoui (Camille), Lambert Wilson (Marc), Jane Birkin (Jane)[2](https://www.cinematheque.fr/film/29021.html) |\n| Awards | Silver Bear and seven Césars, including best film, three acting awards, screenplay, editing, and sound[6](https://www.tcm.com/articles/220532/same-old-song-alain-resnais-same-old-song-offbeat-1997-french-musical-on-dvd) • [7](https://www.cinema-francais.fr/les_films/films_r/films_resnais_alain/on_connait_la_chanson.htm) |\n| Box office | Estimated budget €7,900,000; gross in the United States $32.4K[1](https://www.imdb.com/title/tt0119828/) |\n| Reception | 71% Tomatometer (17 reviews) and 81% audience score on Rotten Tomatoes; 7.3/10 on IMDb[8](https://www.rottentomatoes.com/m/same_old_song_1999) • [1](https://www.imdb.com/title/tt0119828/) |\n\n## Spoilers\n\n### Premise and plot\n\nThe film follows half a dozen Parisians who repeatedly cross paths as they move through the city. Claude (Pierre Arditi) is married to the frustrated Odile (Sabine Azéma), who wants a new apartment. Her former lover Nicolas (Jean-Pierre Bacri) is also looking to move and turns to the real estate agent Simon (André Dussollier) for help. Simon has a crush on Camille (Agnès Jaoui), Odile's sister, who is dating Simon's boss, Marc ([Lambert Wilson](https://www.edgepedia.org/lambert-wilson)).[8](https://www.rottentomatoes.com/m/same_old_song_1999)\n\nJonathan Rosenbaum, the American film critic long associated with the *Chicago Reader*, described the film as a comedy about real estate and class differences that captures Paris in the 1990s, periodically revealing Resnais' surrealist roots.[3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/) The characters include an unhappy salesman who writes radio plays on the side, a tourist guide, and a ruthless property developer.[9](https://www.timeout.com/movies/same-old-song) Camille, the tour guide, is writing a history thesis on \"The yeoman of the year 1000 at Paladu Lake,\" a running joke in which no one appreciates how interesting yeomen are, and the film traces her bout with panic attacks and depression alongside a romance with the handsome sleaze Marc.[10](https://www.sfchronicle.com/movies/article/Resnais-Latest-Is-Just-Pleasant-Lip-Service-2782197.php)\n\n## The lip-sync device\n\nThe film is dedicated to the memory of Dennis Potter, the British screenwriter whose television musicals *Pennies from Heaven* (1978) and *The Singing Detective* (1986) pioneered the device of characters bursting into lip-synched song to express feelings they cannot voice in ordinary conversation.[9](https://www.timeout.com/movies/same-old-song) • [1](https://www.imdb.com/title/tt0119828/) Resnais applies the device to several generations of popular French song: the actors lip-synch 36 snippets of pre-recorded French pop music, of which about a third are pre-1940 recordings by performers such as Arletty, Josephine Baker, Dranem, Henri Garat, Gaston Ouvrard, and [Édith Piaf](https://www.edgepedia.org/edith-piaf).[5](https://www.summaryplanet.com/Music/Songs-in-Contemporary-French-Cinema.html)\n\nThe treatment differs from Potter's. The interludes last no more than seconds, the songs are not staged as fantasy productions, and no one on screen notices that anyone is singing; the lip-synched dialogue works like recitative in opera.[10](https://www.sfchronicle.com/movies/article/Resnais-Latest-Is-Just-Pleasant-Lip-Service-2782197.php) The songs serve as cross-references to the characters' moods and are not always bound by gender; in one example, a Nazi commander during the Occupation receives Hitler's order to destroy Paris, and then the voice of [Josephine Baker](https://www.edgepedia.org/josephine-baker) singing \"Two Loves Have I\" comes out of his mouth.[3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/) • [11](https://www.latimes.com/archives/la-xpm-1999-oct-15-ca-22400-story.html) In another moment, [Jane Birkin](https://www.edgepedia.org/jane-birkin), in a cameo, \"sings\" a snatch of one of her own songs.[9](https://www.timeout.com/movies/same-old-song) André Dussollier's character sings \"Vertige de l'amour\" with the voice of Alain Bashung while playing a Republican Guard horseman.[2](https://www.cinematheque.fr/film/29021.html)\n\n## Production\n\nResnais had previously worked with the writing-acting couple Agnès Jaoui and Jean-Pierre Bacri, who scripted his two preceding features and costarred in *Un air de famille*; they wrote the screenplay and dialogue here and took the roles of Camille and Nicolas.[3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/) • [2](https://www.cinematheque.fr/film/29021.html) The crew included the cinematographer Renato Berta, editor Hervé de Luze, composer Bruno Fontaine, and production designer Jacques Saulnier, with Bruno Pésery producing and AMLF distributing.[2](https://www.cinematheque.fr/film/29021.html) Shooting ran from 13 January to 9 March 1997.[12](https://areq.net.storage.googleapis.com/lang/fr/On_conna%C3%AEt_la_chanson.html) The film was a co-production among French, Swiss, British, and Italian companies, including France 2 Cinéma, Vega Film, Greenpoint Films, Arena Films, and Caméra One.[1](https://www.imdb.com/title/tt0119828/) • [8](https://www.rottentomatoes.com/m/same_old_song_1999) The French classification authority issued its visa on 22 October 1997 with a 123-minute duration, and the film opened in French theaters on 12 November 1997.[4](https://www.cnc.fr/professionnels/visas-et-classification?visa=87716) • [1](https://www.imdb.com/title/tt0119828/)\n\n## Reception and awards\n\nIn France the film was Resnais' biggest commercial hit, and it \"truly cleaned up\" at the [César Awards](https://www.edgepedia.org/cesar-awards), winning best picture, three best-acting awards, and honors for best screenplay, editing, and sound, with additional nominations for Resnais and four others; it also received a Silver Bear.[3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/) • [6](https://www.tcm.com/articles/220532/same-old-song-alain-resnais-same-old-song-offbeat-1997-french-musical-on-dvd) • [7](https://www.cinema-francais.fr/les_films/films_r/films_resnais_alain/on_connait_la_chanson.htm)\n\nCritical opinion divided along lines of musical familiarity. Rosenbaum called it fun, different, and at times mysterious, while noting it is less popular among viewers unfamiliar with the music.[3](https://jonathanrosenbaum.net/2023/04/same-old-song-2/) The *Los Angeles Times* called it a sure-fire charmer even though the songs are by and large unfamiliar to non-French audiences.[11](https://www.latimes.com/archives/la-xpm-1999-oct-15-ca-22400-story.html) The *San Francisco Chronicle* found it light but amusing, arguing that aside from perhaps Édith Piaf and [Maurice Chevalier](https://www.edgepedia.org/maurice-chevalier) the singers would be unrecognizable to most Americans, and that at 120 minutes it should have been 100 at most.[10](https://www.sfchronicle.com/movies/article/Resnais-Latest-Is-Just-Pleasant-Lip-Service-2782197.php) *Time Out* criticized the characters as too banal for their romantic longings to matter, weakening Resnais' point that clichéd passions simmer beneath the blandest exteriors.[9](https://www.timeout.com/movies/same-old-song) The critic David Sterritt, writing for [Turner Classic Movies](https://www.edgepedia.org/turner-classic-movies) in 2008, judged it an instant crowd-pleaser but well below the level of Resnais' greatest work.[6](https://www.tcm.com/articles/220532/same-old-song-alain-resnais-same-old-song-offbeat-1997-french-musical-on-dvd) Aggregated scores sit in the moderately positive range: 71% among 17 critics and 81% among audiences on Rotten Tomatoes, and 7.3/10 from about 4,700 IMDb users.[8](https://www.rottentomatoes.com/m/same_old_song_1999) • [1](https://www.imdb.com/title/tt0119828/)\n\n## Place in Resnais' career\n\nResnais, whose earlier landmarks include *Hiroshima Mon Amour* (1959) and *Last Year at Marienbad* (1961), had grown lighter in tone over the four decades after those works, and *Same Old Song* sits close in spirit to [Jacques Demy](https://www.edgepedia.org/jacques-demy)'s sung-through *The Umbrellas of Cherbourg*.[11](https://www.latimes.com/archives/la-xpm-1999-oct-15-ca-22400-story.html) In scholarship on music in contemporary French cinema, the film is treated as a special case of the musical: the sounds emerging from the actors' mouths are in principle non-diegetic, since the characters are not singing within the story world, yet the songs are woven into spoken dialogue rather than staged as numbers.[5](https://www.summaryplanet.com/Music/Songs-in-Contemporary-French-Cinema.html) Resnais returned to a real-estate theme later in *Private Fears in Public Places*, and the film's use of pre-existing songs was cited as a precedent by later French film composers discussing their own work.[6](https://www.tcm.com/articles/220532/same-old-song-alain-resnais-same-old-song-offbeat-1997-french-musical-on-dvd) • [13](https://inter.pyramidefilms.com/pyramide-international-catalogue-t.html?collection=telechargements&file=fichiers&id=1650&task=download&xi=0)\n\n## References\n\n1. [Same Old Song (1997), IMDb](https://www.imdb.com/title/tt0119828/)\n2. [On connaît la chanson (Alain Resnais, 1997), La Cinémathèque française](https://www.cinematheque.fr/film/29021.html)\n3. [Jonathan Rosenbaum, \"Same Old Song,\" Chicago Reader (2000), republished 2023](https://jonathanrosenbaum.net/2023/04/same-old-song-2/)\n4. [Visas et Classification: ON CONNAIT LA CHANSON, CNC](https://www.cnc.fr/professionnels/visas-et-classification?visa=87716)\n5. [Songs in Contemporary French Cinema](https://www.summaryplanet.com/Music/Songs-in-Contemporary-French-Cinema.html)\n6. [David Sterritt, \"Same Old Song – Alain Resnais' Same Old Song,\" TCM (2008)](https://www.tcm.com/articles/220532/same-old-song-alain-resnais-same-old-song-offbeat-1997-french-musical-on-dvd)\n7. [On connaît la chanson, cinéma-français.fr](https://www.cinema-francais.fr/les_films/films_r/films_resnais_alain/on_connait_la_chanson.htm)\n8. [Same Old Song, Rotten Tomatoes](https://www.rottentomatoes.com/m/same_old_song_1999)\n9. [Same Old Song, Time Out](https://www.timeout.com/movies/same-old-song)\n10. [Mick LaSalle, \"Resnais' Latest Is Just Pleasant Lip Service,\" San Francisco Chronicle (2000)](https://www.sfchronicle.com/movies/article/Resnais-Latest-Is-Just-Pleasant-Lip-Service-2782197.php)\n11. [Kevin Thomas, \"Charming 'Song' Mixes Music, Affairs of Heart,\" Los Angeles Times (1999)](https://www.latimes.com/archives/la-xpm-1999-oct-15-ca-22400-story.html)\n12. [On connaît la chanson, fiche de production (AREQ)](https://areq.net.storage.googleapis.com/lang/fr/On_conna%C3%AEt_la_chanson.html)\n13. [Pyramide International catalogue interview on pre-existing songs in film](https://inter.pyramidefilms.com/pyramide-international-catalogue-t.html?collection=telechargements&file=fichiers&id=1650&task=download&xi=0)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Musical and music films (individual works) › Musical films of the 1990s and 2000s*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n", "same_as": [], "url": "https://www.edgepedia.org/same-old-song", "markdown_url": "https://www.edgepedia.org/same-old-song.md", "license": { "name": "Edgepedia Community License 1.0", "url": "https://www.edgepedia.org/edgepedia/license", "summary": "Free with credit, commercial use included. AI training is open to everyone. For other uses, organizations over USD 100M in revenue or 100M monthly users license separately.", "spdx": "LicenseRef-Edgepedia-Community-1.0" }, "credit": "\"Same Old Song\", Edgepedia (EdgeChat), https://www.edgepedia.org/same-old-song. Edgepedia Community License 1.0.", "credit_md": "\"[Same Old Song](https://www.edgepedia.org/same-old-song)\", Edgepedia (EdgeChat), [https://www.edgepedia.org/same-old-song](https://www.edgepedia.org/same-old-song). [Edgepedia Community License 1.0](https://www.edgepedia.org/edgepedia/license).", "credit_html": "\"Same Old Song\", Edgepedia (EdgeChat), https://www.edgepedia.org/same-old-song. Edgepedia Community License 1.0.", "speakable": "Same Old Song, Alain Resnais' 1997 French musical comedy written by Agnès Jaoui and Jean-Pierre Bacri, in which Parisian characters lip-synch 36 pre-recorded French pop songs; Dennis Potter homage, biggest French hit of Resnais' career, seven Césars." }