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 "title": "Send Me No Flowers",
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 "excerpt": "Send Me No Flowers (1964) is a Norman Jewison comedy, the third and final Doris Day–Rock Hudson–Tony Randall teaming, in which hypochondriac George Kimball, believing he is dying, seeks a replacement husband for wife Judy; based on the Barasch and Moore Broadway play.",
 "snippet": "Send Me No Flowers (1964) is a Norman Jewison comedy, the third and final Doris Day–Rock Hudson–Tony Randall teaming, in which hypochondriac George Kimball, believing he is dying, seeks a replacement husband for wife Judy; based on the Barasch and Moore Broadway play.",
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 "markdown": "# Send Me No Flowers\n\n**Send Me No Flowers** is a 1964 American comedy directed by [Norman Jewison](https://www.edgepedia.org/norman-jewison), starring [Rock Hudson](https://www.edgepedia.org/rock-hudson) as a hypochondriac who believes he is dying and sets out to find a replacement husband for his wife, played by [Doris Day](https://www.edgepedia.org/doris-day). It was the third and final film to team Hudson, Day, and Tony Randall for Universal Pictures, following *Pillow Talk* (1959) and *Lover Come Back* (1961).<sup>[1](https://catalog.afi.com/Catalog/moviedetails/22841)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Release | Opened 14 October 1964 in Los Angeles theaters and drive-ins; 12 November 1964 at Radio City Music Hall, New York City<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup> |\n| Source | Screenplay by Julius J. Epstein, based on the play by Norman Barasch and Carroll Moore, which debuted 5 December 1960 at the Brooks Atkinson Theatre on Broadway<sup>[1](https://catalog.afi.com/Catalog/moviedetails/22841)</sup> |\n| Principal cast | Rock Hudson (George Kimball), Doris Day (Judy Kimball), Tony Randall (Arnold Nash), Clint Walker (Bert), Paul Lynde (Mr. Akins), Edward Andrews (Dr. Morrissey)<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup> |\n| Key crew | Producer Harry Keller; executive producer Martin Melcher; cinematography (Technicolor) Daniel Fapp; music De Vol; editor J. Terry Williams<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup> |\n| Runtime | 100 minutes; not rated<sup>[4](https://www.the-numbers.com/movie/Send-Me-No-Flowers)</sup> |\n| Box office | $9,129,247 domestic gross<sup>[4](https://www.the-numbers.com/movie/Send-Me-No-Flowers)</sup> |\n| Critical scores | 60% Tomatometer (15 reviews); 74% Popcornmeter from more than 5,000 audience ratings<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup> |\n\n## Spoilers\n\n### Plot\n\nGeorge Kimball (Rock Hudson), a middle-aged hypochondriac, eavesdrops on his doctors as they discuss another patient and leaves a hospital visit believing he is terminally ill.<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup> Assuming he will soon die, he enlists his friend Arnold Nash ([Tony Randall](https://www.edgepedia.org/tony-randall)) to help find a new husband for his wife Judy (Doris Day), and they settle on Bert ([Clint Walker](https://www.edgepedia.org/clint-walker)), a successful businessman.<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup> George's odd behavior leads Judy to suspect he is covering up an affair.<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup>\n\nThe misunderstanding-driven plot marked a change from the team's earlier films. In *Pillow Talk* and *Lover Come Back*, Hudson played a sexy charmer maneuvering the prim Day toward marriage; in this film the two stars begin as a happily married suburban couple, and the comedy turns on mistaken beliefs rather than mistaken identities.<sup>[6](https://www.tcm.com/articles/30022/send-me-no-flowers)</sup>\n\n## From stage play to screen\n\nNorman Barasch and Carroll Moore's stage play *Send Me No Flowers* opened on 5 December 1960 at the Brooks Atkinson Theatre on Broadway and ran until 7 January 1961; despite the short Broadway run, it succeeded at playhouses around the country, and in May 1963 producer Harry Keller acquired the screen rights.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/22841)</sup> Keller and screenwriter [Julius J. Epstein](https://www.edgepedia.org/julius-j-epstein) prepared by viewing a performance of the play at the Drury Lane Theatre in Chicago, and Norman Jewison left his post as executive producer of *The Judy Garland Show* to direct.<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup>\n\n**Production delays.** [Principal photography](https://www.edgepedia.org/principal-photography), scheduled to begin 19 December 1963, was stalled when Doris Day fell ill with influenza and was hospitalized in Glendale; filming started 23 December 1963 and was completed in early March 1964.<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup> A role once discussed for [James Arness](https://www.edgepedia.org/james-arness) went to Clint Walker, and when Daniel Fapp withdrew as director of photography because of a painful sinus infection, Clifford Stine replaced him.<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup> A dream sequence featuring Day in a black wig tested poorly, and Jewison conceded it would likely be cut; a clip from the film was also integrated into an episode of *The Beverly Hillbillies* to promote the release.<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup>\n\nThe film was a Martin Melcher Production for Universal, with [Martin Melcher](https://www.edgepedia.org/martin-melcher), Day's husband, as executive producer.<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup> The title song was written by [Hal David](https://www.edgepedia.org/hal-david) and [Burt Bacharach](https://www.edgepedia.org/burt-bacharach).<sup>[2](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)</sup>\n\n## The Day–Hudson–Randall teaming\n\nDoris Day and Rock Hudson co-starred in only three films, but they are remembered as a screen team on the order of [William Powell](https://www.edgepedia.org/william-powell) and [Myrna Loy](https://www.edgepedia.org/myrna-loy) or [Fred Astaire and Ginger Rogers](https://www.edgepedia.org/fred-astaire-and-ginger-rogers); Day, for once, had a partner who carried as much box-office clout as she did.<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup> The first of their comedies, *Pillow Talk* (1959), earned five Academy Award nominations, including Best Actress for Day, and won for Best Screenplay; it made Day the number-one box-office draw with Hudson at number two, and *Lover Come Back* (1961) matched its critical approval and surpassed it commercially.<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup> Tony Randall appeared in all three as the bemused friend.<sup>[3](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)</sup>\n\n*Send Me No Flowers* was the last teaming. For the next twenty years Day and Hudson looked for another project, at one point discussing a television movie, but nothing came of it. Hudson explained that they could not find a story with the same sexual innuendos that had made the earlier comedies work, in terms valid for modern audiences.<sup>[6](https://www.tcm.com/articles/30022/send-me-no-flowers)</sup> The two did appear together once more: Hudson's last public appearance before his AIDS diagnosis was revealed was as a guest on Day's cable show.<sup>[6](https://www.tcm.com/articles/30022/send-me-no-flowers)</sup>\n\n## Reception\n\nThe film did well at the box office despite a lukewarm critical response.<sup>[6](https://www.tcm.com/articles/30022/send-me-no-flowers)</sup> Variety wrote that it \"doesn't carry the same voltage, either in laughs or originality\" as the two previous Day–Hudson entries.<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup> [TV Guide](https://www.edgepedia.org/tv-guide) called it \"the last and weakest Hudson-Day pairing,\" while Tom Milne of Time Out judged it \"probably the best of the Doris Day/Rock Hudson vehicles,\" and Matt Brunson gave it 2.5 out of 4, citing \"another of Rock's rock-solid comedic turns.\"<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup> On Rotten Tomatoes the film holds 60 percent on the Tomatometer from 15 reviews and 74 percent on the audience Popcornmeter.<sup>[5](https://www.rottentomatoes.com/m/send_me_no_flowers)</sup>\n\n## References\n\n1. [Send Me No Flowers (1964), AFI Catalog of Feature Films](https://catalog.afi.com/Catalog/moviedetails/22841)\n2. [Send Me No Flowers (1964), AFI Catalog, history and credits](https://catalog.afi.com/Film/22841-SEND-MENOFLOWERS?cp=1&pos=4&sid=0af36b7f-2088-476c-86e8-f0136562f749&sr=0.116361976)\n3. [Send Me No Flowers (1964), Toronto Film Society film notes](https://torontofilmsociety.com/film-notes/send-me-no-flowers-1964-2/)\n4. [Send Me No Flowers (1964), The Numbers](https://www.the-numbers.com/movie/Send-Me-No-Flowers)\n5. [Send Me No Flowers, Rotten Tomatoes](https://www.rottentomatoes.com/m/send_me_no_flowers)\n6. [Send Me No Flowers, Turner Classic Movies article by Margarita Landazuri](https://www.tcm.com/articles/30022/send-me-no-flowers)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Comedy and romantic films (individual works) › Comedies of the 1960s*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 3, 2026; Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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