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 "excerpt": "The Outrage (1964) is Martin Ritt's Western remake of Kurosawa's Rashomon, starring Paul Newman as bandit Juan Carrasco, with conflicting testimonies about a rape and murder in the 1880s Southwest; released October 1964 by MGM, poorly received.",
 "snippet": "The Outrage (1964) is Martin Ritt's Western remake of Kurosawa's Rashomon, starring Paul Newman as bandit Juan Carrasco, with conflicting testimonies about a rape and murder in the 1880s Southwest; released October 1964 by MGM, poorly received.",
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 "markdown": "# The Outrage\n\n**The Outrage** is a 1964 American Western directed by Martin Ritt, remaking [Akira Kurosawa](https://www.edgepedia.org/akira-kurosawa)'s 1950 film *Rashomon* as a story of conflicting testimonies about a rape and murder in the 1880s American Southwest.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup><sup> • </sup><sup>[2](https://www.swank.com/college-campus/details/17410-the-outrage)</sup> It stars [Paul Newman](https://www.edgepedia.org/paul-newman) as the Mexican bandit Juan Carrasco, with [Laurence Harvey](https://www.edgepedia.org/laurence-harvey), Claire Bloom, Edward G. Robinson, William Shatner, and Howard Da Silva.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Release | 7 October 1964 (New York premiere); Los Angeles opening 16 October 1964<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Runtime and format | 97 minutes; black-and-white widescreen with Westrex sound<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Source | Kurosawa's film *Rashomon* (Daiei, 1950) and the 1959 Broadway play of the same name by Fay Kanin and Michael Kanin<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Screenplay | Michael Kanin, who moved the setting to the American Southwest in the 1880s<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Key crew | James Wong Howe (cinematography), Alex North (music), Frank Santillo (editing)<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Production | KHF Productions (a Martin Ritt Production), released by Metro-Goldwyn-Mayer<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> |\n| Reception | 20% on the Rotten Tomatoes Tomatometer (5 reviews); 6.2/10 on IMDb<sup>[3](https://www.rottentomatoes.com/m/outrage)</sup> |\n\n## Spoilers\n\n### Premise\n\nAt a disused railway station, three men waiting out a thunderstorm, a con artist ([Edward G. Robinson](https://www.edgepedia.org/edward-g-robinson)), a preacher ([William Shatner](https://www.edgepedia.org/william-shatner)), and a prospector (Howard Da Silva), discuss the trial and sentencing of the outlaw Juan Carrasco for the murder of a man (Laurence Harvey) and the rape of his wife ([Claire Bloom](https://www.edgepedia.org/claire-bloom)). Their recounting explores the conflicting testimonies of the parties to the crimes, and each version of the event raises new questions.<sup>[3](https://www.rottentomatoes.com/m/outrage)</sup> As in Kurosawa's original, four differing versions of the crime are woven into a philosophical puzzle about the nature of truth.<sup>[4](https://time.com/archive/6814011/cinema-rashomon-revisited/)</sup>\n\nThe film hews close to *Rashomon*, including the rain that frames the storytelling.<sup>[5](https://www.tcm.com/watchtcm/titles/2042)</sup> The dead man's testimony, delivered through a medium in the Japanese original, is given here through an Indian shaman.<sup>[6](https://freethoughtblogs.com/singham/2010/01/19/film-review-rashomon-and-the-outrage/)</sup>\n\n## Adaptation from Rashomon\n\nMichael Kanin's screenplay draws on both Kurosawa's film and the Kanins' 1959 stage play *Rashomon*, which had itself been filmed for television twice, by [Sidney Lumet](https://www.edgepedia.org/sidney-lumet) in 1960 and Rudolph Cartier in 1961.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup><sup> • </sup><sup>[7](https://akirakurosawa.info/rashomon/)</sup> The adaptation adds several elements of its own: the preacher's motives are placed more in doubt, since he intends to leave the town and possibly the ministry; the commoner becomes a side-show huckster with more developed dialogue, almost a satanic prosecutor; the husband and wife are more fully drawn, bringing in the defeated Confederate cause and class divisions among Anglos; and the racial dimension is heightened through Carrasco's defensiveness in the face of white hatred of Mexicans.<sup>[8](https://www.dbu.edu/mitchell/global-film-resources/_documents/themoralproblematicinrashomon.pdf)</sup>\n\nThe setting was moved to the American Southwest of the 1880s, in the post-Civil War period.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup><sup> • </sup><sup>[9](https://digitalcommons.bucknell.edu/fac_journ/1338/)</sup> Erik R. Lofgren, a [Bucknell University](https://www.edgepedia.org/bucknell-university) scholar of East Asian studies, has argued that although both films work to silence the wife and treat the rape mainly as a plot device, the genre mismatch between the Japanese source and the Western remake gave the wife a more robust opportunity to speak her rape, in the context of the Civil Rights Movement nearing its apogee and nascent second-wave feminism in the United States.<sup>[9](https://digitalcommons.bucknell.edu/fac_journ/1338/)</sup>\n\n## Production\n\nA September 12, 1963 Daily Variety report announced that Martin Ritt was in final negotiations to direct the picture, which was then set to be titled *The Rape*, with Paul Newman already attached and MGM set to release it.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> Although filming was planned entirely in Hollywood, location shooting was later added; Ritt scouted locations for three days in Tucson and [Phoenix, Arizona](https://www.edgepedia.org/phoenix-arizona), accompanied by Kanin (also associate producer), cinematographer [James Wong Howe](https://www.edgepedia.org/james-wong-howe), and Newman's brother Arthur Newman as production assistant.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> An advertisement in the October 29, 1963 Daily Variety listed the release title *The Outrage*; by November 20, 1963 the title had been changed to *Judgment in the Sun* before the film was ultimately released as *The Outrage*.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup> Production ran from December 9, 1963 into spring 1964.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup>\n\nNewman, playing his first role with a speaking accent, prepared by spending two weeks in Mexico with the film's dialect advisor, Walon Green.<sup>[1](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)</sup>\n\n## Reception\n\nTIME's review of October 16, 1964 called the film, at best, a 97-minute rehash of the vivid Japanese classic, and at worst \"a clear case of Occidental death,\" noting that the producers had added a bumper crop of cactus, presumably hoping to repeat the success of *The Magnificent Seven*, the Western based on Kurosawa's samurai tale.<sup>[4](https://time.com/archive/6814011/cinema-rashomon-revisited/)</sup> The same review mocked the climax, in which Harvey's character trips, staggers up with a bejeweled dagger protruding bloodlessly from his chest, and announces, \"Ah tripped.\"<sup>[4](https://time.com/archive/6814011/cinema-rashomon-revisited/)</sup>\n\nLater critics have been similarly cool. On Rotten Tomatoes the film holds a 20% Tomatometer from five reviews; Dennis Schwartz gave it a C-, and Emanuel Levy called it an unsuccessful American version of Kurosawa's landmark film.<sup>[3](https://www.rottentomatoes.com/m/outrage)</sup> Reviewers have also questioned the transplant's plausibility: a critic writing about both films found the shaman-delivered testimony of the dead man hard to accept in a late-19th-century American courtroom, and the preacher's crisis of faith less convincing in a West where murder and lying were facts of life.<sup>[6](https://freethoughtblogs.com/singham/2010/01/19/film-review-rashomon-and-the-outrage/)</sup> The film's IMDb rating stands at 6.2 out of 10.<sup>[10](https://www.justwatch.com/us/movie/the-outrage)</sup>\n\n## Place in the Rashomon lineage\n\n*Rashomon* has been remade as a feature film three times: as this Western, as the Japanese *Misty* (1996), and as the Thai *At the Gate of the Ghost* (2011), which is often confusingly also called *The Outrage*.<sup>[7](https://akirakurosawa.info/rashomon/)</sup> The Outrage belongs to the early 1960s wave of Hollywood and European remakes of Kurosawa films as Westerns, alongside [John Sturges](https://www.edgepedia.org/john-sturges)'s *The Magnificent Seven* (1960, from *Seven Samurai*) and [Sergio Leone](https://www.edgepedia.org/sergio-leone)'s *A Fistful of Dollars* (from *Yojimbo*).<sup>[11](https://etheses.whiterose.ac.uk/id/eprint/3434/1/251332.pdf)</sup> The film's narrative device, contradictory eyewitness accounts of a single event, has since become known as the \"Rashomon effect,\" a term familiar even to audiences who have never seen either film.<sup>[12](https://www.bfi.org.uk/features/rashomon-effect-akira-kurosawa)</sup>\n\n## References\n\n1. [The Outrage (1964), AFI Catalog of Feature Films](https://catalog.afi.com/Film/23312-THE-OUTRAGE?cxt=filmography)\n2. [The Outrage (1964), Swank Motion Pictures](https://www.swank.com/college-campus/details/17410-the-outrage)\n3. [The Outrage, Rotten Tomatoes](https://www.rottentomatoes.com/m/outrage)\n4. [Cinema: Rashomon Revisited, TIME (October 16, 1964)](https://time.com/archive/6814011/cinema-rashomon-revisited/)\n5. [Watch The Outrage, Turner Classic Movies](https://www.tcm.com/watchtcm/titles/2042)\n6. [Film review: Rashomon (1950) and The Outrage (1964), Mano Singham](https://freethoughtblogs.com/singham/2010/01/19/film-review-rashomon-and-the-outrage/)\n7. [Rashomon, Akira Kurosawa Information](https://akirakurosawa.info/rashomon/)\n8. [The Moral Problematic in Kurosawa's Rashomon (1950) & Ritt's The Outrage (1964), Dallas Baptist University](https://www.dbu.edu/mitchell/global-film-resources/_documents/themoralproblematicinrashomon.pdf)\n9. [Erik R. Lofgren, \"Adapting Female Agency: Rape in The Outrage and Rashōmon,\" Adaptation 9.3 (2016)](https://digitalcommons.bucknell.edu/fac_journ/1338/)\n10. [The Outrage streaming, JustWatch](https://www.justwatch.com/us/movie/the-outrage)\n11. [White Rose theses: on Kurosawa remakes as Westerns](https://etheses.whiterose.ac.uk/id/eprint/3434/1/251332.pdf)\n12. [The Rashomon effect: a new look at Akira Kurosawa's cinematic milestone of post-truth, BFI](https://www.bfi.org.uk/features/rashomon-effect-akira-kurosawa)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Action and adventure films (individual works) › Westerns before 1980 › Released 1961 to 1979*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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