{
 "id": "epnn044w3s",
 "slug": "twenty-four-eyes",
 "title": "Twenty-Four Eyes (二十四の瞳)",
 "updated": "2026-11-01",
 "topic_path": [
  {
   "id": "culture",
   "label": "Arts and culture",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture"
  },
  {
   "id": "culture.performance",
   "label": "Screen and stage",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance"
  },
  {
   "id": "culture.performance.screen",
   "label": "Film and television",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen"
  },
  {
   "id": "culture.performance.screen.films",
   "label": "Films and standalone screen works",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films"
  },
  {
   "id": "culture.performance.screen.films.films.individual-works",
   "label": "Individual films by title and year",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works"
  },
  {
   "id": "culture.performance.screen.films.films.individual-works.drama-biographical",
   "label": "Drama and biographical films (individual works)",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical"
  },
  {
   "id": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s",
   "label": "Drama films 1950s",
   "api_url": "https://www.edgepedia.org/api/v1/topics/culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s"
  }
 ],
 "geo": [
  {
   "id": "geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s",
   "label": "Asia (other) · 1946 to 2000: Drama films 1950s",
   "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s",
   "path": [
    {
     "id": "geo.asia",
     "label": "Asia (other)",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia"
    },
    {
     "id": "geo.asia.t1946",
     "label": "Asia (other) · 1946 to 2000",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946"
    },
    {
     "id": "geo.asia.t1946.culture",
     "label": "Arts and culture",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture"
    },
    {
     "id": "geo.asia.t1946.culture.performance",
     "label": "Screen and stage",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance"
    },
    {
     "id": "geo.asia.t1946.culture.performance.screen",
     "label": "Film and television",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen"
    },
    {
     "id": "geo.asia.t1946.culture.performance.screen.films",
     "label": "Films and standalone screen works",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen.films"
    },
    {
     "id": "geo.asia.t1946.culture.performance.screen.films.films.individual-works",
     "label": "Individual films by title and year",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen.films.films.individual-works"
    },
    {
     "id": "geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical",
     "label": "Drama and biographical films (individual works)",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical"
    },
    {
     "id": "geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s",
     "label": "Drama films 1950s",
     "api_url": "https://www.edgepedia.org/api/v1/geo/geo.asia.t1946.culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s"
    }
   ]
  }
 ],
 "excerpt": "Twenty-Four Eyes (Nijushi no hitomi, 二十四の瞳) is Keisuke Kinoshita's 1954 Shochiku drama adapted from Sakae Tsuboi's novel, starring Hideko Takamine as a Shodoshima teacher and her twelve pupils from 1928 through World War II; Kinema Junpo first place and Golden Globe winner.",
 "snippet": "Twenty-Four Eyes (Nijushi no hitomi, 二十四の瞳) is Keisuke Kinoshita's 1954 Shochiku drama adapted from Sakae Tsuboi's novel, starring Hideko Takamine as a Shodoshima teacher and her twelve pupils from 1928 through World War II; Kinema Junpo first place and Golden Globe winner.",
 "node": "culture.performance.screen.films.films.individual-works.drama-biographical.drama-films-1950s",
 "markdown": "# Twenty-Four Eyes (二十四の瞳)\n\n**Twenty-Four Eyes** (*Nijushi no hitomi*, 二十四の瞳) is a 1954 Japanese drama film directed and written by Keisuke Kinoshita for Shochiku, adapted from Sakae Tsuboi's 1952 novel of the same name. It follows a young schoolteacher and her twelve first-grade pupils on Shodoshima in the [Seto Inland Sea](https://www.edgepedia.org/seto-inland-sea) from 1928 through the war years, and it became a national hit that fixed Kinoshita's public reputation as a lyrical, humanist director.<sup>[1](https://jfdb.jp/en/title/10064)</sup><sup> • </sup><sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Release | September 15, 1954, distributed by Shochiku; produced at the Ofuna studio<sup>[1](https://jfdb.jp/en/title/10064)</sup> |\n| Director and screenplay | Keisuke Kinoshita (1912–1998), who also adapted Tsuboi's novel<sup>[1](https://jfdb.jp/en/title/10064)</sup> |\n| Running time and format | 155 minutes (some catalogs list 156), monochrome, standard 1.37:1, 35 mm<sup>[1](https://jfdb.jp/en/title/10064)</sup><sup> • </sup><sup>[3](https://nfad.nfaj.go.jp/det.php?data_id=1352&key=&key_y=&mode=3&notation_id=&op=AND&page=0&s_page=&sakuhin_id=1361)</sup>  |\n| Lead cast | Hideko Takamine as teacher Hisako Oishi, with Yumeji Tsukioka, Takahiro Tamura, and Chishu Ryu<sup>[1](https://jfdb.jp/en/title/10064)</sup> |\n| Setting | A branch school on Shodoshima, 1928 (Showa 3) to the year after Japan's surrender<sup>[4](https://www.shochiku.co.jp/cinema/database/02870/)</sup> |\n| Music | Chuji Kinoshita, drawn almost entirely from elementary-school songs (shoka)<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup> |\n| Honors | First place in Kinema Junpo's annual critics' poll and the leading Japanese film awards of 1954; foreign-language film award at the 12th Golden Globe Awards<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup><sup> • </sup><sup>[5](https://www.eigeki.com/series/S71294)</sup>  |\n\n## Spoilers\n\n### Story\n\nIn April 1928 Hisako Oishi, a new teacher in Western clothes, is appointed to a branch school (a small annex of a main school) on a cape of Shodoshima, where she takes charge of twelve first-grade children, the \"twenty-four eyes\" of the title.<sup>[4](https://www.shochiku.co.jp/cinema/database/02870/)</sup><sup> • </sup><sup>[6](https://www.shochiku.co.jp/cinema/lineup/24hitomi/)</sup>  The children walk miles to visit her when she injures her foot; she later transfers to the main school, marries, and rejoins the class when they reach fifth grade.<sup>[4](https://www.shochiku.co.jp/cinema/database/02870/)</sup>\n\nPoverty and the rise of militarism then dismantle the class. At graduation not one pupil can go on to the schooling they hoped for; one motherless girl is sent out to work in a restaurant in Kotohira. Eight years later militarism drives Oishi from teaching, the island's young men are sent to the front one after another, three of the boys are killed in the war, and her own husband dies. One pupil dies of tuberculosis, others become a teacher, a midwife, a wife. Oishi, having lost her youngest child to malnutrition, returns to the cape's branch school the year after the surrender and finds the children of her former pupils among her students. At a welcome reunion the twenty-four eyes are no longer all present, but the memories remain.<sup>[4](https://www.shochiku.co.jp/cinema/database/02870/)</sup>\n\n## Production and style\n\nKinoshita had been impressed by [Jean Renoir](https://www.edgepedia.org/jean-renoir)'s *[The River](https://www.edgepedia.org/the-river-1951-film)* (1951) and consciously turned away from his own earlier directing technique for this film, setting the tragedy of war against the unchanging beauty of Shodoshima's landscape.<sup>[7](https://jfdb.jp/title/10064)</sup> Long location shooting captured the island's scenery, and the production worked so that set-built scenes would read as natural.<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup> The score by Kinoshita's brother Chuji Kinoshita uses only elementary-school songs, an element the OMC program notes as characteristic of the film.<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup>\n\nHideko Takamine plays Oishi from her twenties into middle age, and the twelve children were cast locally on Shodoshima, with real siblings used so that their growth over the story would look natural.<sup>[5](https://www.eigeki.com/series/S71294)</sup><sup> • </sup><sup>[8](https://lp.p.pia.jp/event/movie/1157/index.html)</sup>  The film's closing shot, Oishi again riding a bicycle toward the cape's branch school as in the opening, small against the unchanged landscape, is described by the OMC program note as the crystallization of Kinoshita's thought about nature and human life.<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup>\n\n## Reception and legacy\n\nThe film was a national hit. The JFDB notes that its soundtrack of children's songs and choral numbers soothed a public still exhausted by the war and made Kinoshita's reputation as a director of the people.<sup>[1](https://jfdb.jp/en/title/10064)</sup> It took first place in Kinema Junpo's annual poll and, as the OMC program note puts it, monopolized that year's Japanese film awards.<sup>[2](https://www.omc.co.jp/film/outline/015.html)</sup> It also won the foreign-language film award at the 12th [Golden Globe Awards](https://www.edgepedia.org/golden-globe-awards) in the United States.<sup>[5](https://www.eigeki.com/series/S71294)</sup> The Criterion Collection, which released it on home video, calls it one of Japan's most popular and enduring classics, though little known in the United States.<sup>[9](https://www.criterion.com/films/745-twenty-)</sup> It was shown in the Berlinale Special at the 2005 [Berlin International Film Festival](https://www.edgepedia.org/berlin-international-film-festival).<sup>[7](https://jfdb.jp/title/10064)</sup>\n\nThe story has been remade repeatedly. A 1987 color remake directed by Yoshitaka Asama, scripted by Kinoshita himself and running 129 minutes, starred Yuko Tanaka and was filmed on Shodoshima.<sup>[10](https://filmarks.com/movies/31636)</sup> A Kyoto University study records that by August 2005 the story had been adapted for film or television eight times.<sup>[11](https://repository.kulib.kyoto-u.ac.jp/dspace/bitstream/2433/24230/1/kodama.pdf)</sup> NHK broadcast a new television adaptation on August 8, 2022, written and directed by Yasuhiro Yoshida.<sup>[6](https://www.shochiku.co.jp/cinema/lineup/24hitomi/)</sup> A digitally remastered version has circulated in revival screenings since 2007.<sup>[12](https://filmarks.com/movies/21961)</sup>\n\nThe film's setting has become part of Shodoshima's identity: the island town markets itself through the novel and film, and schools visit the cape's branch school site for peace education.<sup>[13](https://www.jcrd.jp/publications/5.pdf)</sup><sup> • </sup><sup>[14](https://www.24hitomi.or.jp/2025/07/post-001)</sup>  A 2020 Japan Society cinema-studies paper observes that Japanese reception of the film largely read teacher Oishi as a representative of the [Japanese people](https://www.edgepedia.org/japanese-people) as war victims, within the officially sanctioned victim/perpetrator framing of the war.<sup>[15](https://japansociety-cinemastudies.org/wp-content/uploads/2020/05/taikai10_b.pdf)</sup>\n\n## References\n\n1. [Twenty-Four Eyes (Nijushi no hitomi), Japanese Film Database (JFDB)](https://jfdb.jp/en/title/10064)\n2. [二十四の瞳, 優秀映画鑑賞推進事業プログラム (OMC)](https://www.omc.co.jp/film/outline/015.html)\n3. [二十四の瞳, 国立映画アーカイブ所蔵映画フィルム検索システム](https://nfad.nfaj.go.jp/det.php?data_id=1352&key=&key_y=&mode=3&notation_id=&op=AND&page=0&s_page=&sakuhin_id=1361)\n4. [二十四の瞳, 松竹 映画作品データベース](https://www.shochiku.co.jp/cinema/database/02870/)\n5. [二十四の瞳 デジタル修復版, 衛星劇場](https://www.eigeki.com/series/S71294)\n6. [「二十四の瞳」(2022 NHK テレビ版), 松竹](https://www.shochiku.co.jp/cinema/lineup/24hitomi/)\n7. [二十四の瞳, JFDB (日本語)](https://jfdb.jp/title/10064)\n8. [二十四の瞳〈1954年〉, ぴあ映画](https://lp.p.pia.jp/event/movie/1157/index.html)\n9. [Twenty-Four Eyes (1954), The Criterion Collection](https://www.criterion.com/films/745-twenty-)\n10. [二十四の瞳 (1987), Filmarks映画](https://filmarks.com/movies/31636)\n11. [児玉良一「序：2005年ベルリン国際映画祭」, 京都大学学術情報リポジトリ](https://repository.kulib.kyoto-u.ac.jp/dspace/bitstream/2433/24230/1/kodama.pdf)\n12. [二十四の瞳 (1954), Filmarks映画](https://filmarks.com/movies/21961)\n13. [香川県小豆島町, 日本創成発信機構](https://www.jcrd.jp/publications/5.pdf)\n14. [スタッフからのお知らせ, 小豆島 観光 (二十四の瞳)](https://www.24hitomi.or.jp/2025/07/post-001)\n15. [日本映画学会大会発表資料, Japan Society cinema studies](https://japansociety-cinemastudies.org/wp-content/uploads/2020/05/taikai10_b.pdf)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 1950s*\n\n*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
 "same_as": [],
 "url": "https://www.edgepedia.org/twenty-four-eyes",
 "markdown_url": "https://www.edgepedia.org/twenty-four-eyes.md",
 "license": {
  "name": "Edgepedia Community License 1.0",
  "url": "https://www.edgepedia.org/edgepedia/license",
  "summary": "Free with credit, commercial use included. AI training is open to everyone. For other uses, organizations over USD 100M in revenue or 100M monthly users license separately.",
  "spdx": "LicenseRef-Edgepedia-Community-1.0"
 },
 "credit": "\"Twenty-Four Eyes (二十四の瞳)\", Edgepedia (EdgeChat), https://www.edgepedia.org/twenty-four-eyes. Edgepedia Community License 1.0.",
 "credit_md": "\"[Twenty-Four Eyes (二十四の瞳)](https://www.edgepedia.org/twenty-four-eyes)\", Edgepedia (EdgeChat), [https://www.edgepedia.org/twenty-four-eyes](https://www.edgepedia.org/twenty-four-eyes). [Edgepedia Community License 1.0](https://www.edgepedia.org/edgepedia/license).",
 "credit_html": "\"<a href=\"https://www.edgepedia.org/twenty-four-eyes\">Twenty-Four Eyes (二十四の瞳)</a>\", Edgepedia (EdgeChat), <a href=\"https://www.edgepedia.org/twenty-four-eyes\">https://www.edgepedia.org/twenty-four-eyes</a>. <a href=\"https://www.edgepedia.org/edgepedia/license\">Edgepedia Community License 1.0</a>.",
 "speakable": "Twenty-Four Eyes is Keisuke Kinoshita's 1954 Shochiku drama adapted from Sakae Tsuboi's novel, starring Hideko Takamine as a Shodoshima teacher and her twelve pupils from 1928 through World War II; Kinema Junpo first place and Golden Globe winner."
}
