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 "excerpt": "Up in Smoke (1978), also called Cheech & Chong's Up in Smoke, is a Paramount comedy directed by Lou Adler, the first stoner comedy, starring Cheech Marin and Tommy Chong; it earned over $44 million.",
 "snippet": "Up in Smoke (1978), also called Cheech & Chong's Up in Smoke, is a Paramount comedy directed by Lou Adler, the first stoner comedy, starring Cheech Marin and Tommy Chong; it earned over $44 million.",
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 "markdown": "# Up in Smoke\n\n**Up in Smoke** (released as *Cheech & Chong's Up in Smoke*) is a 1978 American comedy film directed by [Lou Adler](https://www.edgepedia.org/lou-adler) and starring the comedy duo [Cheech Marin](https://www.edgepedia.org/cheech-marin) and [Tommy Chong](https://www.edgepedia.org/tommy-chong), whose characters drift through Los Angeles and Tijuana in search of marijuana and end up unknowingly smuggling a van made of the drug across the Mexican border. It was the feature film debut of both comedians and is widely credited with launching the stoner comedy genre.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup><sup> • </sup><sup>[2](https://www.screeningthepast.com/issue-46-first-release/systematically-stoned-the-stoner-film-as-genre/)</sup>\n\n| Key fact | Detail |\n|---|---|\n| Release | 29 September 1978; R-rated comedy, 87 minutes, distributed by Paramount Pictures<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> |\n| Director and writers | Produced and directed by Lou Adler; written by Tommy Chong and Cheech Marin<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> |\n| Origin | Based on the duo's stand-up comedy act; Adler discovered them at the Troubadour nightclub in Los Angeles in the early 1970s<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> |\n| Budget troubles | Paramount supplied the initial $1 million budget but refused an additional $800,000; Adler finished the film with his own money<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> |\n| Box office | More than $44 million in theaters, one of the biggest hits of 1978 and the most successful of the eight Cheech and Chong films<sup>[3](https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-27-la-et-mn-up-in-smoke-cheech-chong-film-independent-20130626-story.html)</sup> |\n| Genre standing | Called \"the first stoner comedy\"; critics write that \"Cheech & Chong created the genre\"<sup>[2](https://www.screeningthepast.com/issue-46-first-release/systematically-stoned-the-stoner-film-as-genre/)</sup> |\n| Reception | 45% on the Rotten Tomatoes Tomatometer (20 reviews) against an 82% audience score; a Metascore of 57 on Metacritic<sup>[4](https://www.rottentomatoes.com/m/up_in_smoke_1978)</sup><sup> • </sup><sup>[5](https://www.metacritic.com/movie/up-in-smoke/)</sup> |\n\n## Spoilers\n\n### Plot and characters\n\nCheech Marin plays Pedro de Pacas, an unemployed Chicano who picks up Tommy Chong's character, an unemployed slacker and amateur drummer, in his low-rider van. The two are arrested for marijuana possession, released on a technicality, and drift through a string of misadventures before competing in a battle of the bands at Los Angeles's Roxy Theatre, where they perform the song \"[Earache My Eye](https://www.edgepedia.org/earache-my-eye).\"<sup>[4](https://www.rottentomatoes.com/m/up_in_smoke_1978)</sup> The central device has Pedro and Chong's character, deported to Mexico, agreeing to drive a van constructed entirely of marijuana back across the border to Los Angeles while the narcotics officer Sgt. Stedenko ([Stacy Keach](https://www.edgepedia.org/stacy-keach)) pursues them.<sup>[5](https://www.metacritic.com/movie/up-in-smoke/)</sup>\n\nThe supporting cast includes [Tom Skerritt](https://www.edgepedia.org/tom-skerritt) as [Strawberry](https://www.edgepedia.org/strawberry), a [Vietnam veteran](https://www.edgepedia.org/vietnam-veteran) having flashbacks; Strother Martin and Edie Adams as Chong's parents; and June Fairchild as a woman who snorts a line of Ajax cleaning powder by mistake.<sup>[6](https://www.slantmagazine.com/film/up-in-smoke/)</sup> Chong's character is listed as \"The Man\" in the onscreen credits but is called \"Anthony\" and \"Alex\" by different characters in the film.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup>\n\n## Production\n\nThe film grew out of Marin and Chong's stand-up act. Adler, their manager, had discovered the duo at the [Troubadour](https://www.edgepedia.org/troubadour) in the early 1970s, and before their film debut they had made five comedy albums that sold more than ten million copies.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> The project was originally titled *Pedro and the Man* and was set up at Toonerville Films; principal photography began on 2 May 1977 in Los Angeles on a seven-week schedule.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup>\n\n**Financing nearly sank the film.** Paramount provided the initial $1 million production budget but refused to invest the additional $800,000 needed to complete it, so Adler used his own money. According to a 2005 report, Paramount's president at the time, [Michael Eisner](https://www.edgepedia.org/michael-eisner), was unhappy with the film after seeing a rough cut, and Adler bought it back from the studio. After a finished cut screened to enthusiastic audience reaction, Eisner changed his mind and Paramount released it.<sup>[1](https://catalog.afi.com/Catalog/moviedetails/56239)</sup> Adler, a record producer, was directing a film for the first time, as were his two stars; he later recalled forgetting to call \"action\" on the first setup.<sup>[7](https://www.cbsnews.com/news/cheech-and-chong-up-in-smoke-40-years-later/?ftag=CNM-00-10aab4i)</sup> Adler's original title for the film was *Cheech & Chong's Greatest Hit*.<sup>[8](https://www.leafly.com/news/lifestyle/an-oral-history-of-up-in-smoke-on-its-40th-anniversary)</sup>\n\n## Genre significance\n\nMarijuana had appeared on screen long before 1978: a cowboy smokes the first on-screen joint in *Notch Number One* (1924), the anti-drug propaganda film *Reefer Madness* followed in 1936, and *Easy Rider* (1969) depicted drug use within the broader counterculture. *Up in Smoke* was the film that first presented marijuana in comedy as its central subject, and genre scholars Halperin and Bloom call it \"the first stoner comedy,\" adding that \"Cheech & Chong created the genre.\"<sup>[2](https://www.screeningthepast.com/issue-46-first-release/systematically-stoned-the-stoner-film-as-genre/)</sup> The Guardian similarly describes it as \"the first true stoner comedy, built on routines honed as veterans of the post-hippie standup circuit.\"<sup>[9](https://www.theguardian.com/film/2014/dec/25/back-with-a-bong-why-we-need-stoner-movies-more-than-ever)</sup> In the genre's formula, the stoner is an endearing figure rather than a menace, and the illegality of marijuana is largely sidestepped.<sup>[2](https://www.screeningthepast.com/issue-46-first-release/systematically-stoned-the-stoner-film-as-genre/)</sup>\n\nThe film's success shaped the genre's conventions, and later stoner comedies such as *[Half Baked](https://www.edgepedia.org/half-baked)* (1998) and *Harold & Kumar Go to White Castle* (2004) are routinely placed in its lineage.<sup>[10](https://ndl.ethernet.edu.et/bitstream/123456789/57370/1/37.pdf)</sup> The LA Weekly history of the genre states that *Up in Smoke* \"set the framework for the stoner film\" and notes it as the first instance of women getting high in a big-name Hollywood movie.<sup>[11](https://www.laweekly.com/the-evolution-and-revolutions-of-the-stoner-film/)</sup>\n\n## Reception and legacy\n\nContemporary reviews were mixed. [Variety](https://www.edgepedia.org/variety-magazine) found the film lacking \"cohesiveness in both humor and characterization\" and wrote that director Lou Adler let it degenerate into \"a mixture of fitful slapstick and toilet humor.\"<sup>[5](https://www.metacritic.com/movie/up-in-smoke/)</sup> Pauline Kael of The New Yorker called it \"fairly consistently funny.\"<sup>[5](https://www.metacritic.com/movie/up-in-smoke/)</sup> On aggregate measures the split persists: 45% among critics on Rotten Tomatoes against an 82% audience score, and a Metacritic Metascore of 57 based on 11 reviews.<sup>[4](https://www.rottentomatoes.com/m/up_in_smoke_1978)</sup><sup> • </sup><sup>[5](https://www.metacritic.com/movie/up-in-smoke/)</sup>\n\nCommercially the film was a major hit, earning more than $44 million and ranking among the biggest films of 1978; it remained the most successful of the eight films Cheech and Chong made together.<sup>[3](https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-27-la-et-mn-up-in-smoke-cheech-chong-film-independent-20130626-story.html)</sup> The Los Angeles Times has called it \"the granddaddy of stoner movies\" and credits it with influencing drug-fueled slacker comedies over the following decades.<sup>[3](https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-27-la-et-mn-up-in-smoke-cheech-chong-film-independent-20130626-story.html)</sup> A contemporary government study of drug imagery in film noted that the advertising for *Up in Smoke* encouraged drug use with slogans such as \"Don't go straight to see this movie\" and \"Just what we all need—a really good hit.\"<sup>[12](https://www.ojp.gov/pdffiles1/Digitization/147278NCJRS.pdf)</sup>\n\nThe film's cultural footprint has endured. The Grammy Museum mounted an exhibit, *Cheech & Chong: Still Rollin'—Celebrating 40 Years Of Up In Smoke*, curated with Lou Adler, for its 40th anniversary.<sup>[13](https://grammymuseum.org/wp-content/uploads/2020/02/Cheech-and-Chong-Announcement_FINAL-b8967c1ec5.pdf)</sup> Pop-culture histories credit the film with launching the stoner comedy genre, which portrays marijuana mainly as harmless and humorous.<sup>[14](https://www.startribune.com/pot-in-pop-culture-through-the-ages/601860634)</sup> In a 2025 interview, the Associated Press described the duo's films, including *Up in Smoke*, as having made them \"ubiquitous stoner archetypes.\"<sup>[15](https://apnews.com/article/d23255357a07f204129b29ed83e1116f)</sup>\n\n## References\n\n1. [Cheech & Chong's Up in Smoke (1978), AFI Catalog of Feature Films](https://catalog.afi.com/Catalog/moviedetails/56239)\n2. [Systematically Stoned: The Stoner Film as Genre, Screening the Past](https://www.screeningthepast.com/issue-46-first-release/systematically-stoned-the-stoner-film-as-genre/)\n3. [Film Independent at LACMA goes 'Up in Smoke' on July 25, Los Angeles Times (2013)](https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-27-la-et-mn-up-in-smoke-cheech-chong-film-independent-20130626-story.html)\n4. [Up in Smoke (1978), Rotten Tomatoes](https://www.rottentomatoes.com/m/up_in_smoke_1978)\n5. [Up in Smoke, Metacritic](https://www.metacritic.com/movie/up-in-smoke/)\n6. [Review: Up in Smoke, Slant Magazine (2007)](https://www.slantmagazine.com/film/up-in-smoke/)\n7. [Cheech & Chong's \"Up in Smoke,\" 40 years later, CBS News (2018)](https://www.cbsnews.com/news/cheech-and-chong-up-in-smoke-40-years-later/?ftag=CNM-00-10aab4i)\n8. [An Oral History of 'Up In Smoke' on Its 40th Anniversary, Leafly](https://www.leafly.com/news/lifestyle/an-oral-history-of-up-in-smoke-on-its-40th-anniversary)\n9. [Back with a bong: why we need stoner movies more than ever, The Guardian (2014)](https://www.theguardian.com/film/2014/dec/25/back-with-a-bong-why-we-need-stoner-movies-more-than-ever)\n10. [Popular Culture, Crime and Social Control](https://ndl.ethernet.edu.et/bitstream/123456789/57370/1/37.pdf)\n11. [The Evolution and Revolutions of the Stoner Film, LA Weekly (2018)](https://www.laweekly.com/the-evolution-and-revolutions-of-the-stoner-film/)\n12. [Drug imagery in film, National Criminal Justice Reference Service](https://www.ojp.gov/pdffiles1/Digitization/147278NCJRS.pdf)\n13. [Cheech & Chong: Still Rollin'—Celebrating 40 Years Of Up In Smoke, Grammy Museum](https://grammymuseum.org/wp-content/uploads/2020/02/Cheech-and-Chong-Announcement_FINAL-b8967c1ec5.pdf)\n14. [A brief history of cannabis in pop culture, Minnesota Star Tribune](https://www.startribune.com/pot-in-pop-culture-through-the-ages/601860634)\n15. [Cheech and Chong ride once more, Associated Press (2025)](https://apnews.com/article/d23255357a07f204129b29ed83e1116f)\n\n---\n*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Comedy and romantic films (individual works) › Comedies of the 1970s › Released 1977 to 1979*\n\n*Initially written Sep 17, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 3, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*\n\n*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*\n\nLicense: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license\n",
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 "speakable": "Up in Smoke, also called Cheech & Chong's Up in Smoke, is a Paramount comedy directed by Lou Adler, the first stoner comedy, starring Cheech Marin and Tommy Chong; it earned over $44 million."
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