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By the Light of the Silvery Moon

By the Light of the Silvery Moon is a 1953 American musical comedy from Warner Bros. directed by David Butler, starring Doris Day and Gordon MacRae as small-town sweethearts in Indiana just after World War I. It is the sequel to the studio's 1951 hit On Moonlight Bay, reuniting most of that film's cast in the same roles, and it takes its title, and much of its score, from the 1909 Tin Pan Alley (new York's early-1900s popular song publishing industry) song of the same name.1 • 2

Key factDetail
ReleasePremiered in New York the week of March 27, 1953; general release May 2, 19533
FormatTechnicolor musical comedy, 101 to 103 minutes, RCA Sound System, aspect ratio 1.37:13 • 4
SourceStory suggested by Booth Tarkington's Penrod stories, though the New York Times reviewer found little resemblance to them1
Lead castDoris Day (Marjorie Winfield), Gordon MacRae (William Sherman), Leon Ames (George Winfield), Rosemary DeCamp (Alice Winfield), Billy Gray (Wesley), Mary Wickes (Stella)1
ContextDoris Day's first film release after being named top money-making female star in the 1952 Quigley Poll5
MusicRay Heindorf, musical director; Max Steiner, musical adaptation; Norman Luboff, vocal arrangements1
Audience rating7.0/10 on IMDb from about 2,800 users6

Spoilers

Plot

The story is set in Indiana in 1919. George Winfield, vice president of a small-town bank, reads that his daughter Marjorie's fiancé, William Sherman, has been honorably discharged from military service.3 Marjorie (Doris Day) expects to marry Bill (Gordon MacRae) as soon as he returns, but Bill, feeling changed by the war, wants to build a nest egg first so he can offer her financial stability, and he delays setting a wedding date.3 • 4

Around this central tension the film strings together loosely connected domestic episodes. George secures Bill a job at his bank, leaving Marjorie's other suitor, music teacher Chester Finley (Russell Arms), on the outside. Younger brother Wesley (Billy Gray) schemes to save his pet turkey Gregory from the Thanksgiving chopping block, and the family falls into a misunderstanding about a visiting French actress, Renee LaRue (Maria Palmer), whom they wrongly believe has designs on George; in fact his bank controls the theater where her play, which touches on divorce, is to appear.4 Just as Bill is ready to set a date, Marjorie finds a note from the actress, setting off a whirlwind of doubt before the conflicts are resolved.7

Production

The screenplay is credited to Robert O'Brien and Irving Elinson, produced by William Jacobs, photographed by Wilfrid M. Cline in Technicolor, and edited by Irene Morra, with John Beckman as art director.1 Production ran from mid-August to early October 1952.3 David Butler took over the directing reins from Roy Del Ruth, who had helmed On Moonlight Bay.4

The film departs from its predecessor in several ways. It opens with the maid Stella (Mary Wickes) breaking the fourth wall to introduce the Winfield family directly to the audience, its musical numbers are staged as traditional production numbers rather than woven organically into the story, and the bespectacled music teacher, though the same basic character, has a different name and is played by a different actor, the only cast member not carried over from the first film.6 A September 1952 Hollywood Reporter item reported that Gordon MacRae's six-year-old daughter Meredith had made her film debut in the picture, but her appearance has not been confirmed.1

Songs

The score draws on Tin Pan Alley hits of the 1910s, the era in which the story is set, and Warner Bros. held the copyrights to many of them.8 The title song, with music and lyrics by Gus Edwards and Edward Madden, was originally published in 1909 by Jerome H. Remick & Co. of New York as a strophic song with chorus for piano and voice.2 In the film it is sung by a chorus over the opening credits and reprised throughout, serving as the finale as the cast resolves its conflicts skating at the local ice pond.6 • 4

Other numbers include "Ain't We Got Fun" (Richard A. Whiting, Gus Kahn, and Raymond B. Egan), "If You Were the Only Girl in the World" (Nat D. Ayer and Clifford Grey), "Your Eyes Have Told Me So," "Be My Little Baby Bumblebee," "Moonlight Bay," "King Chanticleer," "Just One Girl," "My Home Town Is a One-Horse Town," and the ballad "I'll Forget You."1 Day and MacRae, in their fifth and final screen pairing, duet on several of the period standards.5

Reception and legacy

The film followed Day's designation as the top money-making female star in the 1952 Quigley Poll, and the fan site The Films of Doris Day describes it as a deserved success worthy of that position.5 Bosley Crowther's review in The New York Times of March 27, 1953 acknowledged the conventional small-town tone but found the singing of the old song hits by Day and MacRae agreeably melodious.9 The Hollywood Reporter called it "a warm, good-natured comedy of nostalgia that pleasantly combines charm, music and humour," and Film Bulletin praised Day's "typical bright and refreshing performance."5 On Rotten Tomatoes the film holds an 80% Tomatometer from a single listed review, with more than 1,000 audience ratings.10

Later assessments treat it as a comfortable companion piece to its predecessor. A High Def Digest review calls it "that rare bird" among sequels, essentially identical in formula to On Moonlight Bay, no better and no worse.11 A highlight often noted is the ice-skating sequence near the conclusion, in which an observant viewer can spot Merv Griffin, then a band singer whose Warner contract Day had helped secure, urging skaters through a megaphone.5 Warner Archive released the film on Blu-ray on January 27, 2026, from a new HD master struck from a 4K scan of the original Technicolor negatives.11

The song and other works of the same name

The title song predates the film by more than four decades and had a life of its own. Fats Waller and his Rhythm recorded it on July 13, 1942, for Bluebird on a 10-inch 78 rpm disc, paired with "Swing Out to Victory."12

The title has also been used for unrelated works. Tricia Goyer's By the Light of the Silvery Moon, first published January 1, 2012, is a 319-page Christian historical romance set aboard the Titanic, in which Amelia Gladstone secures passage for Quentin Walpole and becomes the object of both his and his brother Damian's affection; it holds a 3.89 rating on Goodreads from 992 ratings.13 Nola Langner Malone wrote a 33-page children's picture book of the same title, published January 1, 1983.14

References

  1. By the Light of the Silvery Moon (1953), AFI Catalog of Feature Films
  2. By the Light of the Silvery Moon. Song., Lester S. Levy Sheet Music Collection, Johns Hopkins University
  3. By the Light of the Silvery Moon, AFI Catalog, filmography and details pages
  4. By the Light of the Silvery Moon Blu-ray Review, Home Theater Forum
  5. By the Light of the Silvery Moon, The Films of Doris Day
  6. By the Light of the Silvery Moon (1953), IMDb
  7. Watch By the Light of the Silvery Moon, Turner Classic Movies
  8. By the Light of the Silvery Moon review by William Ruhlmann, AllMusic
  9. By the Light of the Silvery Moon (1953) film notes, Toronto Film Society
  10. By the Light of the Silvery Moon, Rotten Tomatoes
  11. By the Light of the Silvery Moon, Warner Archive Collection, High Def Digest
  12. By the Light of the Silvery Moon, Recorded Sound Archives, Florida Atlantic University Libraries
  13. By the Light of the Silvery Moon by Tricia Goyer, Goodreads
  14. By the Light of the Silvery Moon by Nola Langner Malone, Goodreads

Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026

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