Arts and culture / Screen and stage / Film and television / Films and standalone screen works / Individual films by title and year / Drama and biographical films (individual works) / Drama films 1970s / Released 1975 to 1979

General · Edgepedia5 min read

Cornbread, Earl and Me

Cornbread, Earl and Me is a 1975 American drama film directed and produced by Joe Manduke, in which the fatal police shooting of a star high school basketball player upends a Black urban community. It was released on 21 May 1975, runs 95 minutes, and carries a PG rating.1 The film is an adaptation of Ronald L. Fair's 1966 novel Hog Butcher, and it marked the feature film acting debut of Laurence Fishburne.1

Key factDetail
Release21 May 1975, Los Angeles and New York openings; PG, 95 minutes, color1
Source materialRonald L. Fair's novel Hog Butcher (New York, 1966), cited onscreen; Leonard Lamensdorf's own novel Hit the Open Man went uncredited1
Budget$800,000, half funded by American International Pictures, the remaining $400,000 raised from Chicago investors1
Lead actorJamaal "Keith" Wilkes, an All-American on UCLA's Bruins basketball team and the NBA's 1974 Rookie of the Year, played Cornbread1
DebutLaurence Fishburne's feature motion picture acting debut, as twelve-year-old Wilford Robinson1
MusicOriginal score by Donald Byrd, performed by The Blackbyrds2
Alternate titlesHit the Open Man and Hog Butcher2

Spoilers

Plot

Nathaniel "Cornbread" Hamilton (Keith Wilkes) is a high school basketball star two weeks from leaving for college on a scholarship, and the pride of his neighborhood. Twelve-year-old Wilford Robinson (Laurence Fishburne) and his friend Earl Carter (Tierre Turner) idolize him at the local court, where they argue over whether he is the best player in the country.2

A dare leads to a fatal misunderstanding: Cornbread is shot dead by police who mistake him for someone who has just committed a violent crime.3 As the officers try to protect one of their own, members of the community work to find justice, and the case carries personal, political, and community repercussions.3 Library catalog summaries describe Wilford and Earl finding the courage to speak up and clear Cornbread's name.4

Production and financing

The project began with Leonard Lamensdorf, a real estate developer and novelist. According to a 21 December 1987 Chicago Tribune article, financial advisor Melvin Pearl was working as Lamensdorf's tax attorney in 1972 when Lamensdorf described his novel Hit the Open Man as film material. Pearl arranged a meeting at American International Pictures (AIP) through a former classmate; AIP agreed to fund half of the $800,000 budget, and Lamensdorf and Pearl raised the remaining $400,000 from Chicago-based investors. Although Lamensdorf received executive producer and screenwriting credits, his book was not credited onscreen; instead, Fair's Hog Butcher is cited as the source.1

Casting. The title role went to Jamaal "Keith" Wilkes, then a professional basketball player rather than an actor: he had been an All-American at UCLA and won the NBA's 1974 Rookie of the Year.1 The supporting cast included Moses Gunn as Benjamin Blackwell, Rosalind Cash as Sarah Robinson, Bernie Casey as Officer Larry Atkins, Madge Sinclair as Leona Hamilton, Thalmus Rasulala as Charlie, and Antonio Fargas as One-Eye.5 A 31 January 1984 Philadelphia Daily News article reported that the Cornbread character was partly based on Darryl McCray, a former graffiti artist who had renounced graffiti and was working with troubled adolescents.1

The crew included cinematographer Jules Brenner, editor Aaron Stell, and composer Donald Byrd, whose score was performed by The Blackbyrds.1 • 2 Production was by ML Productions, with AIP acquiring distribution rights as announced in a 13 March 1975 Daily Variety item.1

Release and reception

The film opened in Los Angeles and New York on 21 May 1975. Several benefit premieres were sponsored by the United Negro College Fund, with the Los Angeles benefit at the Screen Directors Guild on 15 May 1975.1 In its first week at New York City's Penthouse Theatre it took in $83,512, and a 14 July 1977 Los Angeles Times article described it as ultimately a box-office success.1

Official recognition. The film was cited in the Congressional Record by Representative Thomas M. Rees of California, who urged theater owners to screen it, saying it portrayed "with great human dignity and drama the hopes, the aspirations and the warm family values of a black community." On 30 June 1975 the Los Angeles City Council honored the film for "excellence in community service and entertainment."1 A contemporary review in the St. Thomas University repository archive called it "a remarkable film in many ways," while criticizing a Saroyan-like romanticism and an ambiguity about the two policemen's state of mind that flowed from plot demands rather than characterization.6

Place in 1970s Black cinema

The film appeared at the height of the blaxploitation era, whose main production years ran from 1972 to 1975 and which brought African American music, fashions, and social issues to the screen, though it drew criticism for regressive representation and anti-hero pimps and pushers.7 Streaming and retail descriptions place Cornbread, Earl and Me apart from that genre's action fare, calling it one of the more thoughtful urban dramas produced at the height of the craze.8 Its subject, the police shooting of a young Black athlete and the community's response, belongs to a strand of 1970s American film that addressed policing and the Black community directly, a theme scholars have traced through the decade's cinema.9 A later study of American basketball films reads it as focused on the hopes of African American youth in the era after the NBA's integration.10

The film's afterlife has been modest. It was released on DVD on 16 October 2001 and again by Olive Films in 2016, and it is not currently available on major streaming services in the United States.8 • 11 An 11 December 1976 Los Angeles Times brief reported that roughly 100 youths rioted at a West Los Angeles theater showing the film alongside Cooley High and J.D.'s Revenge, throwing projectiles through the screen and injuring two police officers; the motive was undetermined at the time of reporting.1

References

  1. Cornbread, Earl and Me (1975), AFI Catalog of Feature Films
  2. Cornbread, Earl and Me (1975), AFI Catalog, full page view
  3. Cornbread, Earl and Me, Apple TV
  4. Cornbread, Earl and Me, Hillsborough County Public Library Cooperative
  5. Cornbread, Earl and Me: Full Cast & Crew, Rotten Tomatoes
  6. "'CORNBREAD': Black-white relationships explored in well-done film" (1975), St. Thomas University repository
  7. 10 great blaxploitation movies, BFI
  8. Cornbread, Earl and Me (1975), Moviefone
  9. Police Brutality, Over-Policing, and Mass Incarceration in African American Film, Journal of Black Studies (JSTOR)
  10. Screening Neoliberalism: U.S. Basketball Films in the 1990s (thesis)
  11. Cornbread, Earl and me, Free Library of Philadelphia catalog

Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 1970s › Released 1975 to 1979

Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026

Notice something wrong?

© 2026 EdgeChat AI, a subsidiary of Biostate AI. Free to use with credit under the Edgepedia Community License. Developers: read Edgepedia by API or MCP. Embed a reference card.

Report an error in this article

Cornbread, Earl and Me

Pick at least one reason.