Intimacy
Intimacy (Spanish: Intimidad) is a 2022 Spanish drama miniseries created by Verónica Fernández and Laura Sarmiento for Netflix, produced by Txintxua Films. Its story begins when a sex video recorded without the knowledge of a rising Basque politician goes viral on social networks, and it follows the consequences for her and for a factory worker whose ex-partner distributes a similar video of her.1 • 2 The eight-episode series premiered on Netflix on 10 June 2022.3
| Key fact | Detail |
|---|---|
| Original title / international title | Intimidad / Intimacy4 |
| Format | Limited series, 8 episodes of about 45–50 minutes, drama, in Spanish with Basque1 • 5 |
| Created by | Verónica Fernández and Laura Sarmiento1 |
| Directors | Jorge Torregrossa, Ben Gutteridge, Marta Font, and Koldo Almandoz1 |
| Premiere | 10 June 2022, Netflix3 |
| Main cast | Itziar Ituño, Patricia López Arnaiz, Verónica Echegui, Ana Wagener, Emma Suárez, Yune Nogueiras4 |
| Reception | 90% Tomatometer and 65% Popcornmeter on Rotten Tomatoes; 6.8/10 on IMDb from about 4,100 ratings6 • 7 |
Spoilers
Premise
The series centers on Malen Zubiri (Itziar Ituño), a councilor and candidate for mayor of Bilbao whose career is upended when a sex video recorded without her consent surfaces. Overnight her husband leaves the house, her daughter suffers harassment at school, and her party removes her from the candidacy; with family support and her own financial resources, she sets out to identify the person who violated her privacy.2
The second strand follows Ane Uribe (Verónica Echegui), a factory worker facing a redundancy process whose ex-partner spreads a sexual video of her through her coworkers. Unable to bear the pressure, Ane takes her own life, and her sister Begoña (Patricia López Arnaiz), a secondary-school teacher, works to reveal the true cause of the suicide so that the person responsible answers for the crime.2 The two stories are set up as a deliberate contrast: both women are victims of the same kind of violation, but the series uses them to show how social class can translate into unequal positions before justice and public opinion.2
Netflix's own description frames the story as one of four women forced to walk the thin line between public and private life, asking where the limits of intimacy lie and what happens when privacy becomes everyone's conversation.8 Co-creator Laura Sarmiento described the series as a story about the image we choose to project and its mismatch with reality, and about how exposing the privacy of others is potentially devastating for the victim, who is often blamed for it.8
Production
Netflix announced the start of shooting in the Basque Country on 8 June 2021, with Txintxua Films producing. The series was filmed in the province, including locations in Bilbao, where the production also used the facilities of the Basque public broadcaster EITB as a set.8 • 9
Creative team. Verónica Fernández, who had previously created Hache for Netflix and won the Goya for the screenplay of El bola in 2001, and Laura Sarmiento, who had worked on La zona and Matadero, wrote the series with José Luis Martín.3 • 4 Direction was shared among Jorge Torregrossa, Ben Gutteridge, Marta Font, and Koldo Almandoz, with music by Aitor Etxebarria.1
Real-world echoes
The creators have said the series is not based on any single real case, but that cases familiar to Spanish audiences resonate in it: the 2012 scandal around the politician Olvido Hormigos, whose privacy was violated, and the 2019 death of a worker at the vehicle manufacturer Iveco who took her own life after coworkers shared an intimate video of her. The Iveco case occurred after the series' concept had been created, while the series was in development.10 Press coverage around the premiere drew the same parallels.11
The subject gave the premiere an unintended timeliness: ten days after its release, the presenter and actor Santi Millán faced the leak of a video showing him having sex with a woman, a coincidence noted by commentators.12
Language and setting
The series is set in Bilbao, described in one academic account as the de facto capital of the Basque Country, and was shot in the region with a cast closely tied to the territory.13 Although Spanish is the series' main language, it gives a naturalistic treatment of Basque (euskera): everyday expressions such as "maitea" (dear), "mila esker" (thank you very much), and "agur" (goodbye) appear within mostly Spanish dialogue, one scene shows classes taught entirely in Basque, and a program on the Basque public channel ETB appears on screen. Scholars reading this use argue that the sustained Basque presence reinforces the cultural authenticity and contextual realism of the narrative.14
Themes and critical reading
The series addresses the non-consensual dissemination of sexual images, which El País called a twenty-first-century crime, spread through social networks and mobile phones at a scale that pursues the ruin of its victims.15 An academic study in Trama y fondo reads the series as a reflection of contemporary conflicts with privacy and technology, exploring the devastating consequences of intimate images disseminated without consent, a phenomenon often called revenge porn, and prompting reflection on a culture of surveillance in which social networks perpetuate constant observation and judgment.16 A gender-studies analysis in Atlánticas describes the series as paradigmatic within contemporary Spanish fiction for addressing violence against women in public spaces, the media, the workplace, and digital environments, examining how consent and media exposure are represented.17
Critics were broadly positive. HobbyConsolas scored it 80/100, praising the production values, the core cast's performances, and the series' clear messages, while finding the first episodes somewhat tepid before the final stretch gathers force.18 Espinof called it a powerful exploration of the repercussions of a sexual-image leak with a strong female cast, while judging the screenplay at times unsatisfactory; it singled out Itziar Ituño for showing that an active attitude is the best defense in such a scenario.19 El País praised the social critique but wanted more capacity for synthesis across the eight episodes.15 On aggregate measures, the series holds a 90% Tomatometer and 65% Popcornmeter on Rotten Tomatoes and a 6.8/10 IMDb rating from about 4,100 user votes.6 • 7
Context in Spanish streaming fiction
Intimidad belongs to the wave of Spanish originals that followed Netflix's expansion in Spain. Of the 34 Spanish fiction series Netflix produced through December 2022, only five were created exclusively by women, and this series is one of them, alongside Hache (also Fernández's), Valeria, Memorias de Idhún, and Tú no eres especial.20 Netflix's vice president of content for Spain and Portugal, Diego Ávalos, later recalled that reading Fernández's pilot script had moved him physically, describing the series as a project of exceptional quality for the service.21
References
- INTIMIDAD, Txintxua Films
- Intimidad, Serie 2022, SensaCine
- Intimidad, Serie TV, FormulaTV
- Intimidad, Cineuropa
- Intimidad (Serie de TV 2022), IMDb
- Intimacy, Rotten Tomatoes
- Intimidad, Calificaciones, IMDb
- Comienza el rodaje de Intimidad, nueva serie original española de Netflix, About Netflix
- La sede de EITB en Bilbao, plató por un día para Netflix, EITB
- 'Intimidad', la delgada línea entre lo que pertenece a la vida pública y la privada, La Vanguardia
- 'Intimidad' eligió trinchera en la guerra cultural, La Vanguardia
- 'Intimidad', protagonizada por Santi Millán, El País
- Argus-A ebook on Intimidad
- Representation of euskera and gallego in VOD fiction series (2019–2024), UAL Research Online
- 'Intimidad' o la denuncia de un delito del siglo XXI, El País
- La intimidad de puerta abierta: la imagen y la privacidad en la serie "Intimidad" (2022), Dialnet
- Entre el escándalo y la vergüenza: representación de la violencia sexual digital en la serie Intimidad, Atlánticas
- Crítica de Intimidad, HobbyConsolas
- 'Intimidad' (2022) crítica, Espinof
- Valeria y el liderazgo femenino en la ficción seriada, Consejo de Comunicación
- La serie que volvió loco al vicepresidente de Netflix, Cadena SER
Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Series and fictional screen worlds › International serial drama and telenovelas › Telenovelas and Latin American/Iberian serials › Spanish serial dramas
Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026
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