Moulin Rouge
The Moulin Rouge (French for "red mill") is a Parisian cabaret located at 82 boulevard de Clichy in the Montmartre district, in the 18th arrondissement of Paris. It opened on 6 October 1889 and is best known for its large-scale revue Féerie and for the French cancan, the high-kicking dance it helped make famous.1 • 2
| Key fact | Detail |
|---|---|
| Opening | 6 October 1889 at 8:00 pm, in the Jardin de Paris at the foot of the Montmartre hill, with the works not yet fully finished3 • 4 |
| Founders | Joseph Oller (1839–1922), a Catalan businessman, and Charles Zidler (1831–1897), a Frenchman, who already owned the Olympia5 |
| Address | 82 boulevard de Clichy, 75018 Paris2 |
| Current show | Féerie, a revue in four acts with 80 artists and about 1,000 costumes of feathers, sequins and rhinestones, ending with the French cancan6 • 7 |
| Performances | Daily at 21:00 and 23:00, with dinner available from 19:00; the show runs about 1 hour 45 minutes1 |
| Attendance | About 600,000 spectators per year; dinner shows priced at €225 per person including champagne8 |
| Ownership | Clerico family since 1955; Jean-Victor Clerico is the current director9 • 10 |
Founding and the Belle Époque
Joseph Oller, described by the cabaret's own history as an "audacious perfectionist," wanted to create "the biggest and most beautiful of cabarets; a temple dedicated to Woman, the Dance and the Cancan." He opened the Moulin Rouge on the fixed date of 6 October 1889 at 8:00 pm even though the extensive building works were not yet complete; the hall was packed from the first evening.3 The venue opened in the Jardin de Paris, at the foot of the Butte Montmartre, as a new music-hall.4
The name and the red windmill on the roof pay tribute to the windmills that once crowned the hilltop of Montmartre, which appear in paintings by Renoir, Van Gogh, and Utrillo.1 The decor blended the Japanese style then in vogue, a taste known as Japonism, with curiosities including a giant stucco elephant statue, which later disappeared.8 The opening coincided with the 1889 Universal Exhibition, when the Eiffel Tower was Paris's main attraction and the city was at the center of world attention.4 • 11
Success came quickly. The cabaret attracted both bohemians and aristocrats, and its early bill mixed dance with variety acts: Joseph Pujol, known as "le Pétomane," performed his flatulence concerts, and the comic duo Foottit and Chocolat were a triumph.8 Among the dancers, Louise Weber earned the nickname "la Goulue" for draining customers' glasses and made a specialty of kicking off gentlemen's top hats with her foot. Henri de Toulouse-Lautrec, a regular at the cabaret, painted her in his posters and works, fixing the atmosphere of the early Moulin Rouge in images such as Moulin Rouge: La Goulue (1891) and The Englishman at the Moulin Rouge (1892).8 • 12 Singer Yvette Guilbert made her name there, and in 1893 an all-nude Cleopatra act caused what Le Monde calls "a delightful scandal."8
The cancan
The French cancan is the dance most identified with the Moulin Rouge. According to Le Monde, the form of dance called "the French cancan" originated in England, and the spectacle of petticoats and legs in the air, with garters in full view, immediately drew the crowds.8 Dance scholarship describes how the dance changed at the venue: after the dance-hall was converted into a theater in 1903, the cancan was reduced to a theatrical novelty act, and when the Moulin Rouge reopened after the First World War in 1921 it regained popularity in a form influenced by the precision kick-line. The choreographer Pierre Sandrini, trained in classical ballet, brought the precision, multiplication of dancers, and linearity of the corps de ballet to the cancan and adopted the British-coined term "French Cancan." In this version the dancers multiplied to eight or sixteen, were entirely feminized, and performed on stage in lines facing the audience, foregrounding unison and precision rather than individual improvisation.13 The cancan remains the finale of the Féerie show today.6
Fire, rebuilding, and changing hands
In 1915 the music-hall was destroyed by fire. The Bibliothèque nationale de France records that it was rebuilt in 1923 under the direction of Raphaël Beretta;2 press accounts state that the burnt venue remained closed for nine years and reopened in 1921.14 • 15 Earlier, in 1902, Oller had rented the Moulin Rouge to a society that transformed the dance hall into a music-hall.2
The interwar years belonged to Mistinguett, whose partnership with the venue produced the "Revue Mistinguett" in 1925 and "Ça c'est Paris" in 1926 before she retired from the stage in 1929.4 On 22 June 1951, Georges France, known as Jo France, the founder of the Balajo, bought the Bal du Moulin Rouge and began major renovations to restore its former splendor.4 The Clerico family, originally from the Piedmont region, has owned the cabaret since 1955.9 In 1962 Jacki Clerico (1929–2013), son of Joseph Clerico, took over as head of the establishment; two years later he built a giant aquarium in which nude dancers performed.4 • 16 The revue "Cancan," created in 1961, was a triumph and set the artistic line the Moulin Rouge has followed since.16
Féerie and the cabaret today
The current show, Féerie, plays every evening in four spectacular acts, moving from the Moulin's gardens to a pirate ship in Indonesia, a traveling circus, and a return to Parisian nostalgia from 1900 to today.7 The troupe of 80 international artists all have classical dance training.1 In 2019 the cabaret and its 60 artists celebrated the 20th anniversary of the revue.17 The show includes passages with nudity; children are accepted from age six when accompanied by an adult.1
The venue's craft traditions continue behind the scenes: since 1957 the dancers' feathered costumes have been made by the feathermakers of Maison Février, in a workshop at the foot of Montmartre.6 Champagne remains central to the operation; between the two nightly shows, staff clear and reset the tables in 20 minutes, and "stokers" restock hundreds of ice buckets and bottles from 175-unit trolleys in cold storage.9
Over its history the stage has hosted performers from Line Renaud, Zizi Jeanmaire, and Mikhail Baryshnikov to Josephine Baker, Bing Crosby, Ginger Rogers, Dalida, the Village People, Elvis Presley, Frank Sinatra, and Elton John; Édith Piaf met Yves Montand there at the time of the Liberation, and Queen Elizabeth II attended a performance in spring 1989.8 • 18
The 2024 windmill collapse
Shortly before 2 a.m. on 25 April 2024, after the last performance had ended and the audience had left, the red windmill's sails and part of the illuminated sign crashed to the sidewalk in Pigalle. The fall knocked the letters M, O, and U off the façade, temporarily leaving "LIN ROUGE." No injuries were reported. Director Jean-Victor Clerico attributed the collapse to a "technical problem." It was the first such incident in the cabaret's 134-year history; the only previous recorded incident was the 1915 fire.10 • 8 • 15
The sails were put back in place in time for the Paris Olympics in July 2024, but did not turn again until their restoration was completed; on a Thursday evening in July 2025, thirty-two dancers in red feathered costumes performed in front of the turning wings to mark the event. Until their collapse, the wings had been turning since 1889.10
In film and on stage
The cabaret's history has inspired numerous films and stage works. Baz Luhrmann's 2001 film Moulin Rouge!, a drama set in Paris at the beginning of the 20th century, starred Nicole Kidman and Ewan McGregor; although set in Paris, filming took place primarily in an Australian studio.1 • 15 Le Monde credits the film's triumph with helping relaunch the cabaret.9 The 1955 film French Cancan also drew on the cabaret tradition.19 The film was adapted as Moulin Rouge! The Musical, directed by Alex Timbers, with costumes by Catherine Zuber, who described her approach as "a fantasy of maybe what it could have been" rather than period accuracy; the stage show opened on Broadway on 25 July 2019 after a limited run in Boston.20
References
- FAQ – Frequently Asked Questions, Moulin Rouge official website
- Notice de collectivité "Le Moulin Rouge (Paris)", Bibliothèque nationale de France
- Joseph Oller, Moulin Rouge official website
- The Great Periods, Moulin Rouge official website
- History of the Moulin Rouge Cabaret, PARISCityVISION
- Moulin Rouge official website, homepage
- Féerie revue show, Moulin Rouge official website
- Moulin Rouge loses blades, not glory, Le Monde (3 May 2024)
- At the Moulin Rouge, champagne never stops flowing, Le Monde (24 December 2024)
- Moulin Rouge's red windmill sails restored and turning again, AP News (11 July 2025)
- Le Moulin Rouge, general history handout, Masaryk University
- The Lure of Montmartre, 1880–1900, The Metropolitan Museum of Art
- Clare Parfitt, doctoral thesis on the cancan, University of Roehampton
- The windmill sails at Paris' iconic Moulin Rouge have collapsed, AP News (25 April 2024)
- Paris' World-Famous Cabaret Club Moulin Rouge Loses Its Windmill Sails Overnight, TIME
- Les 125 ans du Moulin Rouge, RFI webdocumentaire
- A Brief History, Moulin Rouge! The Musical Australia
- Moulin Rouge Press Kit 2022
- Performing in the Cabaret, Cheap Thrills exhibit, Duke University Libraries
- Behind the Scenes of the Moulin Rouge! Musical With Its Star Costume Designer, TIME
Topic: Encyclopedia › Arts and culture › Music › Music institutions and events › Music venues › Music venues by place › Music venues in France and the Benelux countries
Initially written Sep 17, 2026 · Reviewed: Sep 17, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026 · Last review: Oct 25, 2026
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