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Mountains May Depart (山河故人)

Mountains May Depart (山河故人) is a 2015 Chinese drama film written and directed by Jia Zhangke, told in three parts set in 1999, 2014, and 2025, following a love triangle in the coal-mining town of Fenyang, Shanxi, and its consequences across a quarter century of Chinese social change1. It premiered in competition at the 2015 Cannes Film Festival and was released in mainland China on 30 October 20152 • 3.

Key factDetail
Director and writerJia Zhangke, his eighth feature film3
StructureThree chapters set in 1999, 2014, and 2025, moving from Fenyang to Australia1
Principal castZhao Tao (Shen Tao), Zhang Yi (Zhang Jinsheng), Liang Jingdong (Liangzi), Dong Zijian (Dollar), Sylvia Chang (Mia)4
Aspect ratios4:3 (1.33:1) for 1999, 16:9 (1.85:1) for 2014, and a 2.35:1 widescreen ratio for 20255
Awards2015 Cannes competition film; Golden Horse Award for Best Original Screenplay; Asian Film Award for Best Screenplay6
Mainland box officeOver 30 million yuan, breaking Jia's previous mainland box-office record3
Tenth-anniversary re-release12 December 2025, when the film's imagined 2025 coincided with the present7

Spoilers

Story

The first chapter, set in Fenyang in 1999, centers on Shen Tao (Zhao Tao), a shop assistant and dance instructor courted by two childhood friends: Zhang Jinsheng (Zhang Yi), a newly rich entrepreneur in the coal and oil business, and Liangzi (Liang Jingdong), a coal miner whose livelihood is shrinking as coal prices fall4 • 8. Tao chooses to marry the wealthier Jinsheng; the heartbroken Liangzi leaves town, throwing away his house keys as he goes5. Tao and Jinsheng have a son, Zhang Daole, whose name echoes the English word "Dollar"2.

The 2014 chapter shows the costs of that choice. Tao and Jinsheng are divorced, and seven-year-old Dollar lives with his father, distant from his mother1. Liangzi returns to Fenyang with his wife and child, his lungs ruined by years of mine work, and asks Tao for help paying for treatment; she visits his home and provides the money9. Tao's father dies suddenly, and Jinsheng prepares to take Dollar to Australia5. On a slow green train taking the boy to Shanghai, Tao gives him the key to her house, telling him the train is slow so she can keep him longer5.

The final chapter is set in Australia in 2025. Nineteen-year-old Dollar, raised in English, no longer speaks Chinese and can barely communicate with his now bankrupt father10. The only Chinese word he retains is "Tao", meaning wave, without knowing it is also his mother's name10. He begins a relationship with his older Chinese-language teacher Mia (Sylvia Chang), a Hong Kong-born migrant raised in Toronto, and through her lessons gradually recalls his mother4 • 11. In the closing scene, he intends to take Mia on a flight to China to see his mother, though the reunion itself is never depicted.1 In the closing scene Tao dances alone in falling snow to the Pet Shop Boys' "Go West", the same song that opened the film5.

Form and structure

Three aspect ratios. Each chapter uses a different screen ratio: 4:3 (1.33:1) for 1999, 16:9 (1.85:1) for 2014, and 2.35:1 for 2025, so the frame widens as the characters' world expands5. Chinese commentary linked the three ratios to three media eras, the DV television age, the widescreen film age, and the digital super-widescreen age12. A 2025 academic study read the progressive widening through the Northern Song painter Guo Xi's "Three Distances" theory and Zhuangzi's idea of the wandering mind, arguing the ratios carry traditional Chinese aesthetics into modern film language13.

Recurring symbols. Commentators cataloged a set of motifs that recur across the three periods: the Yellow River, the Wenfeng Pagoda, keys, dumplings, the songs "Zhen Zhong" (Farewell) by Sally Yeh and "Go West", a gun, and trains2 • 5. Jia himself described the film's subject as qingyi, the Chinese pairing of emotional affection (qing) with bonds of loyalty and obligation (yi); in his native Shanxi usage, yi, the commitment that survives even when affection fades, is what remains between Tao and Liangzi when he returns ill9.

The English title translates a Chinese saying, "Mountains may depart, but emotions stay the same"8.

Reception

The film divided critics from its Cannes premiere onward. Admirers saw it as a summation of Jia's two decades of concern with ordinary lives amid epochal change; critics found the characters reduced to mouthpieces for the film's structure and its sociological symbols2. Reviewers repeatedly singled out the 2025 chapter as the weakest, citing the English-language dialogue and the age-gap romance, while praising Zhao Tao's performance as the film's emotional anchor14 • 15. On the review aggregator Rotten Tomatoes the film holds an 89% Tomatometer score from 87 reviews4.

In mainland China the film earned over 30 million yuan, at that time Jia's best commercial result and a counterexample to the assumption that art films cannot find audiences3.

The 2025 re-release

On 12 December 2025, the film returned to mainland cinemas for its tenth anniversary, timed so that the third chapter's imagined 2025 coincided with the actual year7. The re-release included a "Mountain River Post Office" campaign: 50,000 commemorative gift sets containing a postcard to be sealed for ten years and a ticket for a hypothetical 2035 screening, extending what promoters called the film's "ten-year appointment"7. At anniversary screenings Jia told audiences that a longer cut with new material might appear in 203516. Clips of Tao's snow dance and the green-train farewell circulated widely on short-video platforms during the re-release3.

References

  1. Mountains May Depart, The Science Fiction Encyclopedia
  2. 《山河故人》:中国电影"热钱"时代,无人可以不被裹挟, 澎湃新闻
  3. 《山河故人》:影像创造启发时代对话, 中国艺术报 via 光明网
  4. Mountains May Depart, Rotten Tomatoes
  5. 《山河故人》复映,保利影城邀您续写"十年之约", 保利影业
  6. 山河故人, 佳映娛樂
  7. 贾樟柯《山河故人》复映定档12月12日, 北京日报客户端
  8. From Cannes: "Shan He Gu Ren" ("Mountains May Depart") Beautiful but Flawed, The Harvard Crimson
  9. Jia Zhangke press kit interview, Cinemien
  10. 桃園電影節開幕片《山河故人》場刊
  11. Mountains May Depart, Mediaversity Reviews
  12. 试析《山河故人》的文本及后电影文化产业意义, 人民网传媒
  13. From 'Sanyuan' to 'Youxin': On the Traditional Aesthetic Construction in the Aspect Ratio Transformations of Mountains May Depart, Asia Film Studies (KCI)
  14. Mountains May Depart movie review, RogerEbert.com
  15. Film Review: Mountains May Depart, The London Economic
  16. 《山河故人》十周年重映,贾樟柯:再过十年还想剪个长版本, 澎湃新闻

Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Drama and biographical films (individual works) › Drama films 2015 to 2019 › Drama films 2015 and 2016 › Released in 2015

Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026

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Mountains May Depart (山河故人)

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