# Parlophone
**Parlophone** is a British record label, now part of [Warner Music Group](https://www.edgepedia.org/warner-music-group), that originated in Germany in the late nineteenth century as Parlophon, a label of the Carl Lindström Company, with the final 'e' originally added for its United Kingdom releases[1](https://www.metal-archives.com/labels/Parlophone/1113). After passing into Columbia's ownership in 1926 and into the EMI group at its formation in 1931, it became one of Britain's best-known labels, and in 2013 it was sold to Warner Music Group as the centerpiece of the Parlophone Label Group[2](https://www.cac.org.uk/m100/emichron.html) • [3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711).
| Key fact | Detail |
|---|---|
| Origin | Founded in Germany by the Carl Lindström Company as Parlophon; the 'e' was originally added for UK releases[1](https://www.metal-archives.com/labels/Parlophone/1113) |
| 1926 | Columbia acquired the Parlophone record label, as part of its purchase of the Carl Lindström company in Germany[2](https://www.cac.org.uk/m100/emichron.html) • [4](https://www.cac.org.uk/m100/emihist.html) |
| 1931 | Became an EMI label when The Gramophone Company and The Columbia Graphophone Company merged to form Electric and Musical Industries[2](https://www.cac.org.uk/m100/emichron.html) |
| 2012–2013 | Merged with the former EMI Records Ltd as the Parlophone Label Group and spun off for sale after EMI's breakup; Warner Music Group bought it in 2013[1](https://www.metal-archives.com/labels/Parlophone/1113) |
| Purchase price | £487 million, all cash, in a definitive agreement signed February 6, 2013; completion announced July 1, 2013[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711) |
| What PLG included | The Parlophone label, Chrysalis/Ensign in the UK, EMI Classics and Virgin Classics, and EMI operating companies in ten European countries[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711) |
| Known for | A catalog and roster spanning Coldplay, David Bowie, Radiohead, Pink Floyd, Blur, Kate Bush, Daft Punk, Iron Maiden, Kylie Minogue, and Pet Shop Boys, among many others[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711) |
## German origins and the Columbia acquisition
The label began as Parlophon, a German record label of the Carl Lindström Company; the spelling Parlophone, with a final 'e', was originally used for the company's British releases[1](https://www.metal-archives.com/labels/Parlophone/1113). The label's route into British ownership ran through consolidation in the 1920s record business. When Columbia bought the Carl Lindström company in Germany in that decade, it acquired two labels, Odeon and Parlophone, one of which, as the EMI history notes, was to become popular forty years later for a quite different reason[4](https://www.cac.org.uk/m100/emihist.html). The chronology of EMI records the acquisition of the Parlophone label by Columbia in 1926[2](https://www.cac.org.uk/m100/emichron.html), and the Science Museum Group's history of EMI likewise lists Parlophone in London among Columbia's European acquisitions during that decade, alongside Odeon in Germany and Pathé in France[5](https://collection.sciencemuseumgroup.org.uk/people/ap19483/emi).
## Part of EMI
On April 21, 1931, The Gramophone Company Ltd and The Columbia Graphophone Company Ltd merged and registered a holding company, Electric and Musical Industries Ltd, and Parlophone passed into the new group along with the rest of Columbia's label portfolio[2](https://www.cac.org.uk/m100/emichron.html). EMI kept its acquired European labels operating as distinct brands that cooperated and competed with each other within the company, a list that included HMV, Columbia, Pathé, Odeon, and Parlophone[6](https://digital.lib.washington.edu/researchworks/bitstream/handle/1773/23576/Yampolsky.pdf?sequence=1).
For much of its life under EMI, Parlophone carried a light, comic reputation. By the late 1950s the label's roster held, in the words of a Beatles biography, some marginal contemporary singers, and the producer [George Martin](https://www.edgepedia.org/george-martin) wanted a legitimate pop act to raise what the book calls Parlophone's jokey image, the same kind of hit pop act that fueled every other label in the marketplace[7](https://erenow.org/biographies/the-beatles-the-biography/17.php). Ron Richards, the label's song plugger at the time, recalled the label having gone from being known as a sad little company to making a mint of money[7](https://erenow.org/biographies/the-beatles-the-biography/17.php).
The label's visual identity changed with the times. Collectors' guides note that the original gold-on-black Parlophone label was replaced by a more modern design in April 1963[8](https://www.cvinyl.com/labelguides/parlophone.php).
## The EMI breakup and sale to Warner Music Group
Parlophone's modern corporate history dates from the dismemberment of EMI. After [Universal Music Group](https://www.edgepedia.org/universal-music-group) acquired EMI Group's assets, Parlophone and the former EMI Records Ltd were combined into the Parlophone Label Group in September 2012 and separated for sale, with Warner Music Group completing its purchase in March 2013[1](https://www.metal-archives.com/labels/Parlophone/1113). Warner's own account gives the deal terms: on February 6, 2013, WMG signed a definitive agreement to acquire PLG from Universal Music Group for £487 million in an all-cash transaction, and on July 1, 2013 it announced completion of the acquisition[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711) • [9](https://investors.wmg.com/static-files/5094e74a-bfa9-4bee-8f7e-49cefa49add7).
The transaction was far larger than the Parlophone name alone. Among PLG's holdings were the UK's Chrysalis and Ensign imprints, the EMI Classics and Virgin Classics labels, and EMI's local operations in Belgium, the Czech Republic, Denmark, France, Norway, Poland, Portugal, Slovakia, Spain, and Sweden[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711). [Len Blavatnik](https://www.edgepedia.org/len-blavatnik), chairman and founder of [Access Industries](https://www.edgepedia.org/access-industries), WMG's owner, called the acquisition a defining moment for the company[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711). Reference listings since then record Parlophone under Warner ownership: the Library of Congress label-ownership resource lists Parlophone as WB, and the Record Label Registry describes it as acquired by Warner Music Group in 2013 from the EMI breakup[10](https://www.loc.gov/programs/national-recording-preservation-plan/tools-and-resources/label-ownership/) • [11](https://www.recordlabelregistry.com/registry/parlophone-records).
## Roster and catalog
The sale transferred a catalog that WMG described as including some of the world's best-known recordings, with artists spanning Coldplay, Tinie Tempah, Pet Shop Boys, Kylie Minogue, David Guetta, David Bowie, Radiohead, Tina Turner, Iron Maiden, Pink Floyd, Duran Duran, Jethro Tull, Blur, Kate Bush, Daft Punk, Edith Piaf, Itzhak Perlman, and [Maria Callas](https://www.edgepedia.org/maria-callas), among many others[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711). The label continues to release from that heritage: 2025 reissue roundups credit Parlophone with deluxe editions including Iron Maiden's *Live After Death* 40th-anniversary double vinyl and a [David Bowie](https://www.edgepedia.org/david-bowie) collection covering 2002 to 2016[12](https://www.loudersound.com/bands-artists/the-31-best-reissues-of-2025).
New signings continue alongside the catalog work. The label's current artist roster on its own site includes Coldplay, Blur, Ashnikko, Aya Nakamura, Gojira, Alec Benjamin, Chloe Moriondo, Empire State Bastard, and Emma-Jean Thackray, among others[13](https://www.parlophone.co.uk/). In October 2026, Warner Music Group announced that Parlophone Records and Warner Chappell Music UK had signed the up-and-coming band Tooth[14](https://www.wmg.com/news). Warner Music Group's investor materials list Parlophone among its iconic labels, alongside Atlantic and [Warner Records](https://www.edgepedia.org/warner-records)[15](https://investors.wmg.com/investor-relations/default.aspx).
Leadership has continued to change with the label's fortunes. In a 2017 interview with Music Week, Parlophone co-president Mark Mitchell discussed his vision for the label, remarking that looking back over Parlophone's history and the acts it had put out, he would probably be too scared to get out of bed in the morning[16](https://www.musicweek.com/labels/read/there-s-huge-positivity-about-what-s-to-come-mark-mitchell-on-the-future-of-parlophone/072505).
## What the ownership changes mean
Parlophone illustrates a pattern common in the recorded-music business: a label founded as an independent firm survives as a brand while its corporate owner changes around it. It began as one label among the holdings of a German technology company, became part of Britain's dominant record group through the 1931 EMI merger, and re-emerged as a Warner Music Group label after EMI's assets were sold off[1](https://www.metal-archives.com/labels/Parlophone/1113) • [2](https://www.cac.org.uk/m100/emichron.html) • [3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711). The £487 million price Warner paid reflects what was actually changing hands: not just a name, but the Parlophone Label Group's artist roster, its recorded catalog, and EMI's former classical labels and European operating companies[3](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711).
## References
1. [Parlophone, Encyclopaedia Metallum: The Metal Archives](https://www.metal-archives.com/labels/Parlophone/1113)
2. [A Brief Chronological History of EMI, Club Aristotle Cambridge](https://www.cac.org.uk/m100/emichron.html)
3. [Warner Music Group Completes Acquisition of Parlophone Label Group, Warner Music Group](https://www.wmg.com/news/warner-music-group-completes-acquisition-parlophone-label-group-19711)
4. [Historical Facts on EMI, Club Aristotle Cambridge](https://www.cac.org.uk/m100/emihist.html)
5. [EMI, Science Museum Group Collection](https://collection.sciencemuseumgroup.org.uk/people/ap19483/emi)
6. [Philip Yampolsky, music-industry study, University of Washington ResearchWorks](https://digital.lib.washington.edu/researchworks/bitstream/handle/1773/23576/Yampolsky.pdf?sequence=1)
7. [The Road to London, The Beatles: The Biography](https://erenow.org/biographies/the-beatles-the-biography/17.php)
8. [Label Variations: Parlophone Records, CVINYL](https://www.cvinyl.com/labelguides/parlophone.php)
9. [Warner Music Group Form 10-K excerpt, WMG Investor Relations](https://investors.wmg.com/static-files/5094e74a-bfa9-4bee-8f7e-49cefa49add7)
10. [Label Ownership, National Recording Preservation Plan, Library of Congress](https://www.loc.gov/programs/national-recording-preservation-plan/tools-and-resources/label-ownership/)
11. [Parlophone Records, Record Label Registry](https://www.recordlabelregistry.com/registry/parlophone-records)
12. [The 31 best rock reissues and deluxe editions of 2025, Louder](https://www.loudersound.com/bands-artists/the-31-best-reissues-of-2025)
13. [Parlophone Records, official website](https://www.parlophone.co.uk/)
14. [Warner Music Group News](https://www.wmg.com/news)
15. [Warner Music Group Investor Relations](https://investors.wmg.com/investor-relations/default.aspx)
16. [Mark Mitchell on the future of Parlophone, Music Week](https://www.musicweek.com/labels/read/there-s-huge-positivity-about-what-s-to-come-mark-mitchell-on-the-future-of-parlophone/072505)
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*Topic: Encyclopedia › Arts and culture › Music › Music institutions and events › Record labels and the music industry › Record labels › Major and historic record companies › EMI and its subsidiaries*
*Initially written Sep 17, 2026 · Reviewed: Sep 17, 2026; Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026 · Last review: Oct 25, 2026*
*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*
License: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license