# PRODUCE 101 JAPAN THE GIRLS

**PRODUCE 101 JAPAN THE GIRLS** (commonly abbreviated in Japanese as 日プ女子) was the third season of the Japanese survival audition series *[Produce 101 Japan](https://www.edgepedia.org/produce-101-japan-music)* and the first in the series to feature female contestants. Produced by LAPONE Entertainment, a joint venture of the Japanese entertainment company Yoshimoto Kogyo and the South Korean company CJ ENM, the show ended with a live finale on TBS on December 16, 2023, in which viewers, called "national producers," voted to select the 11 members of the debut girl group ME:I.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup>

| Key fact | Detail |
|---|---|
| Series position | Third installment of *Produce 101 Japan*; the first girls' edition of the Japanese series<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup><sup> • </sup><sup>[2](https://www.docomo.ne.jp/binary/pdf/info/news_release/topics_230424_01.pdf)</sup> |
| Organizer | LAPONE Entertainment, a joint venture of Yoshimoto Kogyo and CJ ENM<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> |
| Finale | Live broadcast on TBS, December 16, 2023<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> |
| Result | 11-member global girl group ME:I, chosen by national producer (viewer) votes<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> |
| Voting structure | Four ranking announcements; votes for 11 trainees in rounds 1 and 2, 2 trainees in round 3, and 1 trainee in the final; results reset each round; one vote per day during the voting period<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> |
| National producer representative | Kaela Kimura<sup>[3](https://www.hikaritv-docomo.jp/sources/all/pdf/user/guide_htv_202412.pdf)</sup> |

## Spoilers

### Plot

#### Episodes 1 to 4

The season runs under the theme "LEAP HIGH: your dream crosses time," and its first scene is the level-placement test. The 101 trainees file into the studio and perform one by one in front of the trainer panel: singer [Thelma Aoyama](https://www.edgepedia.org/thelma-aoyama), vocalist and actor [Lee Hong-gi](https://www.edgepedia.org/lee-hong-gi), rapper KEN THE 390, and choreographers Nakasone Rino and YUMEKI.<sup>[12](https://prtimes.jp/main/html/rd/p/000002735.000029501.html)</sup> Some are complete newcomers to auditions; others arrive with careers already behind them, including former idols and working actresses, and the contrast between raw beginners and polished veterans gives the first episodes their tension.<sup>[13](https://korepo.com/archives/1347814)</sup> Each girl is graded into ranks, A down to F, given the franchise's signature numbered pastel training uniforms, and immediately set against the girls around her. The premiere sent the words "日プ女子" and "国民プロデューサー" up the X trends alongside individual trainees' names, with viewers calling one performance "genius" and flagging others as ones to watch.<sup>[13](https://korepo.com/archives/1347814)</sup>

From there the machinery of the format takes over. The trainees are sorted into groups for a signal-song evaluation, then into team battles where two squads perform the same song head to head and the losing members absorb the damage in the next ranking announcement. The first ranking announcement culls the field, and the show keeps shrinking it through the position evaluations, in which each girl must fight for a vocal, dance, or rap spot in a performance. Among the veterans is Kasahara Momona (Momona), a former member of Hello! Project's ANGERME, who steps out of an established idol career and into the numbered uniform like everyone else, an unusual sight for a franchise built on unknowns.<sup>[14](https://encount.press/archives/556929/)</sup>

#### Episodes 5 to 8

The middle of the season belongs to the concept evaluation, the round this season staged differently from its predecessors: the five competing songs were released for streaming, and the performances were judged in Korea in front of global producers as well as the regular trainers.<sup>[12](https://prtimes.jp/main/html/rd/p/000002735.000029501.html)</sup> Trainees campaign for the concept they want, teams form around each song, and the round functions as a rehearsal for the debut group itself, since the winning performances preview what a ME:I stage could look like. Votes from the national audience accumulate in the background of every mission, and the second ranking announcement trims the roster again, with the show cutting between rehearsal rooms where girls who know they are below the line rehearse anyway.

#### Episodes 9 to 11

**The third ranking announcement is the episode people remember, because it upends the finale before the finale even begins.** Streamed on December 7, 2023, it is the last cut before the final stage, and it eliminates 15 of the 35 remaining trainees in one sitting, with cumulative votes of 7,429,902 drawn from a national vote, on-site votes from the global producers who attended the concept evaluation in Korea, and concept-evaluation benefits.<sup>[15](https://korepo.com/archives/1368299)</sup> Of the three announcements of the season it shows by far the most turnover: trainees who have hovered outside the debut range all series suddenly break in, and presumed locks slip out of it, sending the season's keywords trending again on social media.<sup>[15](https://korepo.com/archives/1368299)</sup> One seventeen-year-old learns on her birthday that she is outside the debut range, only to have the final count put her back inside it, and her sobbing reaction becomes one of the finale's defining images.<sup>[14](https://encount.press/archives/556929/)</sup> Kasahara Momona takes first place at this announcement too, positioning her as the presumptive center going into the last week.<sup>[14](https://encount.press/archives/556929/)</sup>

The final stage brings the surviving 20 trainees to a live broadcast on TBS at 2 p.m. on December 16, 2023, where they perform the season's closing ballad, with lyrics written by national producer representative Kimura Kaela herself, before the last votes are tallied.<sup>[15](https://korepo.com/archives/1368299)</sup> The fourth national vote runs from the evening of December 7 to the morning of December 16, with one vote per day on both the national and Lemino votes, and votes cast during the live finale counting double.<sup>[16](https://www.oricon.co.jp/news/2306991/full/)</sup> The final tally reaches 10,830,673 votes.<sup>[16](https://www.oricon.co.jp/news/2306991/full/)</sup> Kasahara Momona is confirmed first with 1,116,716 votes, followed by Murakami Rinon with 700,305, Takami Fumine with 686,868, Sakurai Miu with 655,210, and Yamamoto Suzu with 631,708, and the eleven names in order complete the debut group.<sup>[16](https://www.oricon.co.jp/news/2306991/full/)</sup> The group's name is announced on the same broadcast: ME:I, read "Mii-ai."

### Characters

- **Kasahara Momona** (herself), the season's winner. A 20-year-old former ANGERME member under Hello! Project, she is the rare contestant who arrives already famous, and she converts that experience into dominance: first at the third ranking announcement and first in the final, earning the center position in ME:I.<sup>[14](https://encount.press/archives/556929/)</sup>
- **Murakami Rinon** (herself), the 17-year-old runner-up with 700,305 final votes, who had ranked third at the third announcement and held her place through the finale's upheaval.<sup>[17](https://www.oricon.co.jp/special/66033/)</sup>
- **Takami Fumine** (herself), third in the final with 686,868 votes, up from fifth at the third ranking announcement.<sup>[17](https://www.oricon.co.jp/special/66033/)</sup>
- **Kimura Kaela** (herself), the singer who hosts as the representative of the national producers, delivering each ranking with the show's slow pacing, and writing the lyrics to the finalists' closing ballad.<sup>[14](https://encount.press/archives/556929/)</sup>
- **The trainer panel**: Thelma Aoyama, Lee Hong-gi, KEN THE 390, Nakasone Rino, and YUMEKI, who grade the level test, coach every mission, and decide the on-site evaluations while the public decides the rankings.<sup>[12](https://prtimes.jp/main/html/rd/p/000002735.000029501.html)</sup>

### Interpretations and controversies

The season's most debated moment is the third ranking announcement, whose unusually violent reshuffling of the debut range prompted viewers to argue over the weight given to on-site votes from the global producers in Korea and the concept-evaluation benefits, which for the first time fed into the cumulative totals alongside the national vote.<sup>[15](https://korepo.com/archives/1368299)</sup> The presence of former professional idols like Kasahara among the trainees also divided fans, some of whom argued the show's premise of discovering unknowns was diluted by contestants with existing careers.<sup>[13](https://korepo.com/archives/1347814)</sup>

### Sequels, spin-offs, and adaptations

PRODUCE 101 JAPAN THE GIRLS is the third Japanese installment of the franchise, following PRODUCE 101 JAPAN (2019), which formed JO1, and season 2 (2021), which formed INI, both under the Yoshimoto Kogyo and Lapone Entertainment partnership.<sup>[18](https://prtimes.jp/main/html/rd/p/000002417.000029501.html)</sup> The show itself is an adaptation of the South Korean format PRODUCE 101, and its product, ME:I, debuted under Lapone Entertainment after the finale.<sup>[19](https://kprofiles.com/produce-101-japan-the-girls-survival-show-contestants-profile/)</sup>

## Format and voting system

The show followed the *Produce 101* format established by the South Korean version broadcast on the music channel Mnet, which became a social phenomenon among Japanese audiences in their teens and twenties.<sup>[4](https://www.tbs.co.jp/produce101/)</sup> Trainees lived together in a training camp, took part in group battles and song performances, and viewers voted for the trainees they wanted to see debut.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup>

**Ranking announcements.** The season held four ranking announcements, with lower-ranked trainees eliminated at each one.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> The voting rules changed across the rounds: in the first and second national votes viewers selected 11 trainees, in the third vote they selected 2, and in the fourth and final vote they selected a single trainee. Vote totals were reset after each announcement, and during a voting period each viewer could vote once per day.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup>

The shrinking ballot was a deliberate design choice with visible effects on fan behavior. A study of the Japanese franchise's fandom noted that Japanese viewers preferred voting for individuals rather than groups, and that fans often voted to protect their favorites from elimination, causing weekly rank fluctuations.<sup>[5](https://reposit.sun.ac.jp/dspace/bitstream/10561/1602/1/v12p83_yoshimitsu.pdf)</sup>

## ME:I, the debut group

The finale on December 16, 2023 selected the 11 members who would debut as ME:I ([ミーアイ](https://www.edgepedia.org/me-i)), described as a global group.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> According to the group's official site, ME:I is a girl group selected by the "national producers" of the show, which it calls the first girls' version of Japan's largest survival audition program, and the name means "idols of the future" who represent the new Japanese generation.<sup>[6](https://cf.me-i.jp/)</sup> Members of the group include SUZU, RINON, AYANE, TSUZUMI, KEIKO, and MOMONA, among others.<sup>[6](https://cf.me-i.jp/)</sup>

## Vote-trading concerns

**Paid vote exchanges.** As the member announcement approached, the weekly magazine *Shukan Josei PRIME* reported that transactions around the show's voting had spread on social media, including PayPay money transfers and gifts of cosmetics in exchange for votes, prompting commentary on the risks involved.<sup>[7](https://www.jprime.jp/articles/print/30222)</sup> A commentary in the magazine Nikkan Cyzo framed the season around the question of whether such survival audition programs had turned voting into a "game."<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup>

The concern carried over to the franchise's later seasons. In March 2026, the official site of the fourth installment, *PRODUCE 101 JAPAN SHINSEKAI*, issued a warning after identifying social media posts about buying and selling votes for money, stating that voting is based on one vote per person, that selling, transferring, or delegating voting rights is strictly prohibited, and that confirmed violations would lead to invalidation of the relevant votes and possible legal action.<sup>[8](https://produce101.jp/news/detail/232?lang=en)</sup><sup> • </sup><sup>[9](https://www.sponichi.co.jp/entertainment/news/2026/03/12/kiji/20260312s00041000253000c.html)</sup>

## Context within the franchise

The Japanese series began in 2019 as a version of the Korean *Produce 101*, producing the boy groups JO1 in its first season and INI in its second.<sup>[1](https://www.cyzo.com/2024/01/post_361124_entry.html)</sup> That first year, amid a manipulation scandal in the Korean series in which producing director Ahn Joon Young reportedly admitted manipulating the rankings of *Produce 48* and *Produce X 101*, the Japanese operations department stated that *Produce 101 Japan* was independent of the Korean show, that its vote aggregation was carried out impartially in the presence of staff from several production companies, and that CJ ENM staff involved in the Korean vote manipulation were not working on the Japanese production.<sup>[10](https://www.soompi.com/article/1366549wpp/produce-101-japan-clarifies-its-vote-calculation-process-following-controversy-over-produce-101-series)</sup>

*THE GIRLS* marked the series' first female edition, a shift already announced in [NTT Docomo](https://www.edgepedia.org/ntt-docomo)'s April 2023 press release describing the third season as the first girl group audition of the Japanese series.<sup>[2](https://www.docomo.ne.jp/binary/pdf/info/news_release/topics_230424_01.pdf)</sup> Groups formed by the franchise have since appeared at the Kōhaku Uta Gassen and performed at the [Tokyo Dome](https://www.edgepedia.org/tokyo-dome), achievements cited in Japanese media scholarship on the show's impact.<sup>[11](https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/download.php/AA1121824X-20260300-0087.pdf?file_id=194725)</sup>

## References

1. [日プ女子は公平性とサバイバルオーディション番組「投票ゲーム化」の是非, Nikkan Cyzo (2024)](https://www.cyzo.com/2024/01/post_361124_entry.html)
2. [NTT Docomo news release on PRODUCE 101 JAPAN SEASON3 (April 24, 2023)](https://www.docomo.ne.jp/binary/pdf/info/news_release/topics_230424_01.pdf)
3. [ひかりTV for docomo program guide (2024)](https://www.hikaritv-docomo.jp/sources/all/pdf/user/guide_htv_202412.pdf)
4. [PRODUCE 101 JAPAN SEASON2, TBS Television official site](https://www.tbs.co.jp/produce101/)
5. [Yoshimitsu, 'East Asian Review' No. 12, University of Nagasaki (2020)](https://reposit.sun.ac.jp/dspace/bitstream/10561/1602/1/v12p83_yoshimitsu.pdf)
6. [ME:I OFFICIAL SITE](https://cf.me-i.jp/)
7. [メンバー発表迫る『PRODUCE 101 JAPAN THE GIRLS』推しへの"投票"めぐり取引横行, Shukan Josei PRIME](https://www.jprime.jp/articles/print/30222)
8. [[Important Notice] Warning Regarding Voting, PRODUCE 101 JAPAN official news (2026)](https://produce101.jp/news/detail/232?lang=en)
9. [日プ新世界 投票権の売買等は「一切認めておりません」, Sponichi Annex (2026)](https://www.sponichi.co.jp/entertainment/news/2026/03/12/kiji/20260312s00041000253000c.html)
10. ["Produce 101 Japan" Clarifies Its Vote Calculation Process Following Controversy Over "Produce 101" Series, Soompi (2019)](https://www.soompi.com/article/1366549wpp/produce-101-japan-clarifies-its-vote-calculation-process-following-controversy-over-produce-101-series)
11. [メディア・コミュニケーション No. 76, Keio University (2026)](https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/download.php/AA1121824X-20260300-0087.pdf?file_id=194725)
12. [https://prtimes.jp/main/html/rd/p/000002735.000029501.html](https://prtimes.jp/main/html/rd/p/000002735.000029501.html)
13. [https://korepo.com/archives/1347814](https://korepo.com/archives/1347814)
14. [https://encount.press/archives/556929/](https://encount.press/archives/556929/)
15. [https://korepo.com/archives/1368299](https://korepo.com/archives/1368299)
16. [https://www.oricon.co.jp/news/2306991/full/](https://www.oricon.co.jp/news/2306991/full/)
17. [https://www.oricon.co.jp/special/66033/](https://www.oricon.co.jp/special/66033/)
18. [https://prtimes.jp/main/html/rd/p/000002417.000029501.html](https://prtimes.jp/main/html/rd/p/000002417.000029501.html)
19. [https://kprofiles.com/produce-101-japan-the-girls-survival-show-contestants-profile/](https://kprofiles.com/produce-101-japan-the-girls-survival-show-contestants-profile/)

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*Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Series and fictional screen worlds › Unscripted, reality, and web-native series › Reality and competition franchise editions › Reality and competition franchises — overview and format history*

*Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026*

*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*

License: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license