# Sleeping with Sirens
**Sleeping with Sirens** is an American post-hardcore band formed in [Orlando, Florida](https://www.edgepedia.org/orlando-florida), in 2009, known for frontman [Kellin Quinn](https://www.edgepedia.org/kellin-quinn)'s unusually high, melodic voice and for becoming one of the defining acts of the 2010s post-hardcore wave[1](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/). Falling on the more melodic side of the post-hardcore world, the band blends yearning and aggressive elements of metal and emo influences[2](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840). Their third album, *Feel* (2013), debuted at number 3 on the [Billboard](https://www.edgepedia.org/billboard-magazine) 200, one of the highest chart placements a post-hardcore band managed during that era[1](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/).
| Key fact | Detail |
|---|---|
| Formed | Orlando, Florida, 2009[1](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/) |
| Frontman | Kellin Quinn, vocalist and the band's sole remaining founding member[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn) |
| Debut album | *With Ears to See and Eyes to Hear* (2010), debuted at number 7 on the Billboard Top Heatseekers chart and sold over 25,000 copies[2](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840) |
| Commercial peak | *Feel* (2013), number 3 on the Billboard 200[1](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/) |
| Signature award | "Kick Me" won the Alternative Press Music Award for Song of the Year in 2015[4](https://shapes.inc/fandom/sleeping-with-sirens/timeline) |
| Latest album | *An Ending in Itself* (June 12, 2026, Rise Records), 12 songs in 44 minutes, produced by Will Yip[5](https://music.apple.com/us/album/an-ending-in-itself/1890528931) • [6](https://www.kerrang.com/album-review-sleeping-with-sirens-an-ending-in-itself) |
## Formation and early years
The band's founding core included Kellin Quinn, who became the primary vocalist and public face, alongside a rotating lineup of instrumentalists[7](https://rock-atlas.com/charts/bands/sleeping-with-sirens/). Quinn is the band's sole remaining founding member[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn). According to Quinn's recollection of the band's origins, early demos were recorded with Cameron Mizell, then the go-to producer for [Rise Records](https://www.edgepedia.org/rise-records), after original guitarist Nick Trombino brought Quinn in from Oregon[8](https://www.altpress.com/kellin-quinn-sleeping-with-sirens-with-ears-to-see-and-eyes-to-hear-10-year-anniversary/).
The band signed to Rise Records in 2010 and released the debut album *With Ears to See and Eyes to Hear*, which established the sonic blueprint of layered vocals, post-hardcore guitar work, and production emphasizing accessibility alongside heaviness[9](https://www.sonymusic.co.jp/artist/sleepingwithsirens/profile/) • [7](https://rock-atlas.com/charts/bands/sleeping-with-sirens/). With this record, the band reached the Billboard Heatseekers chart for the first time, entering at number seven while moving more than 25,000 units.[2](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840) The follow-up, *Let's Cheers to This* (2011), debuted at number 78 on the US chart[9](https://www.sonymusic.co.jp/artist/sleepingwithsirens/profile/). Quinn has described it as the record that "kicked the door open" for the band, though he views it as a collection of songs that do not always feel cohesive[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn).
## Breakthrough and chart peak
*Feel*, released in 2013, became the band's highest-charting album to date, debuting at number 3 on the Billboard 200[4](https://shapes.inc/fandom/sleeping-with-sirens/timeline) • [1](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/). Its lead single, "Alone", showcased an experimental blend of post-hardcore and hip-hop elements[4](https://shapes.inc/fandom/sleeping-with-sirens/timeline). Quinn later said the band was not prepared for the pressure after *Let's Cheers to This* and "hammered through" the making of *Feel*, which he ranks fourth among the band's first six records[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn).
In 2014 the band announced a move to [Epitaph Records](https://www.edgepedia.org/epitaph-records), described by Sony Music Japan's profile as the world's largest indie label, and released *Madness* there in 2015[9](https://www.sonymusic.co.jp/artist/sleepingwithsirens/profile/). The album marked a shift toward a polished, anthemic rock sound with singles like "Kick Me" and "The Strays"; "Kick Me" won the Alternative Press Music Award for Song of the Year in 2015[4](https://shapes.inc/fandom/sleeping-with-sirens/timeline). Quinn ranks *Madness* first among the band's first six albums, crediting the scrapped sessions that led to writing "Kick Me" with producer [John Feldmann](https://www.edgepedia.org/john-feldmann), and noting that the album introduced him to Joel and [Benji Madden](https://www.edgepedia.org/benji-madden), who became the band's managers[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn).
## Sound and voice
The band's sound centers on Quinn's high-tone tenor voice and catchy, expressive songwriting[9](https://www.sonymusic.co.jp/artist/sleepingwithsirens/profile/). On the first album, Quinn combined his singing with high-pitched shrieks that placed the band firmly in the post-hardcore genre, while later records moved away from the stereotypical breakdown-chorus song structure[10](https://newuniversity.org/2011/05/17/lets-cheer-to-sirens/). Commentators describe the overall sound as a blend of post-hardcore and alternative rock with sprinkles of pop punk and occasional hints of metalcore[11](https://www.sputnikmusic.com/review/90927/Sleeping-With-Sirens-An-Ending-in-Itself/). The band came up at a time when the lines separating metalcore, post-hardcore, pop-punk, and mainstream alternative rock were growing ever easier to cross, and it thrived in that space[7](https://rock-atlas.com/charts/bands/sleeping-with-sirens/).
## Later albums and An Ending in Itself
The band's later discography includes *Gossip* (2017), which Quinn ranks last among the first six records, describing its creation as forced and associated with a rough period in his life[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn), and *How It Feels to Be Lost* (2019), which he credits with opening doors for the band again and inspiring him to stay in the band's lane[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn). A five-song EP, *Sleeping with Sirens on Audiotree Live*, arrived in 2024[2](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840).
**An Ending in Itself.** The eighth album, *[An Ending in Itself](https://www.edgepedia.org/an-ending-in-itself)*, was released on June 12, 2026, through Rise Records, running 12 songs in 44 minutes[5](https://music.apple.com/us/album/an-ending-in-itself/1890528931). It features additional guitarist Tony Pizzuti of the Word Alive, and the band refers to it as the final piece of a trilogy with *How It Feels to Be Lost* and *Complete Collapse* (2022)[2](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840). Produced by Will Yip, known for helming rawer rock records, the album drew a 4/5 verdict from Kerrang!, whose review called it some of the best music the band has made a decade and a half into their career, highlighting the waltz-like "Forever/Always", the rap-like delivery on "Left On Repeat", and the faith-themed finale "God In My Head"[6](https://www.kerrang.com/album-review-sleeping-with-sirens-an-ending-in-itself). The official track list also includes "House Of Matches", "Paralyzed", "Process", "PTSD", and "Storm Clouds"[12](https://sirensmusic.co/).
In October 2025 the band was announced as a headliner for the 2026 When We Were Young Festival in Las Vegas[4](https://shapes.inc/fandom/sleeping-with-sirens/timeline), and a UK and Europe headline tour for 2027, their first in four years, was announced in support of the new album[3](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn).
## References
1. [Sleeping With Sirens Guide, Infectious Magazine](https://infectiousmagazine.com/bands-genre/sleeping-with-sirens-guide/)
2. [Sleeping with Sirens — Biography, Discography, Albums & Expert Reviews, AllMusic](https://www.allmusic.com/artist/sleeping-with-sirens-mn0002397840)
3. [Sleeping With Sirens albums ranked from worst to best by Kellin Quinn, Kerrang!](https://www.kerrang.com/sleeping-with-sirens-albums-ranked-by-kellin-quinn)
4. [Sleeping with Sirens Timeline — Complete Chronology, Shapes](https://shapes.inc/fandom/sleeping-with-sirens/timeline)
5. [An Ending In Itself — Album by Sleeping With Sirens, Apple Music](https://music.apple.com/us/album/an-ending-in-itself/1890528931)
6. [Album review: Sleeping With Sirens – An Ending In Itself, Kerrang!](https://www.kerrang.com/album-review-sleeping-with-sirens-an-ending-in-itself)
7. [Sleeping with Sirens — Complete Band History and Legacy, Rock Atlas](https://rock-atlas.com/charts/bands/sleeping-with-sirens/)
8. [Kellin Quinn reflects on Sleeping With Sirens debut album, 10 years later, Alternative Press](https://www.altpress.com/kellin-quinn-sleeping-with-sirens-with-ears-to-see-and-eyes-to-hear-10-year-anniversary/)
9. [スリーピング･ウィズ･サイレンズ プロフィール, Sony Music Japan](https://www.sonymusic.co.jp/artist/sleepingwithsirens/profile/)
10. ['Let's Cheer' to Sirens, New University](https://newuniversity.org/2011/05/17/lets-cheer-to-sirens/)
11. [Review: Sleeping With Sirens – An Ending in Itself, Sputnikmusic](https://www.sputnikmusic.com/review/90927/Sleeping-With-Sirens-An-Ending-in-Itself/)
12. [Sleeping with Sirens Official Website](https://sirensmusic.co/)
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*Topic: Encyclopedia › Arts and culture › Music › Musicians and ensembles › Ensembles and groups › Rock, pop, and metal bands › Metal, hardcore, and punk bands › Metalcore and deathcore bands*
*Initially written Sep 17, 2026 · Reviewed: Sep 17, 2026; Sep 30, 2026; Oct 25, 2026 · Edited: Sep 30, 2026; Oct 25, 2026 · Last review: Oct 25, 2026*
*Copyright 2026 EdgeChat AI, a subsidiary of Biostate AI.*
License: Edgepedia Community License 1.0, https://www.edgepedia.org/edgepedia/license