Summer Stock
Summer Stock is a 1950 American musical film from Metro-Goldwyn-Mayer directed by Charles Walters, in which farm owner Jane Falbury lets her sister's theatrical troupe rehearse in the family barn and falls for the troupe's director, played by Gene Kelly opposite Judy Garland. It was the third and final screen pairing of Garland and Kelly, after For Me and My Gal (1942) and The Pirate (1948), and it is remembered for two solo numbers: Garland's "Get Happy" and Kelly's improvised dance with a squeaky floorboard and a newspaper.1 • 2
| Key fact | Detail |
|---|---|
| Release | August 31, 1950 (limited), released by MGM; running time 108 minutes3 |
| Director and producer | Charles Walters; produced by Joe Pasternak4 |
| Writers | George Wells and Sy Gomberg, from Gomberg's original screenplay optioned by MGM in December 19484 |
| Cast | Judy Garland (Jane Falbury), Gene Kelly (Joe D. Ross), Eddie Bracken, Gloria DeHaven, Marjorie Main, Phil Silvers, Ray Collins, Carleton Carpenter, Hans Conried3 |
| Production span | Rehearsals and recording from October 1949; filming began November 21, 1949 and ended April 5, 19505 |
| Cost and earnings | Production cost $2,024,848; initial box office $3,357,0005 |
| Music | Songs mostly by Harry Warren and Mack Gordon, with the interpolated 1930 standard "Get Happy" by Harold Arlen and Ted Koehler2 • 1 |
| British title | If You Feel Like Singing, used for the original 1950 UK cinema release6 |
Spoilers
Story
Jane Falbury (Judy Garland) struggles to keep her family farm going in rural Connecticut while her sister Abigail (Gloria DeHaven) tours with a stock theater company. Abigail returns unannounced with the whole troupe and plans to convert the family barn into a venue for a musical revue. Jane at first resists, then agrees to let the actors stay in exchange for help with farm chores. Her reluctance turns to attraction as she falls for the troupe's director, Joe D. Ross (Gene Kelly), who is Abigail's fiancé; in one plot turn, Joe sells his car to buy Jane a new tractor. When Abigail quits the show, Jane takes her place and joins the performance herself.7 • 8
The supporting cast includes Eddie Bracken as Orville Wingait, Marjorie Main as Esmé, Phil Silvers as Herb Blake, Ray Collins as Jasper G. Wingait, Carleton Carpenter as Artie, and Hans Conried as Harrison I. Keath.3
Production history
The film was Garland's first picture after MGM suspended her on May 10, 1949 during the filming of Annie Get Your Gun, from which she was fired and replaced by Betty Hutton. Following the suspension she spent nearly three months at a Boston hospital being treated for drug dependency.4 Busby Berkeley was the first director assigned to the film and was replaced by Charles Walters before production began; Walter Plunkett also replaced Helen Rose as head costume designer during preparation.4
Producer Joe Pasternak had initially wanted Mickey Rooney opposite Garland, but because Rooney was no longer considered the box office draw he had once been, Kelly was cast instead. According to the AFI Catalog's account of modern sources, Kelly and Walters disliked the script but agreed to do the film as a personal favor to Garland, whose career was near collapse. After three weeks of production, Pasternak, frustrated by Garland's frequent delays and erratic behavior, tried to abandon the picture; MGM production chief Louis B. Mayer refused to allow it to be halted and insisted that Pasternak give Garland another chance. Delays continued, compounded by Garland's rapid gain in weight.4
A planned number called "Heavenly Music," which was to have featured Garland with Kelly and Phil Silvers, was filmed without her after she failed to show up on the set.4
"Get Happy" and the newspaper dance
The film's two most celebrated moments are both solos. Garland's "Get Happy", a 1930 Harold Arlen and Ted Koehler song interpolated into the Warren-Gordon score, closes the film: she wears a fedora and tights and is backed by male dancers, and critics have called it one of the definitive performances of her career.1 • 9 The number was one of the last items on the production schedule and was shot nearly three months after Garland had filmed her other scenes; during those months she was treated by a hypnotist for weight loss and lost several pounds, which accounts for her noticeably trimmer appearance in the number. A March 1950 news item noted that the number, originally to have been directed by dance director Nick Castle, was instead directed by Walters.4
Kelly's counterpart is an improvised late-night routine in the barn built around a creaky floorboard and a discarded newspaper, which grows into an intricate five-minute dance as the music reprises the ballad "You Wonderful You" from earlier in the film. Film Society of Lincoln Center notes describe it as often considered one of Kelly's most imaginative numbers, integrating the dance with the surrounding space and the larger narrative.9 • 2
Reception and afterlife
On Rotten Tomatoes the film holds a 100% Tomatometer from seven critics and an 83% Popcornmeter score from more than 5,000 user ratings; IMDb users give it 7.1 out of 10.7 • 8 Reviewers have singled out the pairing of the two stars and the dance sequences; the Film Society of Lincoln Center calls it perhaps the most entertaining of all the "show in a barn" motion pictures.2 The film earned $3,357,000 in its initial release against a production cost of $2,024,848.5
The film is frequently described as Garland's last musical for MGM, the studio she had worked at since her teens; a 2024 book on the production calls "Get Happy" her "swan song to MGM."10 • 11 Warner Home Video released it on home video on April 25, 2006.3 In the United Kingdom, where it was retitled If You Feel Like Singing, it remained unavailable on home video until a BFI Player presentation.6
The barn-theater premise returned to the stage in a musical adaptation with book and additional lyrics by Cheri Steinkellner, which premiered at the Goodspeed Opera House and expands the film's score with additional American songbook standards alongside three surviving Warren-Gordon songs and "Get Happy."1 • 12
References
- Summer Musicals: Summer Stock and Gypsy, Critics At Large (July 31, 2023)
- Summer Stock, Film Society of Lincoln Center
- Summer Stock (1950), The Numbers
- Summer Stock (1950), AFI Catalog of Feature Films
- Summer Stock, The Judy Room
- Watch Summer Stock (If You Feel Like Singing), BFI Player
- Summer Stock, Rotten Tomatoes
- Summer Stock streaming: where to watch movie online, JustWatch
- Summer Stock, Larsen On Film
- Summer Stock in a Heat Wave, The Miss O' Show (July 18, 2024)
- Interview with David Fantle and Tom Johnson, authors of C'mon, Get Happy: The Making of Summer Stock, Film Matters Magazine (April 9, 2024)
- Summer Stock, Playbill
Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Films and standalone screen works › Individual films by title and year › Musical and music films (individual works) › Musical films of the 1930s to 1960s
Initially written Oct 3, 2026 · Reviewed: Oct 3, 2026; Oct 25, 2026 · Edited: Oct 3, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026
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