# Ultravox
**Ultravox** is a British synth-pop band formed in London in 1973 and first known on record as Ultravox!, whose two eras, led in turn by [John Foxx](https://www.edgepedia.org/john-foxx) and [Midge Ure](https://www.edgepedia.org/midge-ure), made it one of the primary influences on the British electro-pop movement of the early 1980s.[1](https://www.allmusic.com/artist/ultravox-p5726) The Foxx-fronted band released three albums on [Island Records](https://www.edgepedia.org/island-records) between 1977 and 1978 that sold poorly but shaped the coming synth-pop decade; the Ure-fronted band, signed to Chrysalis, scored a surprise smash with "Sleepwalk" and the album *Vienna* in 1980.[1](https://www.allmusic.com/artist/ultravox-p5726)
| Key fact | Detail |
|---|---|
| Origin | Formed in London in 1973; operated as Tiger Lily from 1973 before adopting the name Ultravox • [2](https://www.classicpopmag.com/features/artist-features/ultravox-the-complete-guide/) |
| Leadership change | John Foxx (vocals, 1974–78) left in March 1979; Midge Ure took over as lead singer, guitarist, and frontman on 1 November 1979[3](https://chart-history.net/cc/cc-ultravox.pdf) • [4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) |
| Breakthrough | *Vienna* (11 July 1980, Chrysalis), produced by Ultravox with Conny Plank; single "Sleepwalk" reached number two on the UK chart in 1981 and pushed the LP into the Top Five[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) • [1](https://www.allmusic.com/artist/ultravox-p5726) |
| Chart peak | *Quartet* (15 October 1982), produced by George Martin, reached number 6 in the UK and 61 in the US[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) |
| Later incarnations | Vocalists Tony Fennelle (*Revelation*, 1993) and Sam Blue (*Ingenuity*, 1994), by which time Billy Currie was the only remaining original member[5](https://www.electricityclub.co.uk/new-europeans-the-legacy-of-ultravox/) |
| Reunion | Revived in 2009 with the *Vienna*-era lineup for the Return to Eden Tour[6](https://www.universalmusic.fr/artistes/20000161609) |
| Death of a founder | Bassist Chris Cross (Chris Allen) was reported by the band's official site in October 2024[7](https://www.ultravox.org.uk/news.shtml) |
## Origins and the Foxx era
The band began life in 1973 as **Tiger Lily**, a glam rock group whose influences, [David Bowie](https://www.edgepedia.org/david-bowie), Roxy Music, and the [New York Dolls](https://www.edgepedia.org/new-york-dolls), it wore, in the Classic Pop account, a little too literally. Tiger Lily released one single, a cover of [Fats Waller](https://www.edgepedia.org/fats-waller)'s "Ain't Misbehavin'", before developing a style of its own, signing to Island Records, and adopting the name Ultravox The initial lineup consisted of vocalist and keyboardist John Foxx (born Dennis Leigh), bassist Chris Cross, keyboardist and violinist Billy Currie, guitarist Steve Shears, and drummer Warren Cann.[1](https://www.allmusic.com/artist/ultravox-p5726)
Their affection for glam rock brought them little respect from audiences caught up in the growing fervor of punk, but Island signed the quintet in 1977 anyway, with [Brian Eno](https://www.edgepedia.org/brian-eno) agreeing to produce the self-titled debut *Ultravox!*, released on 25 February 1977 and co-produced with [Steve Lillywhite](https://www.edgepedia.org/steve-lillywhite) and the band.[1](https://www.allmusic.com/artist/ultravox-p5726) • [4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) A minor UK hit with the single "My Sex" followed, and *Ha! Ha! Ha!* appeared in October 1977.[1](https://www.allmusic.com/artist/ultravox-p5726) • [4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296)
**Systems of Romance.** The third album, produced by [Conny Plank](https://www.edgepedia.org/conny-plank) and released in September 1978, fused the band's pop vision with spare, crystalline electronic sound in the Trouser Press description, and pushed the band away from its punk beginnings.[8](https://trouserpress.com/reviews/ultravox/) • [4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) It did not sell: Island dropped the band, and Foxx, Cann, Cross, guitarist Robin Simon (who had replaced Shears in 1977), and Currie undertook a self-financed tour of the United States. During that tour Foxx quit, telling Vice: "I gave them the Ultravox name and caught a plane back to London and my wee store of synthesizers."[9](https://www.musicradar.com/artists/it-was-too-long-too-slow-too-boring-and-it-had-a-viola-solo-it-was-the-antithesis-of-a-single-midge-ure-talks-us-through-the-making-of-ultravoxs-iconic-vienna)
The Foxx era left a substantial legacy despite its sales. [Gary Numan](https://www.edgepedia.org/gary-numan) described *Systems of Romance* as his single biggest inspiration, and that era is regarded by many as the blueprint for the synth-pop dominated chart landscape of the ensuing decade.[9](https://www.musicradar.com/artists/it-was-too-long-too-slow-too-boring-and-it-had-a-viola-solo-it-was-the-antithesis-of-a-single-midge-ure-talks-us-through-the-making-of-ultravoxs-iconic-vienna) In one retrospective view, Ultravox was unique among the big names of its time in combining a strongly synthesizer-based sound with a more conventional rock background, and the Trouser Press Record Guide characterizes the synth-pop genre into pre- and post-Ultravox eras.[10](https://groups.google.com/g/rec.music.misc/c/tu-UWnzUfMs)
## The Midge Ure era
Currie, who had begun working with the [Steve Strange](https://www.edgepedia.org/steve-strange)-helmed project Visage, recruited the Scottish singer and multi-instrumentalist Midge Ure, already an alumnus of Slik and [Glen Matlock](https://www.edgepedia.org/glen-matlock)'s Rich Kids.[9](https://www.musicradar.com/artists/it-was-too-long-too-slow-too-boring-and-it-had-a-viola-solo-it-was-the-antithesis-of-a-single-midge-ure-talks-us-through-the-making-of-ultravoxs-iconic-vienna) • [1](https://www.allmusic.com/artist/ultravox-p5726) Ure joined at the encouragement of drummer Rusty Egan following the first Visage sessions at Genetic Studios, which had included Currie.[5](https://www.electricityclub.co.uk/new-europeans-the-legacy-of-ultravox/) Foxx had left in March 1979 to pursue a solo career, and Ure officially took over as lead singer, guitarist, and frontman on 1 November 1979.[3](https://chart-history.net/cc/cc-ultravox.pdf) Upon signing to Chrysalis, the new lineup recorded *Vienna*, released on 11 July 1980 and produced by Ultravox with Conny Plank.[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296)
The album delivered a surprise smash hit. The single "Sleepwalk" reached number two on the UK pop chart in 1981 and pushed the LP into the [Top Five](https://www.edgepedia.org/top-five).[1](https://www.allmusic.com/artist/ultravox-p5726) The title track "Vienna", which Ure described as deliberately against the grain, "too long, too slow, too boring and it had a viola solo... the antithesis of a single", was kept off the number one position in several countries, in the account of its singer [Joe Dolce](https://www.edgepedia.org/joe-dolce).[9](https://www.musicradar.com/artists/it-was-too-long-too-slow-too-boring-and-it-had-a-viola-solo-it-was-the-antithesis-of-a-single-midge-ure-talks-us-through-the-making-of-ultravoxs-iconic-vienna)
**Sustained success.** *Rage in Eden* followed on 11 September 1981, again produced by Ultravox with Conny Plank and reaching number 4 in the UK. For *Quartet* (15 October 1982) the band instead used producer [George Martin](https://www.edgepedia.org/george-martin), and the album reached number 6 in the UK and 61 in the US; the *Monument* soundtrack followed in October 1983, and *Lament* in 1984.[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) The greatest-hits compilation *The Collection* (1984) benefited directly from the surge in record shop visits in late 1984, as buyers purchased Band Aid's "Do They Know It's Christmas?", co-organized at Sarm West Studios in London on 25 November 1984 by Bob Geldof and Ure.[11](https://www.loudersound.com/music/albums/ultravox-collection-deluxe-edition) • [12](https://los40.com/2024/11/25/el-dia-en-que-las-principales-estrellas-del-pop-britanico-se-juntaron-para-cantar-contra-el-hambre-en-africa/) Ure remained with the band through 1987, with Mark Brzezicki replacing Cann on drums from 1986.[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296)
## Sound and influence
The band's identity rested on electronic instruments played with rock-band discipline. Billy Currie's synthesizer work became a recognizable musical voice, while Warren Cann's use of electronic percussion helped give the band its distinctive rhythmic identity.[13](https://www.thatericalper.com/2026/09/30/how-ultravox-helped-invent-the-synth-pop-blueprint/) Critics split on the results: Robert Christgau, the American music critic behind the Consumer Guide, graded *Ultravox!* B and *Systems of Romance* B+ but *Vienna* and *Quartet* C, and the Washington Post in 1983 described the group as a synth-pop quartet "with a dazzling mechanical heart" under immaculate George Martin production while faulting *Quartet* for hooks "sabotaged by ponderous beats".[14](https://www.robertchristgau.com/get_artist.php?id=1638) • [15](https://www.washingtonpost.com/archive/lifestyle/1983/03/25/ultravox-shades-of-moody-blues/37d61b26-2e19-464b-909d-993b434b7cf6)
The band's reach extended beyond sales. Together with the Human League, Ultravox came on the scene in the late 1970s with a heavily synthesized approach inspired by Kraftwerk and Brian Eno, in music that often sounded icy and bleak.[16](https://synthandswagger.com/synthpop-branches-out) Later musicians, Mica Hilson, an associate professor at the American University of Armenia, notes in a 2020 study of 1980s synthpop, grew up making little distinction between Ultravox and R.E.M., a measure of how thoroughly the band's sound had been absorbed.[17](https://www.degenere-journal.it/index.php/degenere/article/download/136/136)
## Later incarnations
After the end of the Ure lineup, the name passed through diminishing configurations: vocalist Tony Fennelle recorded *Revelation* (1993) and vocalist Sam Blue recorded *Ingenuity* (1994), by which point Billy Currie was the only remaining original member.[4](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296) • [5](https://www.electricityclub.co.uk/new-europeans-the-legacy-of-ultravox/) Endless debates, as the Electricity Club feature puts it, continue over whether the John Foxx or Midge Ure Ultravox is the valid and definitive one.[5](https://www.electricityclub.co.uk/new-europeans-the-legacy-of-ultravox/)
In 2009 the band revived the *Vienna*-era lineup for the Return to Eden Tour, and archival and remastered releases followed for years afterward: a Record Store Day *Quartet* exclusive in 2023, *Lament* anniversary material and a Chris Cross charity auction in 2024, *The Collection* Deluxe Edition and a new release of "Love's Great Adventure" in 2025, and Record Store Day activity with new Billy Currie and Midge Ure albums in 2026.[6](https://www.universalmusic.fr/artistes/20000161609) • [7](https://www.ultravox.org.uk/news.shtml)
## References
1. [Ultravox Biography, Discography, Albums & Expert Reviews, AllMusic](https://www.allmusic.com/artist/ultravox-p5726)
2. [Ultravox – The Complete Guide, Classic Pop Magazine](https://www.classicpopmag.com/features/artist-features/ultravox-the-complete-guide/)
3. [Ultravox Chart Chronology, chart-history.net](https://chart-history.net/cc/cc-ultravox.pdf)
4. [Ultravox, Ultimate Music Database](https://www.umdmusic.com/default.asp?Lang=English&Umd=U18296)
5. [New Europeans: The Legacy of ULTRAVOX, Electricity Club](https://www.electricityclub.co.uk/new-europeans-the-legacy-of-ultravox/)
6. [Ultravox, Universal Music France](https://www.universalmusic.fr/artistes/20000161609)
7. [Extreme Voice – the Official Ultravox Website, Latest News](https://www.ultravox.org.uk/news.shtml)
8. [Ultravox, Trouser Press](https://trouserpress.com/reviews/ultravox/)
9. ["It was too long, too slow, too boring and it had a viola solo... It was the antithesis of a single": Midge Ure talks us through the making of Ultravox's iconic Vienna, MusicRadar](https://www.musicradar.com/artists/it-was-too-long-too-slow-too-boring-and-it-had-a-viola-solo-it-was-the-antithesis-of-a-single-midge-ure-talks-us-through-the-making-of-ultravoxs-iconic-vienna)
10. [Review: Ultravox – Ultravox!/Ha! Ha! Ha!/Systems Of Romance, Al Crawford, rec.music.misc (Google Groups)](https://groups.google.com/g/rec.music.misc/c/tu-UWnzUfMs)
11. ["Originally a career-staller, this version really is essential": Ultravox's The Collection – Deluxe Edition, Louder](https://www.loudersound.com/music/albums/ultravox-collection-deluxe-edition)
12. [El día en que las principales estrellas del pop británico se juntaron para cantar contra el hambre en África, Los40](https://los40.com/2024/11/25/el-dia-en-que-las-principales-estrellas-del-pop-britanico-se-juntaron-para-cantar-contra-el-hambre-en-africa/)
13. [How Ultravox Helped Invent The Synth-Pop Blueprint, That Eric Alper](https://www.thatericalper.com/2026/09/30/how-ultravox-helped-invent-the-synth-pop-blueprint/)
14. [Robert Christgau Consumer Guide: Ultravox](https://www.robertchristgau.com/get_artist.php?id=1638)
15. [Ultravox: Shades Of Moody Blues, The Washington Post (1983)](https://www.washingtonpost.com/archive/lifestyle/1983/03/25/ultravox-shades-of-moody-blues/37d61b26-2e19-464b-909d-993b434b7cf6)
16. [Synthpop Branches Out, Synth & Swagger](https://synthandswagger.com/synthpop-branches-out)
17. [Mica Hilson, "The Damned Don't Cry": Melancholia and White British Masculinity in 1980s Synthpop Music, de genere 6 (2020)](https://www.degenere-journal.it/index.php/degenere/article/download/136/136)
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*Topic: Encyclopedia › Arts and culture › Music › Musicians and ensembles › Ensembles and groups › Rock, pop, and metal bands › Rock, indie, and pop groups › Indie and alternative bands › Post-punk and new wave bands › New wave and synth-pop bands*
*Initially written Sep 17, 2026 · Reviewed: Sep 30, 2026; Oct 25, 2026 · Edited: Sep 30, 2026; Oct 25, 2026 · Last review: Oct 25, 2026*
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