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Under the Microscope (显微镜下的大明之丝绢案)

Under the Microscope (显微镜下的大明之丝绢案, "Under the Microscope: The Silk Reel Case of Daming") is a 14-episode Chinese costume mystery drama that premiered exclusively on the streaming platform iQIYI on 9 February 2023 and concluded on 19 February 20231 • 2. Directed by Pan Anzi and written by the novelist Ma Boyong with Zhou Rongyang, it stars Zhang Ruoyun, Wang Yang, and Qi Wei, with Wu Gang and Gao Yalin in special roles and Fei Qiming in a leading supporting part1. The series adapts the first story in Ma Boyong's nonfiction collection Under the Microscope (《显微镜下的大明》), the essay "学霸必须死——徽州丝绢案始末" ("The Top Student Must Die: The Full Story of the Huizhou Silk Reel Case"), and it was the first work on which Ma Boyong served as a screenwriter2 • 3.

Key factDetail
Format14-episode costume "short drama" (短剧), iQIYI exclusive, one episode per day for VIP members from 9 February 20231
ProductionProduced by iQIYI with Liubai Film & TV; directed by Pan Anzi; written by Ma Boyong and Zhou Rongyang1
SourceFirst story of Ma Boyong's nonfiction collection Under the Microscope: "学霸必须死——徽州丝绢案始末"2
Plot premiseThe math-obsessed clerk Shuai Jiamo discovers his county has borne a silk tax owed by eight counties for over a century, and pursues correction up the administrative ladder1
ReceptionDouban 7.8 at opening and 7.9 at the finale; iQIYI heat value passed 8866 within three days; Weibo main topic over 900 million reads4 • 5
Official recognitionListed by the National Radio and Television Administration among outstanding online audiovisual works of 20236
Overseas releaseBroadcast in Japan on WOWOW under the title 天地に問う~Under the Microscope~, followed by a seven-volume DVD release7

Spoilers

Plot and adaptation

The series follows Shuai Jiamo (帅家默, played by Zhang Ruoyun), a mathematics obsessive who, while checking tax registers in the county yamen (Chinese county government office under imperial rule) of Renhua in the fictional Jin'an prefecture, finds that his county has alone paid a "poll-tax silk" (人丁丝绢) levy that should have been shared among eight counties for more than a hundred years1 • 11. His attempt to correct the record runs from the county court up through the prefecture and higher offices, drawing litigator Cheng Renqing (程仁清, Wang Yang), the Feng siblings (Qi Wei and Fei Qiming), and a web of magistrates, gentry, and fiscal interests into the dispute1.

A difficult adaptation. Ma Boyong initially thought a screen version was not feasible. The original essay consists largely of meeting records and argumentation, without the dramatic structure of a novel, and the production company Liubai ultimately pressed him to write the screenplay himself3 • 12. He spent five months on the script, rebuilding characters whose personalities and motives the archival record leaves unclear, and inventing the comic sidekick Feng Baoyu, who grew from a functional supporting part into a member of the protagonist group as the writing progressed4. Because the story turns on policy discussion and bureaucratic relations that are hard to dramatize, he added light comedy elements, which he compared to adding a little sugar in cooking, not for sweetness but to bring out flavor4.

The adaptation also renamed and reshaped the historical figures: the original protagonist 帅嘉谟 became 帅家默, and the litigator 程任卿 became 程仁清13 • 7. Critics divided over these choices. Some praised the conversion of abstract documentary battles into courtroom confrontations with professional texture in procedure, wording, and archive procedure11. Others argued the drama weakened the original's critical force, turning the historically capable initiator of the case into a naive "calculation fool" who barely understands what he is doing, and surrounding the story with stock character types14 • 13.

The source work

The drama draws on Under the Microscope, a collection Ma Boyong published in January 2019 that is not a novel but a work of historical nonfiction: six episodes from Ming dynasty grassroots politics, each reconstructed from archival sources8. Ma Boyong has described the book as sitting between genres, everything in it grounded in historical materials, yet carrying his own inferences and judgments, written as readable historical essays rather than academic history9.

The origin of the silk reel case essay dates to late 2014, when a friend described the case on Weibo in a hundred or so words. Ma Boyong traced the account to an academic paper, and through that paper's citations to the Silk Reel Case Complete Records (《丝绢全书》), documents preserved from Ming-era Huizhou prefecture. He spent roughly a year and a half working through the primary sources, taught himself legal, political, and economic history, and wrote an account of nearly 100,000 characters8 • 10. The case is a rare exception to a general pattern he identified: Chinese historical records concentrate on emperors and generals, while ordinary people's lives are seldom recorded, yet in this case every document, letter, and exchange from a single county dispute survived10.

The historical case

The real dispute ran from Longqing 4 (1570) to Wanli 7 (1579). In 1570, Shuai Jiamo, a member of the Xin'an Guard, petitioned Huizhou prefecture over the poll-tax silk levy. Examining the account books, he found that Huizhou paid 8,780 bolts of poll-tax silk each year, borne entirely by She county, while the prefecture's other five counties paid nothing13.

Under the Collected Statutes of the Great Ming (《大明会典》), a levy collected at the prefecture level should be apportioned among all its counties. Shuai Jiamo concluded that when the tax was first assigned to She county it was recorded as "summer tax silk," and that prefecture clerks, who came from the other five counties, had altered its name so that She county paid the poll-tax silk in its place for over a century13.

The five counties resisted, and after litigation Shuai Jiamo, claiming an attempt on his life, fled. Six years later the case was revived, backed by the Minister of Revenue Yin Zhengmao, a She county native who used it to advance the Single Whip Reform (一条鞭法), a fiscal policy consolidating levies and tying them to landholding. His intervention enraged the five counties, whose residents besieged the county yamen in protest13.

To calm the unrest, the prefecture canceled a military-provision levy that She county had been paying, leaving the other five counties untaxed. The agitator Cheng Renqing (程任卿) and the original petitioner Shuai Jiamo were made scapegoats; Shuai was sentenced to one hundred strokes of the heavy bamboo, exile three thousand li away, and military service on the frontier. The She county gazetteer nonetheless praised him as a bold man who, "with the person of a commoner, disturbed the gaze of the emperor, and in a single morning overturned a century-old case"13.

Reception and performance data

The series opened to a Douban score of 7.8, with 36.5 percent of early raters awarding five stars, and stood at 7.9 when it concluded on 19 February 202315 • 2. On iQIYI its heat value passed 8866 within three days of release, the fastest of any premium short drama on the platform to that point, and the Weibo main topic surpassed 900 million reads5 • 4. Among iQIYI's 2023 dramas it ranked first in average views per episode at 40.64 million for its 14-episode run16.

Commentators noted that its heat lagged its reputation. Reviewers attributed the gap to the short run, a slow opening, and subject matter, tax accounting and Ming fiscal administration, far from the romance, palace intrigue, or fantasy that drives much costume drama viewership4 • 17. The National Radio and Television Administration listed it among the outstanding online dramas of 2023, and iQIYI executives cited it as an example of a title whose release schedule was tailored to the work rather than pushed toward a headline heat figure6 • 18.

Later adaptations and overseas release

The series circulated internationally under the English title Under the Microscope and later became available on Amazon Prime Video19. In Japan it aired on the WOWOW channel as 天地に問う~Under the Microscope~ with a seven-volume DVD release. The Japanese historian Fuma Susumu, whose scholarship on the Huizhou silk case was among the sources Ma Boyong used, reviewed the drama for a Chinese readership and judged its plot far removed from the historical record, while noting that the character Cheng Renqing, played by Wang Yang, had reshaped readers' image of the litigator he had described in his own work7 • 8.

In 2025 a two-person stage adaptation, written and directed by Li Xiang and Wang Anrui, ran at the Poly Star Drama Village (繁星戏剧村) in Beijing, compressing the story into a 120-minute duel of values between Shuai Jiamo and his opponent20. Ma Boyong has said the remaining five stories of Under the Microscope are also slated for screen development, with the silk reel case serving as the pilot for the series2.

References

  1. 爱奇艺:《显微镜下的大明之丝绢案》2月9日上线
  2. 专访|马伯庸:作家做编剧,一定要"放得下、退得出",澎湃新闻
  3. 马伯庸首次担纲编剧:打开一个看待历史的别样视角,文艺报
  4. 马伯庸:一个作家,安身立命之本还是写作本身|专访,澎湃新闻·骨朵
  5. 古装传奇短剧《显微镜下的大明之丝绢案》收官,360娱乐
  6. 国家广播电视总局2023年度优秀网络视听作品推选活动优秀作品目录
  7. 夫马进:中国讼师电视剧《显微镜下的大明之丝绢案》观后,澎湃新闻·上海书评
  8. 专访|马伯庸:探索历史非虚构,挖掘明朝小人物的现代性,澎湃新闻
  9. 马伯庸的书写得好,影视改编怎么老是稍欠火候?澎湃新闻
  10. 马伯庸:小人物的执着让我心动,中国青年报
  11. 《显微镜下的大明》:又实又爽的新派历史剧(李星文),中国文艺评论网
  12. 张若昀拍《显微镜下的大明》是一种脱离舒适圈的自我挑战丨主创谈,新京报
  13. "显微镜"没看清大明?来历史中找找答案!北京晚报
  14. 非虚构历史作品影视剧改编的困境与尺度——评《显微镜下的大明之丝绢案》,文汇报
  15. 马伯庸原作改编新剧《显微镜下的大明之丝绢案》豆瓣7.8分,游民星空
  16. 爱奇艺驶过风暴,长视频2023的新想象,创业邦
  17. 豆瓣7.8,张若昀和老戏骨坐镇,《显微镜下的大明》为啥扑了?新浪新闻
  18. 关于爱奇艺的剧集策略,王晓晖一口气回答了30个问题,Bianews
  19. Under the Microscope – streaming tv series online, JustWatch
  20. 话剧《显微镜下的大明之丝绢案》:放肆的喜剧,严肃的思考,北京日报客户端

Topic: Encyclopedia › Arts and culture › Screen and stage › Film and television › Series and fictional screen worlds › International serial drama and telenovelas › East Asian drama series › East Asian web and streaming serials › Titles Sp to Z

Initially written Oct 3, 2026 · Reviewed: Oct 25, 2026 · Edited: Oct 15, 2026; Oct 25, 2026; Nov 1, 2026 · Last review: Oct 25, 2026

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Under the Microscope (显微镜下的大明之丝绢案)

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